The brash and outrageously funny autobiography of music legend Frank Zappa--now in trade paperback. Here is the real story of how he became the state of the art in weirdness, as only he can tell it: wild rock 'n' roll road stories, confrontations with bureaucratic idiocy, and more. Black-and-white photographs and line drawings throughout.
"synopsis" may belong to another edition of this title.
This is the second-best way to expose yourself to the particular genius of Frank Zappa (music is the best, after all)--through his own words. In addition to being an idiosyncratic American composer of some degree of controversy, Zappa was an orator of no small ability or scope. He was known for his ability to expound at great length (and to hilarious effect) on any number of topics. The Real Frank Zappa Book faithfully captures this side of its author, composed of essays on everything from his background and upbringing, to politics, capitalism, and raising children. Zappa takes the opportunity to dispel some of the most pervasive rumors that surrounded him right up to (and even persist after) his death in 1993 (no he didn't do drugs, or sleep with all those groupies). If you're familiar with the man, you will be able to hear his distinctive enunciations (aided by the bold-facing of certain words and Zappaisms) as you read the assorted road stories, his views on making music for a living, and scenes from two--count them, two--organized hearings on obscenity in music. Of course, the chapter titles speak for themselves and include such Zappa winners as "All About Schmucks," "Marriage (As a Dada Concept)," and "America Drinks and Goes Marching."Excerpt. © Reprinted by permission. All rights reserved.:
How Weird Am I, Anyway?
"I never set out to be weird. It was always other people who called me weird."
Frank Zappa (Baltimore Sun, October 12, 1986)
This book exists on the premise that somebody, somewhere, is interested in who I am, how I got that way, and what the fuck I'm talking about.
To answer Imaginary Question Number One, let me begin by explaining WHO I AM NOT. Here are two popular 'Frank Zappa Legends'...
Because I recorded a song called "Son of Mr. Green Genes" on the Hot Rats album in 1969, people have believed for years that the character with that name on the Captain Kangaroo TV show (played by Lumpy Brannum) was my 'real' Dad. No, he was not.
The other fantasy is that I once 'took a shit on stage.' This has been propounded with many variations, including (but not limited to):
 I ate shit on stage.
 I had a 'gross-out contest' (what the fuck is a 'gross-out contest'?) with Captain Beefheart and we both ate shit on stage.
 I had a 'gross-out contest' with Alice Cooper and he stepped on baby chickens and then I ate shit on stage, etc.
I was in a London club called the Speak Easy in 1967 or '68. A member of a group called the Flock, recording for Columbia at the time, came over to me and said:
"You're fantastic. When I heard about you eating that shit on stage, I thought, 'That guy is way, way out there.'"
I said, "I never ate shit on stage." He looked really depressed -- like I had just broken his heart.
For the records, folks: I never took a shit on stage, and the closest I ever came to eating shit anywhere was at a Holiday Inn buffet in Fayetteville, North Carolina, in 1973.
More Important Information for People Who Wonder What I Eat
I wasn't crazy about most of the food my mother made -- like pasta with lentils. That was one of the most hated dishes of my childhood. She would make enough to last a week, in a big pot. After a few days in the icebox it used to turn black.
My favorite things to eat then were blueberry pie, fried oysters and fried eels -- but I also used to love corn sandwiches: white bread and mashed potatoes with canned corn dumped on it. (Every once in a while, we'll come back to this fascinating topic, since it seems to matter so much to certain people in the audience.)
The Boring, Basic Stuff
"Be regular and orderly in your life so that you may be violent and original in your work."
How 'bout that epigraph, huh? Peter, you're cracking me up already. Okay, here we go....My real name is Frank Vincent Zappa (not Francis -- I'll explain it later). I was born on December 21, 1940, in Baltimore, Maryland. When I popped out, I was all black -- they thought I was dead. I'm okay now.
My ancestry is Sicilian, Greek, Arab and French. My mother's mother was French and Sicilian, and her Dad was Italian (from Naples). She was first generation. The Greek-Arab side is from my Dad. He was born in a Sicilian village called Partinico, and came over on one of the immigrant boats when he was a kid.
He used to work in his Dad's barbershop on the Maryland waterfront. For a penny a day (or a penny a week -- I can't remember), he would stand on a box and lather the sailors' faces so his Dad could shave them. Nice job.
Eventually he went to college at Chapel Hill, in North Carolina, and played guitar in some sort of 'strolling crooner' trio. (I still get birthday cards from the insurance company owned by Jack Wardlaw, the banjo player.)
They used to go from dormitory window to dormitory window, serenading coeds with songs like "Little Red Wing." He was on the wrestling team and, when he graduated, he took a job teaching history at Loyola, in Maryland.
Both my parents used to speak Italian in the house so the kids wouldn't know what they were talking about -- which was probably money, since we never seemed to have any. I guess it was convenient for them to have a 'secret code' -- but not teaching the kids the language may have had something to do with their desire to assimilate. (It was not fashionable to be of 'foreign extraction' in the U.S. during World War II.)
