“ I wonder how the book got to Guernsey? Perhaps there is some sort of secret homing instinct in books that brings them to their perfect readers.” January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she’s never met, a native of the island of Guernsey, who has come across her name written inside a book by Charles Lamb….
As Juliet and her new correspondent exchange letters, Juliet is drawn into the world of this man and his friends—and what a wonderfully eccentric world it is. The Guernsey Literary and Potato Peel Pie Society—born as a spur-of-the-moment alibi when its members were discovered breaking curfew by the Germans occupying their island—boasts a charming, funny, deeply human cast of characters, from pig farmers to phrenologists, literature lovers all.
Juliet begins a remarkable correspondence with the society’s members, learning about their island, their taste in books, and the impact the recent German occupation has had on their lives. Captivated by their stories, she sets sail for Guernsey, and what she finds will change her forever.
Written with warmth and humor as a series of letters, this novel is a celebration of the written word in all its guises, and of finding connection in the most surprising ways.
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Mary Ann Shaffer who passed away in February 2008, worked as an editor, librarian, and in bookshops. The Guernsey Literary and Potato Peel Pie Society was her first novel.
Her niece, Annie Barrows, is the author of the children’s series Ivy and Bean, as well as The Magic Half. She lives in northern California.
8th January, 1946
Mr. Sidney Stark, Publisher
Stephens & Stark Ltd.
21 St. James's Place
Susan Scott is a wonder. We sold over forty copies of the book, which was very pleasant, but much more thrilling from my standpoint was the food. Susan managed to procure ration coupons for icing sugar and real eggs for the meringue. If all her literary luncheons are going to achieve these heights, I won't mind touring about the country. Do you suppose that a lavish bonus could spur her on to butter? Let's try it—you may deduct the money from my royalties.
Now for my grim news. You asked me how work on my new book is progressing. Sidney, it isn't.
English Foibles seemed so promising at first. After all, one should be able to write reams about the Society to Protest the Glorification of the English Bunny. I unearthed a photograph of the Vermin Exterminators' Trade Union, marching down an Oxford street with placards screaming "Down with Beatrix Potter!" But what is there to write about after a caption? Nothing, that's what.
I no longer want to write this book—my head and my heart just aren't in it. Dear as Izzy Bickerstaff is—and was—to me, I don't want to write anything else under that name. I don't want to be considered a light-hearted journalist anymore. I do acknowledge that making readers laugh—or at least chuckle—during the war was no mean feat, but I don't want to do it anymore. I can't seem to dredge up any sense of proportion or balance these days, and God knows one cannot write humor without them.
In the meantime, I am very happy Stephens & Stark is making money on Izzy Bickerstaff Goes to War. It relieves my conscience over the debacle of my Anne Bront biography.
My thanks for everything and love,
P.S. I am reading the collected correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? "My dear little Jane, everybody is born with a vocation, and yours is to write charming little notes." I hope Jane spat on her.
From Sidney to Juliet
10th January, 1946
Miss Juliet Ashton
23 Glebe Place
London S.W. 3
Congratulations! Susan Scott said you took to the audience at the luncheon like a drunkard to rum—and they to you—so please stop worrying about your tour next week. I haven't a doubt of your success. Having witnessed your electrifying performance of "The Shepherd Boy Sings in the Valley of Humiliation" eighteen years ago, I know you will have every listener coiled around your little finger within moments. A hint: perhaps in this case, you should refrain from throwing the book at the audience when you finish.
Susan is looking forward to ushering you through bookshops from Bath to Yorkshire. And of course, Sophie is agitating for an extension of the tour into Scotland. I've told her in my most infuriating older-brother manner that It Remains To Be Seen. She misses you terribly, I know, but Stephens & Stark must be impervious to such considerations.
I've just received Izzy's sales figures from London and the Home Counties—they are excellent. Again, congratulations!
Don't fret about English Foibles; better that your enthusiasm died now than after six months spent writing about bunnies. The crass commercial possibilities of the idea were attractive, but I agree that the topic would soon grow horribly fey. Another subject—one you'll like—will occur to you.
