9780300149937

Book Description: Book Condition: New. Bookseller Inventory # 11701925-n

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Book Description: YALE University Press. Book Condition: New. New, This item can not be shipped Internationl. Bookseller Inventory # 030014993X

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Book Description: Hardcover. Book Condition: New. Bookseller Inventory # 2201149

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Book Description: Yale University Press/Addison Gallery of American Art, New Haven, 2011. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. 4to - over 9¾ - 12" tall. This is a New and Unread copy of the first edition sealed in the publisher's shrink wrap as issued. Bookseller Inventory # 037531

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Book Description: Yale University Press. Hardcover. Book Condition: New. 030014993X Brand New. Bookseller Inventory # Z030014993XZN

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Book Description: Yale University Press. Hardcover. Book Condition: New. 030014993X Brand New. Bookseller Inventory # Z030014993XZN

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Book Description: Hardcover. Book Condition: New. 249mm x 16mm x 287mm. 108 pages. 0.975. Bookseller Inventory # 9780300149937

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Book Description: Yale University Press, United States, 2011. Hardback. Book Condition: New. 279 x 229 mm. Brand New Book with Free Worldwide Delivery. Since his early work was first embraced by Alfred Stieglitz, John Marin (1870-1953) has been recognized as one of America's foremost watercolourists. During the last two decades of Marin's career, however, oil painting played a greater role in his studio practice. Marin's engagement with oil was liberating, eventually yielding a more fluid, linear, and calligraphic style. This beautiful publication is the first to focus exclusively on Marin's output from the 1930s through the early 1950s, a corpus of nearly seventy works, which has been generally overlooked in art historical literature. Debra Bricker Balken resituates these works within the discourses of mid-century modernism, convincingly arguing that critics - such as Clement Greenberg - saw them as important precursors to Abstract Expressionism, influencing such artists as Willem de Kooning and Jackson Pollock. Marin's painted abstractions of the Maine coast and Manhattan architecture were singled out for their invention, singularity, and authority, and forecast the new language of Abstract Expressionism. Bookseller Inventory # AAC9780300149937

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Book Description: Yale University Press. Hardback. Book Condition: new. BRAND NEW, John Marin: Modernism at Midcentury, Debra Bricker Balken, Since his early work was first embraced by Alfred Stieglitz, John Marin (1870-1953) has been recognized as one of America's foremost watercolourists. During the last two decades of Marin's career, however, oil painting played a greater role in his studio practice. Marin's engagement with oil was liberating, eventually yielding a more fluid, linear, and calligraphic style. This beautiful publication is the first to focus exclusively on Marin's output from the 1930s through the early 1950s, a corpus of nearly seventy works, which has been generally overlooked in art historical literature. Debra Bricker Balken resituates these works within the discourses of mid-century modernism, convincingly arguing that critics - such as Clement Greenberg - saw them as important precursors to Abstract Expressionism, influencing such artists as Willem de Kooning and Jackson Pollock. Marin's painted abstractions of the Maine coast and Manhattan architecture were singled out for their invention, singularity, and authority, and forecast the new language of Abstract Expressionism. Bookseller Inventory # B9780300149937

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Book Description: Yale Univ Pr 2011/06/23, 2011. Book Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bookseller Inventory # NU-BNT-00762192

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