The acclaimed author of the Kurt Wallander mysteries, writing at the height of his powers, now gives us an electrifying stand-alone global thriller.
January 2006. In the Swedish hamlet of Hesjövallen, nineteen people have been massacred. The only clue is a red ribbon found at the scene.
Judge Birgitta Roslin has particular reason to be shocked: Her grandparents, the Andréns, are among the victims, and Birgitta soon learns that an Andrén family in Nevada has also been murdered. She then discovers the nineteenth-century diary of an Andrén ancestor—a gang master on the American transcontinental railway—that describes brutal treatment of Chinese slave workers. The police insist that only a lunatic could have committed the Hesjövallen murders, but Birgitta is determined to uncover what she now suspects is a more complicated truth.
The investigation leads to the highest echelons of power in present-day Beijing, and to Zimbabwe and Mozambique. But the narrative also takes us back 150 years into the depths of the slave trade between China and the United States—a history that will ensnare Birgitta as she draws ever closer to solving the Hesjövallen murders.
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Henning Mankell is the prizewinning author of the Kurt Wallander mysteries, which were adapted into a PBS television series starring Kenneth Branagh. His novels have been translated into forty languages and have sold thirty million copies worldwide. He is the first winner of the Ripper Award (the new European Crime Fiction Star Award) and has also received the Glass Key and Golden Dagger awards. He divides his time between Sweden and Mozambique.Excerpt. © Reprinted by permission. All rights reserved.:
Frozen snow, severe frost. Midwinter.
Early in January 2006 a lone wolf crosses the unmarked border and enters Sweden from Vauldalen in Norway. A man on a snowmobile thinks he might have glimpsed it just outside Fjällnäs, but the wolf vanishes into the trees heading east before he is able to pinpoint it. In the remote Norwegian Österdalarna Mountains it had discovered a lump of frozen moose carcass, with remnants of meat still clinging to the bones. But that was more than two days ago. It is beginning to feel the pain of hunger and is desperately searching for food.
The wolf is a young male that has set out to find a territory of his own. He continues his way eastward. At Nävjarna, north of Linsell, he finds another moose carcass. For a whole day he stays and eats his fill before resuming his trek east. When he comes to Kårböle he trots over the frozen Ljusnan and then follows the river along its winding route toward the sea. One moonless night he lopes silently over the bridge at Järvsö, then heads into the vast forests that stretch to the coast.
In the early morning of January 13 the wolf reaches Hesjövallen, a tiny village south of Hansesjön Lake in Hälsingland. He pauses and sniffs the air. He detects the smell of blood. He looks around. There are people living in the houses but no smoke rising from the chimneys. His sharp ears can’t detect the slightest sound.
But the wolf is in no doubt about the blood. He skulks at the edge of the forest, nose in the air. Then he moves forward, silently, through the snow. The smell comes from one of the houses at the far end of the hamlet. He is vigilant now—with humans around it’s essential to be both careful and patient. He pauses again. The smell originates from the back of the house. He waits. Then eventually starts moving once more. When he gets there he finds another carcass. He drags his large meal back to the trees. He has not been discovered, not even the village dogs have stirred. The silence is total this freezing cold morning.
The wolf starts eating when he comes to the edge of the trees. It is easy, as the flesh has not yet frozen. He is very hungry now. Having pulled off a leather shoe, he starts gnawing away at an ankle.
It snowed during the night but stopped before dawn. As the wolf eats his fill, snowflakes once again start dancing down toward the frozen ground.
When Karsten Höglin woke up he remembered dreaming about a photograph. He lay motionless in bed and felt the image returning slowly, as if the negative of his dream were sending a copy into his conscious mind. He recognized the picture. It was black and white and depicted a man sitting on an old iron bed, with a hunting rifle hanging on the wall and a chamber pot at his feet. When he saw it for the first time, he had been gripped by the old man’s wistful smile. There was something timorous and evasive about him. Much later Karsten had discovered the background. A few years earlier the man had accidentally shot and killed his only son while hunting seabirds. From then on the rifle had never come down from the wall, and the man had become a hermit.
Höglin thought that of all the thousands of photographs and negatives he had seen, this was the one he would never forget. He wished he had taken it himself.
The clock on his bedside table read half past seven. Höglin usually woke up very early, but he had slept badly that night, the bed and its mattress were uncomfortable. He made up his mind to complain about them when he checked out of the hotel.
