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Jim Fusilli's fine writing paints a vivid, noir-tinged portrait of New York's streets and people, and only the most cold-hearted reader could fail to care about Terry, his daughter Bella, and many other vividly drawn, often damaged characters. Fusilli's sense of place and pacing falter a bit in New Orleans--including a section near the end, which sags noticeably--but most of the story is set in the Big Apple, and is pitch-perfect. This is one of the most powerful, enjoyable crime tales of the season. --Nicholas H. Allison
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