9780415413749

Book Description: Taylor & Francis Ltd. Paperback. Book Condition: new. BRAND NEW PRINT ON DEMAND., Encounters in the Virtual Feminist Museum: Time, Space and the Archive, Griselda Pollock, Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.Griselda Pollock draws on the models of both Aby Warburg's "Mnemosyne Atlas" and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova's "Three Graces" and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath. Artists featured hereinn include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten. Bookseller Inventory # B9780415413749

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Book Description: Taylor Francis Ltd, United Kingdom, 2006. Paperback. Book Condition: New. 246 x 174 mm. Brand New Book with Free Worldwide Delivery ***** Print on Demand *****. Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.Griselda Pollock draws on the models of both Aby Warburg's "Mnemosyne Atlas" and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova's "Three Graces" and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath. Artists featured hereinn include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten. Bookseller Inventory # AAV9780415413749

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Book Description: Taylor and Francis(Routledge), 2007. Paperback. Book Condition: New. 9.685 by 6.85 inches. (280 pages) This item is printed on demand. Please allow up to 10 days extra for printing & delivery. Continuing her feminist reconceptuaisation of the ways we can experience and study the visua arts, word renowned art historian and cutura anayst, Griseda Poock proposes a series of new encounters through virtua exhibitions with art made by women over the twentieth century. Chaenging the dominant museum modes of art and history that have been so excusive of women's artistic contributions to the twentieth century, the virtua feminist museum stages some of the compex reations between femininity, modernity and representation. Griseda Poock drawson the modes of both Aby Warburg's Mnemosyne Atas and Freud's private museum of antiquities as we as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova 's Three Graces and women artist's modernist recamations of the femae body, the book traverses the rupture of fascism and the Hoocaust and ponders the significance of painting and drawing in their aftermath. Artists featured incude: Georgia O'Keeffe, Josephine Baker, Guck, Charotte Saomon, Bracha Ettinger andChristine Tayor Patten. Acknowedgements List of Iustrations Part 1: The Afterife of Images: Framing Fathers 1.What the Graces made me do. Time, Space and the Archive: Questions of Feminist Method2. The Grace of Time: Narrativity, Sexuaity and the Visua Encounter3. The Object?s Gaze in the Freudian Museum Part 2: Femininity, Modernity and Representation 4.Visions of Sex ca 1920 Part 3: After Auschwitz: femininity and futurity 5. Jewish Space/Women?s Time: Encounters with History in the Artworking of Charotte Saomon 1941-19426. The Graces of Catastrophe: Matrixia Time and Aesthetic Space confront the Archive of Disaster Part 4: Time and the Mark 7. The Time of Drawing : Drawing Time Christine Tayor Patten?s Micro/Macro series Index 'In this compex and excessive book Griseda Poock defies the conventions of reason in the history of art and cuture. Creating the 'rooms' of a series of imaginary exhibitions in which women artists such as Frida Kaho or Charotte Saomon freey minge with Sigmund Freud and Aby Warburg, converse with one another out of their time and pace, or hear Water Benjamin on the radio, she invents a new, feminist history for the future. Out of the fragments and traumas of near and ancient pasts, she offers the hope for a poitica and cutura archaeoogy of our time.' - Adrian Rifkin, Professor of Art Writing at Godsmith's Coege, University of London, UK 'A significant contribution to feminist art history. An incrediby ambitious, methodoogicay compex, and inteectuay rich book. Poock provides us with creative ways to conceptuaize the fied of art history that have the possibiity to transform how we interpret and exhibit images. with Encounters in the Virtua Feminist Museum, it is no wonder why Poock continues to be one of our great art historians.' - Woman's Art Journa Griseda Poock is Professor of Socia and Critica Histories of Art and Director for Cutura Anaysis, Theory and History at University of Leeds. A word-renowned schoar of internationa, post-coonia feminist studies in the visua arts, she is best known for her theoretica and methodoogica innovation, combined with deepy engaged readings of historica and contemporary art, fim and cutura theory. (Paperback). Bookseller Inventory # AG0415413745

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Book Description: Routledge 01/02/2012, 2012. Paperback. Book Condition: New. Brand new print-on-demand book. Shipped from UK. This item is printed on demand. Bookseller Inventory # LQ-9780415413749

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Book Description: Routledge 01/05/2012, 2012. Paperback. Book Condition: New. New book. Shipped from US within 10 to 14 business days. Established seller since 2000. This item is printed on demand. Bookseller Inventory # KB-9780415413749

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Book Description: Routledge. Book Condition: BRAND NEW. BRAND NEW Softcover Publisher List Price= $47.95 A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Bookseller Inventory # 513636

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Book Description: Routledge, 2007. Paperback. Book Condition: New. New print on demand book. Shipped from US. Bookseller Inventory # IH-9780415413749

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Book Description: Book Condition: New. This item is printed on demand. Bookseller Inventory # 5136935-n

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Book Description: 2007. Paperback. Book Condition: New. 1st. 177mm x 13mm x 244mm. 262 pages. 0.558. Bookseller Inventory # 9780415413749

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Book Description: Taylor & Francis Group. Book Condition: New. pp. 280. Bookseller Inventory # 7517462

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