It was the ninth and final day of his journey. It had been made possible by a scholarship enabling him to study deserted villages and other small settlements that were being depopulated. He had come as far as Hudiksvall and had one hamlet left to photograph. He had chosen this particular one because an old man who lived there had read about his project and sent him a letter. Höglin had been impressed by the letter and decided that this was the place for him to conclude his study.
He got up and opened the curtains. It had snowed during the night and was still gray, the sun not yet risen. A bundled-up woman was cycling past in the street below. Karsten considered her and wondered how cold it was. Negative five degrees Celsius, possibly negative seven.
He dressed and took the slow-moving elevator down to reception. He had parked his car in the enclosed courtyard behind the hotel. It was safe there. Even so, he had taken all his photographic equipment up to his room, as was his practice. His worst nightmare was to come to his car one day and find that all his cameras had vanished.
The receptionist was a young girl, barely out of her teens. He noticed that her makeup was slapdash and gave up on the idea of complaining about the bed. After all, he had no intention of ever returning to the hotel.
In the breakfast room a few guests were absorbed in their morning papers. For a fleeting moment he was tempted to get a camera and take a shot. It gave him the feeling that Sweden had always been exactly like this. Silent people, poring over their newspapers with a cup of coffee, absorbed in their own thoughts, their own fates.
But he resisted the temptation, served himself coffee, buttered two slices of bread, and tucked into a soft-boiled egg. Without a newspaper, he ate quickly. He hated being at a meal on his own without anything to read.
It was colder than he expected when he emerged from the hotel. He stood on tiptoe to read the thermometer in the reception window. Negative eleven degrees. And falling, he suspected. This winter has been far too warm. Here comes the cold spell we’ve been expecting. He put his cases on the backseat, started the engine, and began scraping ice off the windshield. There was a map on the passenger seat. The previous day, after taking pictures of a village not far from Lake Hassela, he had worked out how to get to his final port of call: take the main road southward, turn off toward Sörforsa near Iggesund, then follow either the east or the west shore of the lake called Storsjön in some parts and Långsjön in others. The guy at the gas station on the way into Hudiksvall had warned him that the east road was bad, but he decided to take it anyway. It would be quicker. And the light was so lovely this winter morning. He could already envisage the smoke rising straight up to the sky from the chimneys.
It took him forty minutes to get there. By then he had already made a wrong turn, a road leading southward to Näcksjö.
Hesjövallen was situated in a little valley by a lake whose name he couldn’t recall. Hesjön, maybe? The dense forests extended all the way to the hamlet, on both sides of the narrow road leading up toward Härjedalen.
Karsten stopped at the edge of the tiny village and got out of the car. There were breaks in the clouds now. The light would become more difficult to capture, perhaps not so expressive. He looked around. Everything was very still. The houses gave the impression of having been there since time immemorial. In the distance he could hear the faint noise of traffic on the main road.
He suddenly felt uneasy. He held his breath, as he always did when confronted with something he didn’t really understand.
Then it dawned on him—the chimneys, they were cold. There was no sign of smoke, which would have been an effective feature of the photographs he hoped to take. His gaze moved slowly from house to house. Somebody’s cleared the snow already, he thought. But not lit a single fire? He remembered the letter he’d received from the man who had told him about the village. He had referred to the chimneys and how the houses seemed, in a childish sort of way, to be sending smoke signals to one another.
He sighed. People don’t write the truth, but what they think you want to read. Now should I take pictures with cold chimneys or abandon the whole business? Nobody was forcing him to take photographs of Hesjövallen and its inhabitants. He already had plenty of pictures of the Sweden that was fading away: the derelict farms, the remote villages whose only hope of survival was that Danes and Germans would buy up the houses and turn them into summer cottages. He decided to leave and returned to his car. But he didn’t start the engine. He had come this far; the least he could do was to try to create some portrait of the local inhabitants—he wanted faces. As the years passed, Karsten Höglin had become increasingly fascinated by elderly people. He wanted to compile an album: pictures that would describe the beauty found only in the faces of very old women, their lives and hardships etched into their skin like the sediment in a cliff wall.
