About this title:
A professional man of letters - critic, editor, biographer - though never a professional poet, Ian Hamilton (1938-2001) referred to his poems as 'miraculous lyrical arrivals', and he bided their time with exemplary patience and humility. His widely praised first collection, "The Visit", published by Faber in 1970, was incorporated into Fifty Poems in 1988, itself expanded to Sixty Poems in 1998. In a preface to the former collection, he wrote: 'Fifty poems in twenty-five years: not much to show for half a lifetime, you might think. And in certain moods, I would agree'. Readers of Hamilton's condensed and immaculate oeuvre have felt otherwise: the poems of his youth and middle years (there was to be no opportunity for a late flowering) acquired talismanic significance for his contemporaries, and their combination of terseness and emotional intensity continues to set an example to younger poets. Edited by Alan Jenkins, this authoritative "Collected Poems" contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most distinctive bodies of work in twentieth-century English poetry.
About the Author:
Ian Hamilton was born in 1938, in King's Lynn, Norfolk, and educated at Darlington Grammar School and Keble College, Oxford. In 1962, he founded the influential poetry magazine, the Review, and he was later editor of the New Review. He also wrote biographies and journalism, mainly about literature and football. He died in 2001. Alan Jenkins has published five collections of poetry, of which the most recent is A Shorter Life (2005); he was a poetry critic for the Observer and the Independent on Sunday from 1985 to 1990, and is deputy editor of the Times Literary Supplement. 'A uniquely lyrical, passionate and sorrowing voice. There's no one better at describing a world by inference: his diction and cadences draw you in immediately.' David Harsent 'A great editor, a moving poet, and a critic of unfailing judgement.' Blake Morrison, Guardian
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