Editorial Reviews for this title:
Myth meets history in Blaszka, a fictional village in Poland and the site of this beautiful, multi-layered novel set in 1894. Listen. You can hear the excitement in the village square, the flimsy stalls piled high with wares, and in the centre Misha the midwife laughing. The wayward heart of Blaszka, she holds safe all the local secrets, including the stories of the four vilda hayas, "the wild creatures," as she and her girlfriends were known. Although the women have grown apart, unexpected love, a daughter imprisoned, and two orphan children sent home from America, entwine their lives again - all as Europe moves headlong towards chaos.
In this magnificent novel of magic and mystery, Lilian Nattel has resurrected a vanished world that explores the tensions between men and women, and celebrates the wordless bonds of friendship in a way that is simply unparalleled.
Like the mythical Polish shtetl of Blaszka in which it is set, The River Midnight
is boisterous, tangled with secrets, and startlingly generous. Told more as nine interwoven stories, Lilian Nattel's debut novel portrays Jewish village life in the 19th century as both dense and wondrous, something akin to Gabriel García Márquez's Macondo--with similar touches of magic realism. The novel uses a roughly nine-month period in 1894 as its framework, each chapter recounting many of the same events through the eyes of successive characters. Along the way we encounter the pettiness, charity, gossip, and customs that sustain the village, making its cramped life both full and frustrating. At the center of this whirl is Misha, the midwife, whose own pregnancy is one of the book's abiding mysteries, and who, despite her inscrutability, elicits a resolute affection from her fellow villagers: the men who have loved or admired her, and the women she has befriended, provoked, and, ultimately, redeemed. "I have to hold the secrets of the whole village," Misha explains, and as we learn of her girlhood friendships and adult loves, the twined network of those secrets becomes increasingly apparent.
The novel's ambitious fragmentation, while it may occasionally lead us down the same stretch of road, is undeniably effective--revealing the bottomless texture of mingled lives. And while the story's magic realism is a bit intermittent and tangential, Nattel more than compensates with lush, scrupulous detail and an unerring eye for the tension between self-interest and benevolence. In The River Midnight, she has created a world where flesh and prayer, accident and magic, coincide. --Ben Guterson
"Richly imagined, sensuous in its details [and] spiced with energetic dialogue, The River Midnight offers pleasures on every page." -The Globe and Mail
"Enchanting.-- Dynamic women, feckless men.-- Nattel writes with refreshing bawdiness [and] uses imagery to lush effect.-- Vibrant-- Engaging." -The New York Times
"To read this novel is to watch Nattel as she weaves a marvellous, meticulous fabric of family, friendship, myth, and memory." -Quill & Quire
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