Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known.
Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time—the twelfth century; the place—feudal England; and the subject—the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters—into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.
The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.
At once a sensuous and endearing love story and an epic that shines with the fierce spirit of a passionate age, The Pillars of the Earth is without a doubt Ken Follett's masterpiece.
"synopsis" may belong to another edition of this title.
Ken Follett's career as a bestselling author has spanned more than three decades. He is the author of numerous immensely popular books, including Eye of the Needle, Triple, The Key to Rebecca, The Man From St. Petersburg, On Wings of Eagles, Lie Down With Lions, The Pillars of the Earth, A Dangerous Fortune, The Third Twin, The Hammer of Eden, and World Without End. He lives in England with his wife, Barbara Follett, a British M.P.Excerpt. © Reprinted by permission. All rights reserved.:
In a broad valley, at the foot of a sloping hillside, beside a clear bubbling stream, Tom was building a house.
The walls were already three feet high and rising fast. The two masons Tom had engaged were working steadily in the sunshine, their trowels going scrape, slap and then tap, tap while their laborer sweated under the weight of the big stone blocks. Tom’s son Alfred was mixing mortar, counting aloud as he scooped sand onto a board. There was also a carpenter, working at the bench beside Tom, carefully shaping a length of beech wood with an adz.
Alfred was fourteen years old, and tall like Tom. Tom was a head higher than most men, and Alfred was only a couple of inches less, and still growing. They looked alike too: both had light-brown hair and greenish eyes with brown flecks. People said they were a handsome pair. The main difference between them was that Tom had a curly brown beard, whereas Alfred had only a fine blond fluff. The hair on Alfred’s head had been that color once, Tom remembered fondly. Now that Alfred was becoming a man, Tom wished he would take a more intelligent interest in his work, for he had a lot to learn if he was to be a mason like his father; but so far Alfred remained bored and baffled by the principles of building.
When the house was finished it would be the most luxurious home for miles around. The ground floor would be a spacious undercroft, for storage, with a curved vault for a ceiling, so that it would not catch fire. The hall, where people actually lived, would be above, reached by an outside staircase, its height making it hard to attack and easy to defend. Against the hall wall there would be a chimney, to take away the smoke of the fire. This was a radical innovation: Tom had only ever seen one house with a chimney, but it had struck him as such a good idea that he was determined to copy it. At one end of the house, over the hall, there would be a small bedroom, for that was what earls’ daughters demanded nowadays—they were too fine to sleep in the hall with the men and the serving wenches and the hunting dogs. The kitchen would be a separate building, for every kitchen caught fire sooner or later, and there was nothing for it but to build them far away from everything else and put up with lukewarm food.
Tom was making the doorway of the house. The doorposts would be rounded to look like columns—a touch of distinction for the noble newlyweds who were to live here. With his eye on the shaped wooden template he was using as a guide, Tom set his iron chisel obliquely against the stone and tapped it gently with the big wooden hammer. A small shower of fragments fell away from the surface, leaving the shape a little rounder. He did it again. Smooth enough for a cathedral.
He had worked on a cathedral once—Exeter. At first he had treated it like any other job. He had been angry and resentful when the master builder had warned him that his work was not quite up to standard: he knew himself to be rather more careful than the average mason. But then he realized that the walls of a cathedral had to be not just good, but perfect. This was because the cathedral was for God, and also because the building was so big that the slightest lean in the walls, the merest variation from the absolutely true and level, could weaken the structure fatally. Tom’s resentment turned to fascination. The combination of a hugely ambitious building with merciless attention to the smallest detail opened Tom’s eyes to the wonder of his craft. He learned from the Exeter master about the importance of proportion, the symbolism of various numbers, and the almost magical formulas for working out the correct width of a wall or the angle of a step in a spiral staircase. Such things captivated him. He was surprised to learn that many masons found them incomprehensible.
After a while Tom had become the master builder’s right-hand man, and that was when he began to see the master’s shortcomings. The man was a great craftsman and an incompetent organizer. He was completely baffled by the problems of obtaining the right quantity of stone to keep pace with the masons, making sure that the blacksmith made enough of the right tools, burning lime and carting sand for the mortar makers, felling trees for the carpenters, and getting enough money from the cathedral chapter to pay for everything.
