An international bestseller and the basis for a hugely successful film, Ken Kesey's One Flew Over the Cuckoo's Nest was one of the defining works of the 1960s.
A mordant, wickedly subversive parable set in a mental ward, the novel chronicles the head-on collision between its hell-raising, life-affirming hero Randle Patrick McMurphy and the totalitarian rule of Big Nurse. McMurphy swaggers into the mental ward like a blast of fresh air and turns the place upside down, starting a gambling operation, smuggling in wine and women, and egging on the other patients to join him in open rebellion. But McMurphy's revolution against Big Nurse and everything she stands for quickly turns from sport to a fierce power struggle with shattering results.
With One Flew Over the Cuckoo's Nest, Kesey created a work without precedent in American literature, a novel at once comic and tragic that probes the nature of madness and sanity, authority and vitality. Greeted by unanimous acclaim when it was first published, the book has become and enduring favorite of readers.
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Ken Kesey was born in 1935 and grew up in Oregon. He graduated from the University of Oregon and later studied at Stanford with Wallace Stegner, Malcolm Cowley, Richard Scowcroft, and Frank O' Connor. One Flew Over the Cuckoo's Nest, his first novel, was published in 1962. His second novel, Sometimes a Great Notion, followed in 1964. His other books include Kesey's Garage Sale, Demon Box, Caverns (with O. U. Levon), The Further Inquiry, Sailor Song, and Last Go Round (with Ken Babbs). His two children's books are Little Tricker the Squirrel Meets Big Double the Bear and The Sea Lion. Ken Kesey died on November 10, 2001.Excerpt. © Reprinted by permission. All rights reserved.:
Psychedelic sixties. God knows whatever that means it certainly meant far more than drugs, though drugs still work as a pretty good handle to the phenomena.
I grabbed at that handle. Legally, too, I might add. Almost patriotically, in fact. Early psychedelic sixties...
Eight o'clock every Tuesday morning I showed up at the vet's hospital in Menlo Park, ready to roll. The doctor deposited me in a little room on his ward, dealt me a couple of pills or a shot or a little glass of bitter juice, then locked the door. He checked back every forty minutes to see if I was still alive, took some tests, asked some questions, left again. The rest of the time I spent studying the inside of my forehead, or looking out the little window in the door. It was six inches wide and eight inches high, and it had heavy chicken wire inside the glass.
You get your visions through whatever gate you're granted.
Patients straggled by in the hall outside, their faces all ghastly confessions. Sometimes I looked at them and sometimes they looked at me. but rarely did we look at one another. It was too naked and painful. More was revealed in a human face than a human being can bear, face-to-face.
Sometimes the nurse came by and checked on me. Her face was different. It was painful business, but not naked. This was not a person you could allow yourself to be naked in front of.
Six months or so later I had finished the drug experiments and applied for a job. I was taken on as a nurse's aide, in the same ward, with the same doctor, under the same nurse—and you must understand we're talking about a huge hospital here! It was weird.
But, as I said, it was the sixties.
Those faces were still there, still painfully naked. To ward them off my case I very prudently took to carrying around a little notebook, to scribble notes. I got a lot of compliments from nurses: "Good for you, Mr. Kesey. That's the spirit. Get to know these men."
I also scribbled faces. No, that's not correct. As I prowl through this stack of sketches I can see that these faces bored their way behind my forehead and scribbled themselves. I just held the pen and waited for the magic to happen.
This was, after all, the sixties.
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Book Description Penguin Putnam Inc, United States, 1992. Paperback. Book Condition: New. Reprint. 170 x 107 mm. Language: English Brand New Book. In this classic novel of the 1960 s, Ken Kesey s hero is Randle Patrick McMurphy, a boisterous, brawling, fun-loving rebel who swaggers into the world of a mental hospital and takes over. A lusty, life-affirming fighter, McMurphy rallies the other patients around him by challenging the dictatorship of Big Nurse. He promotes gambling in the ward, smuggles in wine and women, and openly defies the rules at every turn. But this defiance, which starts as a sport, soon develops into a grim struggle, an all-out war between two relentless opponents: Big Nurse, backed by the full power of authority.McMurphy, who has only his own indomitable will. What happens when Big Nurse uses her ultimate weapon against McMurphy provides the story s shocking climax. Bookseller Inventory # ABZ9780451163967
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