We used to live in the Army housing facility in Edgewood, Maryland. There was a family -- the Knights -- to whom my Dad referred as "that hillbilly bunch over there." One day Archie Knight got into an argument with my Dad, and the next thing I knew, Dad was running toward the house, shouting, "Get the gun, Rosie! Get the gun!"
That was the first time I knew that he had a gun (a chrome .38 pistol, stuffed in a sock drawer). My mother was pleading with him not to shoot the guy. Fortunately, he had the good sense to listen to her.
Because of that incident, I knew where the gun was. I took it out one day and remember thinking: "This is the best-looking cap pistol I've ever seen!" So, when nobody was looking, I used it to shoot single-shot caps, and the 'blue dots' I had chopped off the end of some wooden kitchen matches.
My parents were disturbed when they discovered that I had gummed up the firing pin.
My mother's parents had a restaurant -- also on the Maryland waterfront. She used to tell a story about a guy who came in and started a fight. I believe it was my mother's Dad who took one of those big forks they used for taking potatoes out of boiling water and stabbed the guy in the skull with it. He didn't die -- instead, he ran off, with the fork sticking out the top of his head like an antenna.
My Dad's Dad seldom bathed. He liked to sit on the porch with wads of clothes on. He liked to drink wine, and started off every day with two glasses of Bromo Seltzer.
My mother's mother didn't speak English, so she used to tell us stories in Italian -- like the one about the mano pelusa -- the hairy hand. "Mano pelusa! Vene qua!" she would say in a scary 'grandma voice' -- that was supposed to mean "Hairy hand! Come here!" -- then she would run her fingers up my arm. This is what people used to do when there was no TV.
My first memories of childhood include wearing a little sailor suit with a wooden whistle on a string around my neck, going to church all the time and kneeling down a lot.
We lived in a boardinghouse one time when I was very little. I think it might have been in Atlantic City. The lady who owned the boarding house had a Pomeranian and the Pomeranian used to eat grass and vomit things that looked like white meatballs.
Later, we lived in one of those row houses on Park Heights Avenue in Maryland. We had wood floors, heavily waxed, with throw rugs on them. The tradition in those days was that you waxed everything until you could see your face in it (remember, there was no TV, so people had time to do stuff like that) -- and the other tradition was: when Dad came home from work, you ran to meet him at the door.
Once, when Dad was coming home from work, my younger brother, Bobby, ran faster than I did, and arrived first at the door. (It was a door with little panes of glass in it.) He opened it, hugged Dad, then closed it. I came running and skidded on the throw rug, crashing my left arm through the glass. I heard them talking about how they should get a doctor to stitch it up. I complained so much they didn't stitch it up -- just stuck a bunch of Band-Aids on it and I wound up with a scar. I can't stand needles.
I had horrible teeth, so my parents used to take me to an Italian dentist who had a unique piece of equipment -- a cross between a chainsaw and a sewing machine. He'd stick the thing in my mouth and it would go voodn-voodn-voodn-voodnnnnnn -- no novocaine. I learned to dread the sound of the word 'dentist.'
My parents felt that they had to go to an Italian dentist -- because they couldn't trust one of those 'white-person' [possibly-related-to-some-sort-of-hillbilly] dentists, and so it was that I made the acquaintance of the nefarious Dr. Rocca. He would have been sensational as an evil monk in The Name of the Rose.
My First Space Helmet
My Dad was employed as a meteorologist at the Edgewood Arsenal. They made poison gas there during World War II, so I guess it would have been the meteorologist's job to figure out which way the wind was blowing when it was time to shoot the stuff off.
He used to bring equipment home from the lab for me to play with: beakers, Florence flasks, little petri dishes full of mercury -- blobs of mercury. I used to play with it all the time. The entire floor of my bedroom had this 'muck' on it, made out of mercury mixed with dust balls.
One of the things I used to like to do was pour the mercury on the floor and hit it with a hammer, so it squirted all over the place. I lived in mercury.
When DDT was first invented, my Dad brought some home -- there was a whole bag of it in the closet. I didn't eat it or anything, but he said that you could -- it was supposed to be 'safe,' it only killed bugs.
Sicilian parents do things differently. If I said I had an earache, my parents would heat up some olive oil and pour it in my ear -- which hurts like a motherfucker -- but they tell you it's supposed to make it feel better. When you're a kid, you don't get to argue about it.
I spent the first five or six years of my life with cotton hanging out of my ears -- yellow, from olive oil.
Along with my earaches and asthma, I had sinus trouble. There was some 'new treatment' for this ailment being discussed in the neighborhood. It involved stuffing radium into your sinus cavities. (Have you ever heard of this?) My parents took me to yet another Italian doctor, and, although I didn't know what they were going to do to me, it didn't sound like it was going to be too much fun. The doctor had a long wire thing -- maybe a foot or more, and on the end was a pellet of radium. He stuffed it up my nose and into my sinus cavities on both sides. (I should probably check to see if my handkerchief is glowing in the dark.)
