9780300121414

Book Description: Book Condition: New. BRAND NEW. Bookseller Inventory # CCCC13538

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Book Description: Yale Univ Pr. Book Condition: New. Book is unread, as issued from the publisher. Bookseller Inventory # 0300121415:0:1:1

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Book Description: YALE University Press. Book Condition: New. New, This item can not be shipped Internationl. Bookseller Inventory # 0300121415

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Book Description: Yale University Press. Book Condition: New. 2007. Hardcover. . . . . . Bookseller Inventory # V9780300121414

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Book Description: Yale University Press. Hardback. Book Condition: new. BRAND NEW, Jasper Johns: An Allegory of Painting, 1955-1965, Jeffrey Weiss, John Elderfield, Carol C. Mancusi-Ungaro, Robert Morris, Kathryn Tuma, Jasper Johns (b. 1930) is one of the most significant figures in the history of postwar art. His work from 1955 to 1965 was pivotal, exercising an enormous impact on the subsequent development of pop, minimalism, and conceptual art in the United States and Europe. This is the first publication to approach Johns' work of this ten-year period through a thematic framework. It examines Johns' interest in the condition of painting as a medium, a practice, and an instrument of encoded meaning through several interrelated motifs: the target, the 'device', the naming of colours, and the imprint of the body. In this handsome book, leading scholars, a conservator, and a contemporary artist consider Johns' activity in this critical decade including many of the artist's iconic paintings, such as "Target with Four Faces" (1955), "Diver" (1962), "Periscope" (Hart Crane) (1963), and "Arrive-Depart" (1963). Their new critical and historical perspectives are grounded in an unusually close visual and material analysis of the work. Bookseller Inventory # B9780300121414

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Book Description: Yale University Press/National Gallery of Art, Princeton, 2006. Hardcover. Book Condition: New. Dust Jacket Condition: New. First Edition (1st printing). 4to - over 9¾" - 12" tall. This is a New and Unread copy of the first edition (1st printing). Bookseller Inventory # 023237

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Book Description: Yale University Press. Book Condition: New. 2007. Hardcover. . . . . . Books ship from the US and Ireland . Bookseller Inventory # V9780300121414

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Book Description: Book Condition: Brand New. Book Condition: Brand New * All orders are processed and shipped from Las Vegas Nevada USA *. Bookseller Inventory # 97803001214141.0

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Book Description: Yale University Press, United States, 2007. Hardback. Book Condition: New. 292 x 216 mm. Brand New Book with Free Worldwide Delivery. Jasper Johns (b. 1930) is one of the most significant figures in the history of postwar art. His work from 1955 to 1965 was pivotal, exercising an enormous impact on the subsequent development of pop, minimalism, and conceptual art in the United States and Europe. This is the first publication to approach Johns' work of this ten-year period through a thematic framework. It examines Johns' interest in the condition of painting as a medium, a practice, and an instrument of encoded meaning through several interrelated motifs: the target, the 'device', the naming of colours, and the imprint of the body. In this handsome book, leading scholars, a conservator, and a contemporary artist consider Johns' activity in this critical decade including many of the artist's iconic paintings, such as "Target with Four Faces" (1955), "Diver" (1962), "Periscope" (Hart Crane) (1963), and "Arrive-Depart" (1963). Their new critical and historical perspectives are grounded in an unusually close visual and material analysis of the work. Bookseller Inventory # AAH9780300121414

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Book Description: Book Condition: New. Bookseller Inventory # 4213502-n

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