Dinner one evening before you go? Say when.
P.S. You write charming little notes.
From Juliet to Sidney
11th January, 1946
Yes, lovely—can it be somewhere on the river? I want oysters and champagne and roast beef, if obtainable; if not, a chicken will do. I am very happy that Izzy's sales are good. Are they good enough that I don't have to pack a bag and leave London?
Since you and S&S have turned me into a moderately successful author, dinner must be my treat.
P.S. I did not throw "The Shepherd Boy Sings in the Valley of Humiliation" at the audience. I threw it at the elocution mistress. I meant to cast it at her feet, but I missed.
From Juliet to Sophie Strachan
12th January, 1946
Mrs. Alexander Strachan
by Oban Argyll
Of course I'd adore to see you, but I am a soul-less, will-less automaton. I have been ordered by Sidney to Bath, Colchester, Leeds, and several other garden spots I can't recall at the moment, and I can't just slither off to Scotland instead. Sidney's brow would lower—his eyes would narrow—he would stalk. You know how nerve-racking it is when Sidney stalks.
I wish I could sneak away to your farm and have you coddle me. You'd let me put my feet on the sofa, wouldn't you? And then you'd tuck blankets around me and bring me tea? Would Alexander mind a permanent resident on his sofa? You've told me he is a patient man, but perhaps he would find it annoying.
Why am I so melancholy? I should be delighted at the prospect of reading Izzy to an entranced audience. You know how I love talking about books, and you know how I adore receiving compliments. I should be thrilled. But the truth is that I'm gloomy—gloomier than I ever was during the war. Everything is so broken, Sophie: the roads, the buildings, the people. Especially the people.
This is probably the aftereffect of a horrid dinner party I went to last night. The food was ghastly, but that was to be expected. It was the guests who unnerved me—they were the most demoralizing collection of individuals I've ever encountered. The talk was of bombs and starvation. Do you remember Sarah Morecroft? She was there, all bones and gooseflesh and bloody lipstick. Didn't she use to be pretty? Wasn't she mad for that horse-riding fellow who went up to Cambridge? He was nowhere in evidence; she's married to a doctor with grey skin who clicks his tongue before he speaks. And he was a figure of wild romance compared to my dinner partner, who just happened to be a single man, presumably the last one on earth—oh Lord, how miserably mean-spirited I sound!
I swear, Sophie, I think there's something wrong with me. Every man I meet is intolerable. Perhaps I should set my sights lower—not so low as the grey doctor who clicks, but a bit lower. I can't even blame it on the war—I was never very good at men, was I?
Do you suppose the St. Swithin's furnace-man was my one true love? Since I never spoke to him, it seems unlikely, but at least it was a passion unscathed by disappointment. And he had that beautiful black hair. After that, you remember, came the Year of Poets. Sidney's quite snarky about those poets, though I don't see why, since he introduced me to them. Then poor Adrian. Oh, there's no need to recite the dread rolls to you, but Sophie—what is the matter with me? Am I too particular? I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with.
What a dreadful, complaining letter. You see? I've succeeded in making you feel relieved that I won't be stopping in Scotland. But then again, I may—my fate rests with Sidney.
Kiss Dominic for me and tell him I saw a rat the size of a terrier the other day.
Love to Alexander and even more to you,
From Dawsey Adams, Guernsey, Channel Islands, to Juliet
12th January, 1946
Miss Juliet Ashton
81 Oakley Street
London S.W. 3
Dear Miss Ashton,
My name is Dawsey Adams, and I live on my farm in St. Martin's Parish on Guernsey. I know of you because I have an old book that once belonged to you—the Selected Essays of Elia, by an author whose name in real life was Charles Lamb. Your name and address were written inside the front cover.
I will speak plain—I love Charles Lamb. My own book says Selected, so I wondered if that meant he had written other things to choose from? These are the pieces I want to read, and though the Germans are gone now, there aren't any bookshops left on Guernsey.
