About the Author:
Ann M. Martin's The Baby-Sitters Club series sold over 176 million copies and inspired a generation of young readers. Her novels include the Main Street series, BELLE TEAL, the Newbery Honor book A CORNER OF THE UNIVERSE, HERE TODAY, A DOG'S LIFE, and ON CHRISTMAS EVE, as well as the much-loved collaborations P.S, LONGER LETTER LATER and SNAIL MAIL NO MORE with Paula Danziger, and THE DOLL PEOPLE and THE MEANEST DOLL IN THE WORLD, written with Laura Godwin and illustrated by Brian Selznick. She lives in upstate New York.
Raina Telgemeier grew up in San Francisco, then moved to New York City, where she earned an illustration degree at the School of Visual Arts. She is the creator of SMILE, a critically acclaimed graphic memoir based on her childhood, which was a NEW YORK TIMES bestseller and winner of the Will Eisner Award for Best Publication for Teens, and received a BOSTON GLOBE-HORN BOOK Honor. Raina also adapted and illustrated The Baby-sitters Club graphic novels, which were selected for YALSA’s Great Graphic Novels for Teens list and BOOKLIST’s Top 10 Graphic Novels for Youth list. Her new graphic novel for Scholastic is titled DRAMA. Raina lives in Astoria, New York, with her husband, Dave Roman. To learn more, visit her online at www.goRaina.com.
From School Library Journal:
Grade 4–8—Seventh-grader Claudia Kishi is a talented artist and a dependable baby-sitter, but those things don't seem to matter to her parents, who keep comparing her to her brainiac older sister. When school ends for the summer, Claudia is looking forward to art classes and running a morning day camp for the neighborhood kids with her friends. Everything changes when her beloved grandmother has a stroke. Suddenly, Claudia finds herself taking on more and more responsibilities at home, while Janine gets to focus on her summer classes. Readers will relate to Claudia's struggle to understand her sister and cope with the changes in her family. This installment in the series adapts the seventh title in Martin's original sequence, and the story and characters still feel fresh nearly two decades later. Telgemeier's black-and-white illustrations are crisp and clear, while concise narrative passages keep the focus on the dialogue and action. Here and there, a wordless panel conveys much more than a simple description; if a picture is worth a thousand words, then the portrait of Louie the collie after the day-camp kids "make him look beautiful" must be worth a chapter or two alone. A concluding "Making of" chapter provides a peek into Telgemeier's process when adapting the original novels, which will be especially interesting to readers thinking of developing their own comics. The well-developed characters and familiar struggles with friends, family, and school will keep kids coming back to these books.—Beth Gallego, Los Angeles Public Library, Panorama City
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