9780521822503

Book Description: Cambridge University Press, 2004. Hardcover. Book Condition: New. Bookseller Inventory # mon0000112240

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Book Description: Book Condition: Brand New. Book Condition: Brand New * All orders are processed And shipped from Las Vegas Nevada USA *. Bookseller Inventory # 97805218225031.0

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Book Description: Book Condition: New. Brand new. Bookseller Inventory # QX-030-50-1631501

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Book Description: Cambridge University Press. Book Condition: New. New, This item can not be shipped Internationl. Bookseller Inventory # 0521822505

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Book Description: Cambridge University Press, 2004. Hardback. Book Condition: New. 9.72 by .94 inches. (342 pages) In this study, Jenny Anger shows that the decorative significantly informed Paul Klee's art.One of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, from Immanual Kant to Alois Riegl and Wilhelm Worringer, modern artists found pure form in ornament, which though promising, had been sullied by connotations of materiality, domesticity, and femininity. These qualities were at once alluring and threatening. In this study, Jenny Anger examines Paul Klee's attitude towards and use of the decorative. She shows that the decorative, including its gendered associations, significantly informed Klee's art production, his exhibiting strategies, his critical response, and the discursive construction of his work for public consumption. She also compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. Anger also explores the relevance of the decorative for contemporary, and especially women, artists. ( Hardback). Bookseller Inventory # AA0521822505

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Book Description: CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2004. Hardback. Book Condition: New. 247 x 174 mm. Brand New Book with Free Worldwide Delivery. One of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, from Immanual Kant to Alois Riegl and Wilhelm Worringer, modern artists found pure form in ornament, which though promising, had been sullied by connotations of materiality, domesticity, and femininity. These qualities were at once alluring and threatening. In this study, Jenny Anger examines Paul Klee's attitude towards and use of the decorative. She shows that the decorative, including its gendered associations, significantly informed Klee's art production, his exhibiting strategies, his critical response, and the discursive construction of his work for public consumption. She also compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. Anger also explores the relevance of the decorative for contemporary, and especially women, artists. Bookseller Inventory # AAA9780521822503

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Book Description: Cambridge University Press. Book Condition: New. pp. 342. Bookseller Inventory # 8384594

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Book Description: Cambridge University Press, Cambridge, 2004. Book Condition: New. Bookseller Inventory # 6226621

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Book Description: Cambridge University Press. Hardback. Book Condition: new. BRAND NEW, Paul Klee and the Decorative in Modern Art, Jenny Anger, One of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, from Immanual Kant to Alois Riegl and Wilhelm Worringer, modern artists found pure form in ornament, which though promising, had been sullied by connotations of materiality, domesticity, and femininity. These qualities were at once alluring and threatening. In this study, Jenny Anger examines Paul Klee's attitude towards and use of the decorative. She shows that the decorative, including its gendered associations, significantly informed Klee's art production, his exhibiting strategies, his critical response, and the discursive construction of his work for public consumption. She also compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. Anger also explores the relevance of the decorative for contemporary, and especially women, artists. Bookseller Inventory # B9780521822503

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Book Description: 2004. Hardcover. Book Condition: New. 180mm x 24mm x 255mm. 342 pages. 0.934. Bookseller Inventory # 9780521822503

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