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The Rest Is Noise: Listening to the Twentieth Century

Ross, Alex Author

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Winner of the 2007 National Book Critics Circle Award for Criticism
A New York Times Book Review Top Ten Book of the Year
Time magazine Top Ten Nonfiction Book of 2007

Newsweek Favorite Books of 2007
A Washington Post Book World Best Book of 2007

In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
 

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Review:

Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic.

Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals."

Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes

About the Author:

Alex Ross, music critic for The New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism, a Holtzbrinck Fellowship at the American Academy in Berlin, a Fleck Fellowship from the Banff Centre, and a Letter of Distinction from the American Music Center for significant contributions to the field of contemporary music. The Rest is Noise is his first book.

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Book Description Picador, 2008. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "The Rest Is Noiseis a great achievement."--The New York Times Book Review "The Rest Is Noiseis a long and thrilling ride. . . . Alex Ross writes about music in vivid language humming with intelligence."--Salon. Bookseller Inventory # ABE_book_new_0312427719

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Book Description Picador. PAPERBACK. Book Condition: New. 0312427719 A colorful history of modern music is set against the backdrop of the events, personalities, social institutions, and cultural movements of the twentieth century, chronicling the evolution of mass culture and mass politics, technological innovation, revolution, social experiments, and more in terms of the music of the era. Winner of the 2007 National Book Critics Circle Award for Criticism. Reprint. 50,000 first printing. Bookseller Inventory # 4241787

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Book Description Picador USA, United States, 2008. Paperback. Book Condition: New. Reprint. 206 x 140 mm. Language: English Brand New Book. In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler s Germany and Stalin s Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century s most influential composers and the wider culture. The Rest is Noise is an astonishing history of the twentieth century as told through its music. Bookseller Inventory # ABZ9780312427719

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Book Description Paperback. Book Condition: New. 1st. 140mm x 30mm x 209mm. Paperback. "Winner of the 2007 National Book Critics Circle "Award for Criticism"A "New York Times Book Review "Top Ten Book of the Year"Time "magazine .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 684 pages. 0.717. Bookseller Inventory # 9780312427719

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Book Description Picador USA, United States, 2008. Paperback. Book Condition: New. Reprint. 206 x 140 mm. Language: English Brand New Book. In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler s Germany and Stalin s Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century s most influential composers and the wider culture. The Rest is Noise is an astonishing history of the twentieth century as told through its music. Bookseller Inventory # ABZ9780312427719

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Book Description Picador. Paperback. Book Condition: New. Paperback. 720 pages. Dimensions: 8.1in. x 5.5in. x 1.2in.Winner of the 2007 National Book Critics Circle Award for CriticismA New York Times Book Review Top Ten Book of the YearTime magazine Top Ten Nonfiction Book of 2007Newsweek Favorite Books of 2007A Washington Post Book World Best Book of 2007In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitlers Germany and Stalins Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the centurys most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA. Paperback. Bookseller Inventory # 9780312427719

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