I want to ask a kindness of you. Could you send me the name and address of a bookshop in London? I would like to order more of Charles Lamb's writings by post. I would also like to ask if anyone has ever written his life story, and if they have, could a copy be found for me? For all his bright and turning mind, I think Mr. Lamb must have had a great sadness in his life.
Charles Lamb made me laugh during the German Occupation, especially when he wrote about the roast pig. The Guernsey Literary and Potato Peel Pie Society came into being because of a roast pig we had to keep secret from the German soldiers, so I feel a kinship to Mr. Lamb.
I am sorry to bother you, but I would be sorrier still not to know about him, as his writings have made me his friend.
Hoping not to trouble you,
P.S. My friend Mrs. Maugery bought a pamphlet that once belonged to you, too. It is called Was There a Burning Bush? A Defense of Moses and the Ten Commandments. She liked your margin note, "Word of God or crowd control???" Did you ever decide which?
From Juliet to Dawsey
15th January, 1946
Mr. Dawsey Adams
St. Martin's, Guernsey
Dear Mr. Adams,
I no longer live on Oakley Street, but I'm so glad that your letter found me and that my book found you. It was a sad wrench to part with the Selected Essays of Elia. I had two copies and a dire need of shelf-room, but I felt like a traitor selling it. You have soothed my conscience.
I wonder how the book got to Guernsey? Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers. How delightful if that we...
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Book Description The Dial Press, 2008. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "I can't remember the last time I discovered a novel as smart and delightful as this one, a world so vivid that I kept forgetting this was a work of fiction populated with characters so utterly wonderful that I kept forgetting they weren't my actual friends and neighbors. Treat yourself to this book pleaseI can't recommend it highly enough."Elizabeth Gilbert, author ofEat, Pray, Love "Mary Ann Shaffer and Annie Barrows have written a wondrous, delightful, poignant book part Jane Austen, part history lesson. The letters inThe Guernsey Literary and Potato Peel Pie Society aren't addressed to you, but they are meant for you. It's a book everyone should read. An absolute treasure."Sarah Addison Allen, author ofGarden Spells "The Guernsey Literary and Potato Peel Pie Societyis a sweet, sentimental paean to books and those who love them. It affirms the power of books to nourish people enduring hard times."The Washington Post Book World "Here's who will love this book: anyone who nods in profound agreement with the statement, "Reading keeps you from going gaga."The Guernsey Literary and Potato Peel Pie Societyis a delight. Tart, insightful and fun."Mary Doria Russell, author ofThe Sparrow, A Thread of Grace and Dreamers of the Day "[A] marvelous debut. Reminiscent of Helene Hanff's84 Charing Cross Road, this is a warm, funny, tender, and thoroughly entertaining celebration of the power of the written word."Library Journal "Charming. [Heroine] Juliet finds in the letters not just inspiration for her next work, but also for her lifeas readers will."Publishers Weekly "I've never wanted to join a [book] club as desperately as I did while readingThe Guernsey Literary and Potato Peel Pie Society. [The novel] is a labor of love, and it shows on almost every page."Yvonne Zipp,Christian Science Monitor "[The Guernsey Literary and Potato Peel Pie Societyis] a nifty little cloth whose warp is bibliophilia and whose weft is Anglophilia. I could not put the book down. I have recommended it to all my friends."--Erica Marcus,Newsday " A poignant, funny novel that celebrates the resilience of the human spirit. This one is a treat."Boston Globe "A sure winner. Elizabeth and Juliet are appealingly reminiscent of game but gutsy '40s movie heroines."Kirkus Reviews "A book-lover's delight, an implicit and sometimes explicit paean to all things literary."Chicago Sun-Times "Warm, life-affirming prose . an ideal choice for book groups, and also for individual readers."St. Petersburg Times "Delightful . One of those joyful books that celebrates how reading brings people together."New Orleans Times-Picayune. Bookseller Inventory # ABE_book_new_0385340990
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