He got out of his car again, pulled his fur hat down over his ears, picked out a Leica M6 he’d been using for the past ten years, and made for the nearest of the group of houses. There were ten in all, most of them timber and painted red, some with added stoops. He could see only one modern house. If it could still be called modern, that is—a 1950s detached house. When he came to the gate, he paused and raised his camera. The nameplate indicated that the Andrén family lived there. He took a few shots, varying the aperture setting and exposure time, trying out several angles, though it was clear that there wasn’t enough light yet and he would get only an indistinct blur. But you never know. Photographers sometimes expose unexpected secrets.
Höglin was intuitive with his work. Not that he didn’t bother to measure light levels when required, but sometimes he’d pull off surprising results without paying attention to carefully calculated exposure times. Improvisation went with the territory.
The gate was stiff. He had to push hard in order to open it. There were no footprints in the newly fallen...
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Book Description Knopf, 2010. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "This is hands down the best thriller I've read in five years. Grade: A . . . Complex and enormously satisfying." -Entertainment Weekly "The book cements Mankell's reputation as Sweden's greatest living mystery writer . . . Roslin is a sort of Nordic Miss Marple." -Los Angeles Times "Mankell succeeds in transfixing the reader with a masterly balance of character sketches and pell-mell storytelling. He is entirely convincing in his depiction of ordinary people becoming enmeshed in geopolitical intrigue." -Wall Street Journal "Mankell's new book is an original but still chock-a-block with gory crime combined with hints of the late Stieg Larsson's social concern and John le Carr's international intrigue." -Pittsburgh Post-Gazette "A must-read for anyone interested in the international crime novel." -Booklist "Over the past decade or so, Henning Mankell has built a large audience that, even now, in the (mostly) snowless U.S., can't wait to find copies of his new snowbound work of mystery.The Man from Beijingmore than repays such patience. It's a terrific police procedural . . . Despite the broad reach of the plot, the book never puts the reader in danger of losing interest." -Alan Cheuse,Dallas Morning News "The Man from Beijing,though not a Wallander novel, is the equal to any in that series. It's the work of a writer with the imagination, brains, resources, and joinerly craft needed to make thoughtful, challenging, exciting, artistic novels . . . Remarkable." -Philadelphia Inquirer "Scandinavian crime writing has seldom shouldered the burdens of world history with such upfront ambition." -Independent(UK) "Breathtakingly bold in its scope." -Kirkus Reviews "Gripping . . . It is the disruption, the threat and the delicious chill of fear, all safely contained, that is the pleasure of this book." -Observer(UK) "With this overwhelming thriller, Mankell has perhaps presented us with his best book ever." -Westdeutsche Allgemeine(Germany) "Mankell's best thriller in fifteen years." -Svenska Dagbladet(Sweden) "A fantastic book . . . The book of the year so far . . . Whether you read it as a suspense novel, a thriller, or as commentary on the world of today with roots more than 150 years back, it is fascinating." -Kulturspeilet(Norway) "[The Man from Beijing]conquers the world." -Bors Tidning(Sweden) "Mankell shows us once again that he is the absolute master of his class." -Kulturbase(Germany) "There is no doubt that Mankell with this blockbuster of a thriller has written one of his best books . . . Suspense until the last page, audacious storytelling, and two female main characters presented with care and compassion." -Dagsavisen(Norway) "Explosive." -Leben & Glauben(Germany). Bookseller Inventory # ABE_book_new_0307271862
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Book Description Alfred A. Knopf, New York, 2010. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. First American Edition/First Printing. Hardcover in dustjacket. 367 pages. A unique blockbuster of a thriller that deals with the world today, and tomorrow. A fine dustjacket over a fine book. New. Unread. From my smoke-free collection. Bookseller Inventory # 941
Book Description Alfred A. Knopf, 2010. Hardcover. Book Condition: New. Bookseller Inventory # P110307271862
Book Description Alfred A. Knopf, Inc., 2010. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition... New York: Knopf . First edition. Hardbound. New/New. A pristine unread copy, very fine in all respects. SIGNED BY AUTHOR on title page. Comes with mylar dust jacket protector. Shipped in sturdy box. Smoke-free shop. Purchased new and opneed only for author to sign. Laurie Thompson (Translator). According to the Los Angeles Times: This stand-alone thriller just might "cement Mankell's reputation as Sweden's greatest living mystery writer." The book quickly went through multiple printings. This is the first printing. 0.0. Signed by Author(s). Bookseller Inventory # 0210-2