One of the other wonder remedies that had just come out then was sulfa. Winter was freezing cold in that house at 15 Dexter Street. The walls were so thin -- it was like a cardboard house. We used to wear flannel trapdoor pajamas. In the mornings, to get warm, we stood by the coal stove in the kitchen.
On one occasion, the trapdoor on my younger brother's pajamas caught fire. My Dad came running in and beat the fire out with his bare hands. Both his hands and my brother's back were totally burned. The doctor put sulfa on them and neither of them got scarred.
My Dad used to help pay the rent by volunteering for human testing of chemical (maybe even biological) warfare agents. These were called 'patch tests.'
The Army didn't tell you what it was they were putting on your skin -- and you agreed not to scratch it, or peek under the bandage -- and they would pay you ten bucks per patch. Then they would take it off after a couple of weeks.
My Dad used to come home with three or four of those things on his arms and different parts of his body every week. I don't know what the stuff was, or what long-range health effects it might have had on him (or on any of the children that were born after the time that they did it).
There were tanks of mustard gas within a mile of where we lived, so everybody in this housing project had to have a gas mask in the house, for each member of the family.
Mustard gas explodes the vessels in your lungs, causing you to drown in your own blood.
We had a rack at the end of the hall with a family's worth of masks on it. I used to wear mine out in the backyard all the time -- it was my space helmet. One day I decided to find out how it worked, so I took a can opener and opened up the filter (thereby ruining it). In any event, I found out what was inside it -- charcoal, paper filters and different layers of crystals, including, I think, potassium permanganate.
Before they would squirt mustard gas onto a battlefield, they had some other stuff called chloropicrin, a dust that induced vomiting -- they called it "puke stuff." The dust would creep around the edges of the soldier's mask, causing him to vomit. If he didn't take his mask off, he could drown in his own spew, and if he did -- to let the chunks out -- the mustard gas would get him.
I was always amazed that people got paid to figure out how to do this stuff.
The Second Part of My Childhood
The second part of my childhood (are you sure you want to know this stuff?) takes place mostly in California, when I was about ten or twelve. First, I'll tell you how we got there.
I was sick so often in Maryland, Mom and Dad wanted to move. The first time I managed to escape from the state was when my Dad took a job in Florida -- another civil service position, this time in ballistics, something about shell trajectories. It was still World War II.
MY MEMORIES OF FLORIDA INCLUDE:
 Opa-Locka had a lot of mosquitoes and if you left the bread out overnight, green hair grew on it.
 Every once in a while we had to hide under the bed and turn all the lights off because somebody thought the Germans were coming.
 My Dad 'made margarine' by squeezing a red dot sealed inside a plastic bag with white stuff in it which, when smushed up, caused the white stuff to turn yellow, giving the illusion of 'butter.'
 My brother got a boil on his butt, and my Dad had to squeeze stuff out of it (margarine training probably helped), and there was a lot of screaming.
 I was told to watch out for alligators because they sometimes ate children.
 Everything looked like it was in Technicolor compared to Baltimore.
 I got to play outside a lot, climbing trees, which eventually led to a fungus on my elbow.
 Except for that, my health improved, and I got about a foot taller.
 My mother got homesick and, since I was taller, figured it was okay to go back to Baltimore.
 We went back to Baltimore and I got sick again.
Edgewood, Maryland, was sort of out in the country. It had a little woods and a creek with crawdads in it, just at the end of Dexter Street. I used to play down there with Leonard Allen.
Even though I was sick all the time, Edgewood was sort of fun, but when we moved back to Maryland, we didn't go to Edgewood -- we moved into a rowhouse in the city and I hated it.
I don't think my folks liked it very much either, because the next thing I kn...
"About this title" may belong to another edition of this title.
Book Description Touchstone, 1990. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Bookseller Inventory # ABE_book_new_0671705725
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Book Description Simon and Schuster, 1990. PAP. Book Condition: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # IB-9780671705725
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Book Description SIMON SCHUSTER, United States, 1990. Paperback. Book Condition: New. Reprinted edition. 230 x 156 mm. Language: English Brand New Book. The brash and outrageously funny autobiography of music legend Frank Zappa--now in trade paperback. Here is the real story of how he became the state of the art in weirdness, as only he can tell it: wild rock n roll road stories, confrontations with bureaucratic idiocy, and more. Black-and-white photographs and line drawings throughout. Bookseller Inventory # BZV9780671705725
Book Description SIMON SCHUSTER, United States, 1990. Paperback. Book Condition: New. Reprinted edition. 230 x 156 mm. Language: English Brand New Book. The brash and outrageously funny autobiography of music legend Frank Zappa--now in trade paperback. Here is the real story of how he became the state of the art in weirdness, as only he can tell it: wild rock n roll road stories, confrontations with bureaucratic idiocy, and more. Black-and-white photographs and line drawings throughout. Bookseller Inventory # AAS9780671705725
Book Description Touchstone. PAPERBACK. Book Condition: New. 0671705725. Bookseller Inventory # Z0671705725ZN