Victor Frankenstein, a serious-minded student from Switzerland, meets "Mad Shelley", poet and atheist, at Oxford University. Soon, the two young men are deep in discussion of electrical science and natural philosophy. Frankenstein begins to contemplate new principles and new beliefs. Frankenstein embarks on his anatomy experiments in a barn in the secluded village of Headington, just outside Oxford. But the cadavers supplied by the local coroner are frequently damaged or decaying, so he moves his coils and fluids to a deserted pottery manufactory in Limehouse. Here he makes contact with the Doomsday men - the resurrectionists - who row across the Thames in the dead of night to bring him the fresh corpses of the recently deadů Spine-chilling narrative and ingeniously clever twists of plot and character.
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When two nineteenth-century Oxford students--Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley--form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors.
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men--the resurrectionists--whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity.
Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.Peter Ackroyd on The Casebook of Victor Frankenstein
It is of course obviously true that Frankenstein is a wonderful story, and I was eager to see if I could extend it in other directions. It is a myth and a history, an allegory and a nightmare. I wanted to see if it was possible to maintain all those elements in a re-interpretation of the original text.
I had been greatly impressed by Mary Shelley’s original, but I was eager to tease out some of her assumptions and themes.
I had always been interested in the Romantic movement of English poetry, in the early nineteenth century, and the story of Victor Frankenstein allowed me to explore all the possible meanings of "romantic" in that context. This also meant that I could discuss the worship of electricity and new science in the period. But it also allowed me to introduce the "real" characters of Byron and others into the plot. I wanted to set the story in London, as a way of re-imagining and re-creating the nineteenth-century city. I also wanted to see if I could recreate the language and texture of the period so that the reader would feel connected in an intimate way with a culture and civilization that have now disappeared.
In that I was greatly assisted by the fact that I wrote and presented a series on BBC Television, entitled The Romantics, which allowed me to suggest the lines of continuity between Coleridge, Wordsworth, Byron, Shelley, Keats, and of course Mary Shelley herself. All of these people appear in the novel itself. I was also helped by the fact that in the course of filming I went to all of the sites that appear in the novel itself, particularly the Villa Diodati on the shores of Lake Geneva where Mary Shelley had the original inspiration for her novel. We spent one night filming there, and on the balcony of the house I had an intimation of the novel I was about to write.--Peter AckroydAbout the Author:
PETER ACKROYD is the author of many novels, including the Somerset Maugham Award-winning Last Testament of Oscar Wilde; Hawksmoor, which was named the Whitbread Novel of the Year and won the Guardian Fiction Prize; and Chatterton, which was shortlisted for the Booker Prize. He has also penned acclaimed biographies of T. S. Eliot, Charles Dickens, William Blake, and others. He lives in London.
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Book Description Nan A. Talese, 2009. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Ackroyd takes Mary Shelley's hint of the doppelganger, and plays with it fascinatingly in a fast-paced thriller. The novel leaps to its climax nimbly as a pursuing fiend, and ends suitably in fiery revelation." The Independent "A brilliant jeu d'esprit. Above all, it stands as a tribute to the power of the human imagination." Daily Telegraph "It takes a writer of considerable confidence, wit and skill to attempt a modern retelling of a bona fide English classic.[Ackroyd] is the man for the job. terrifying and fascinating in equal measure. An intelligent, creepily beautiful and haunted thing." The Times "Thrilling concoction.Ackroyd's telling of the tale is a worthy revival--I found his book so creepy I kept the bedroom light on all night." Daily Express "Read [Ackroyd's] fictions at your peril for what you meet are driven obsessions, deceptions and plots of a stylish complexity, mingling wit and high intelligence.a brilliant, impressionistic piece of literary art, and Ackroyd's forte." Scotland on Sunday "Ackroyd's new novel works on so many levels it's difficult to know where to begin. As a pacy thriller, it delivers assured edge of the seat action. As historical fiction, it abounds in authentic detail.as homage to Mary Shelley's Frankenstein it brings both invention and wit.a worthy shadow to Mary Shelley's creation, roaming with impish disruption between the pages of history, biography and literature." Evening Standard "Ackroyd's novel is, like its famous predecessor, immensely readable. It crackles with that peculiar mixture of ebullience and self-loathing that galvanises Ackroyd's resurrection of the past. His ear for Romantic language is almost pitch-perfect." Spectator. Bookseller Inventory # ABE_book_new_0385530846
Book Description Nan A. Talese, 2009. Hardcover. Book Condition: New. 1st U.S. Edition. Bookseller Inventory # DADAX0385530846
Book Description Nan A. Talese, 2009. Hardcover. Book Condition: New. Dust Jacket Condition: New. First US Edition First Printing. New stated first U. S. Edition partial cloth hardcover and dust jacket in excellent condition. Protective mylar cover. 1.26 x 8.35 x 5.83 Inches 368 pages Collectible. Bookseller Inventory # 14393
Book Description Nan A. Talese, 2009. Hardcover. Book Condition: New. Bookseller Inventory # P110385530846