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No wonder she felt most at home with London radicals fired by the promise of the French Revolution, including publisher Joseph Johnson, who encouraged her early writing and in 1792 issued her most famous work, A Vindication of the Rights of Woman. Jacobs does a nice job of conveying the scandalous impact of Wollstonecraft's then unprecedented insistence on economic and intellectual equality for women, and she evokes with similar immediacy the fervent atmosphere of revolutionary France, where Wollstonecraft fell in love with American Gilbert Imlay and bore his child. Imlay's desertion prompted two suicide attempts, but the perennially depressive Wollstonecraft found solace in England with philosopher William Godwin before dying of childbed fever after giving birth to a daughter, also named Mary, who would later run off with married poet Percy Bysshe Shelley. In a narrative notable for its lively prose, dramatic punch, and positive assessment of the tempestuous Wollstonecraft, it's characteristic that Jacobs closes, not with her tragic death, but 19 years later as Mary Shelley began to write Frankenstein and "the revolution continued." --Wendy Smith
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