Editorial Reviews for this title:
"One of the most important and courageous voices in Chinese literature." --Gao Xingjian, winner of the 2000 Nobel Prize for Literature
From the highly acclaimed Ma Jian comes a satirical and powerfully written novel--excerpted in The New Yorker--about the absurdities and cruelties of life in post-Tianamen China.
Two men, a writer of political propaganda and a professional blood donor, meet for dinner every week. During the course of one drunken evening, the writer recounts the stories he would write, had he the courage: a young man buys an old kiln from an art school and opens a private crematorium, delighting in his ability to harass the corpses of police officers and Party secretaries while swooning to banned Western music; a heartbroken actress performs a public suicide by stepping into the jaws of a wild tiger, watched nonchalantly by her ex-lover. He is inspired by extraordinary characters, their lives pulled and pummeled by fate and politics, as if they were balls of dough in the hands of an all-powerful noodle maker.
Ma Jian's masterpiece allows us a humorous yet profound glimpse of those struggling to survive under a system that dictates their every move.
From the Thomas Cook prizewinner for Red Dust comes this virtuoso piece of ?red humour.? Written in the aftermath of the Tiananmen massacre, it is a darkly funny novel about the absurdities and cruelties of life in modern China.
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