Deliciously sensuous and fascinating, Robb renders in vivid detail the intoxicating pleasures of Brazil’s food, music, literature, and landscape as he travels not only cross country but also back in time—from the days of slavery to modern day political intrigue and murder. Spellbinding and revelatory, Peter Robb paints a multi-layered portrait of Brazil as a country of intoxicating and passionate extremes.
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Peter Robb has divided his time among Brazil, southern Italy, and Australia for the last quarter century. He is the author of Midnight in Sicily, a New York Public Library Best Book and a Publishers Weekly Best Book of the Year; and M: The Man Who Became Caravaggio, which was a New York Times Notable Book of 2000. The Economist described Midnight in Sicily as “quite simply, the best book about Italy in English” and The Times Literary Supplement called it “a classic.”Deliciously sensuous and fascinating, Robb renders in vivid detail the intoxicating pleasures of Brazil’s food, music, literature, and landscape as he travels not only cross country but also back in time—from the days of slavery to modern day political intrigue and murder. Spellbinding and revelatory, Peter Robb paints a multi-layered portrait of Brazil as a country of intoxicating and passionate extremes.
One night twenty years ago in Rio de Janeiro, the author was attacked by a knife-wielding burglar, who then broke down and stayed until dawn, unburdening his soul. Robb became fascinated with Brazil, and here offers a seductive synthesis of history, gastronomy, literature, pop culture, and current events. He is most drawn to the landscape of the northeast. Once home to communities of escaped slaves, the region has, more recently, produced such figures as the disgraced President Fernando Collor de Mello, who was impeached in 1992, and Luis (Lula) Inácio da Silva, a former metalworker who was elected President a decade later. Between the mouthwatering dishes and caipirinhas, Robb explores the extreme contrasts of wealth and poverty, beauty and brutality—tens of thousands of violent deaths each year—in what he considers the "most thrilling country in the Western Hemisphere."
Copyright © 2005 The New Yorker
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