If Tom had stayed at Exeter until the master builder died, he might have become master himself; but the chapter ran out of money—partly because of the master’s mismanagement—and the craftsmen had to move on, looking for work elsewhere. Tom had been offered the post of builder to the Exeter castellan, repairing and improving the city’s fortifications. It would have been a lifetime job, barring accidents. But Tom had turned it down, for he wanted to build another cathedral.
His wife, Agnes, had never understood that decision. They might have had a good stone house, and servants, and their own stables, and meat on the table every dinnertime; and she had never forgiven Tom for turning down the opportunity. She could not comprehend the irresistible attraction of building a cathedral: the absorbing complexity of organization, the intellectual challenge of the calculations, the sheer size of the walls, and the breathtaking beauty and grandeur of the finished building. Once he had tasted that wine, Tom was never satisfied with anything less.
That had been ten years ago. Since then they had never stayed anywhere for very long. He would design a new chapter house for a monastery, work for a year or two on a castle, or build a town house for a rich merchant; but as soon as he had some money saved he would leave, with his wife and children, and take to the road, looking for another cathedral.
He glanced up from his bench and saw Agnes standing at the edge of the building site, holding a basket of food in one hand and resting a big jug of beer on the opposite hip. It was midday. He looked at her fondly. No one would ever call her pretty, but her face was full of strength: a broad forehead, large brown eyes, a straight nose, a strong jaw. Her dark, wiry hair was parted in the middle and tied behind. She was Tom’s soul mate.
She poured beer for Tom and Alfred. They stood there for a moment, the two big men and the strong woman, drinking beer from wooden cups; and then the fourth member of the family came skipping out of the wheat field: Martha, seven years old and as pretty as a daffodil, but a daffodil with a petal missing, for she had a gap where two milk teeth had fallen out and the new ones had not yet grown. She ran to Tom, kissed his dusty beard, and begged a sip of his bear. He hugged her bony body. “Don’t drink too much, or you’ll fall into a ditch,” he said. She staggered around in a circle, pretending to be drunk.
They all sat down on the woodpile. Agnes handed Tom a hunk of wheat bread, a thick slice of boiled bacon and a small onion. He took a bite from the meat and started to peel the onion. Agnes gave the children food and began to eat her own. Perhaps it was irresponsible, Tom thought, to turn down that dull job in Exeter and go looking for a cathedral to build; but I’ve always been able to feed them all, despite my recklessness.
He took his eating knife from the front pocket of his leather apron, cut a slice off the onion, and ate it with a bite of bread. The onion was sweet and stinging in his mouth. Agnes said: “I’m with child again.”
Tom stopped chewing and stared at her. A thrill of delight took hold of him. Not knowing what to say, he just smiled foolishly at her. After a few moments she blushed, and said, “It isn’t that surprising.”
Tom hugged her. “Well, well,” he said, still grinning with pleasure. “A babe to pull my beard. And I thought the next would be Alfred’s.”
“Don’t get too happy yet,” Agnes cautioned. “It’s bad luck to name the child before it’s born.”
Tom nodded assent. Agnes had had several miscarriages and one stillborn baby, and there had been another little girl, Matilda, who had lived on two years. “I’d like a boy, though,” he said. “Now that Alfred’s so big. When is it due?”
Tom began to calculate. The shell of the house would be finished by first frost, then the stonework would have to be covered with straw to protect it through the winter. The masons would spend the cold months cutting stones for windows, vaults, doorcases and the fireplace, while the carpenter made floorboards and doors and shutters and Tom built the scaffolding for the upstairs work. Then in spring they would vault the undercroft, floor the hall above it, and put on the roof. The job would feed the family until Whitsun, by which time the baby would be a half year old. Then they would move on. “Good,” he said contentedly. “This is good.” He ate another slice of onion.
“I’m too old to bare children,” said Agnes. “This must be my last.”
Tom thought about that. He was not sure how old she was, in numbers, but plenty of women bore children at her time in life. However, it was true they suffered more as they grew older, and the babies were not as strong. No doubt she was right. But how would she make certain that she would not conceive again? he wondered. Then he realized how, and a cloud shadowed his sunny mood.
“I may get a good job, in a town,” he said, trying to mollify her. “A cathedral, or a palace. Then we might have a big house with wood floors, and a maid to help you with the baby.”
Her face hardened, and she said skeptically: “It may be.” She did not like to hear talk of cathedrals. If Tom had never worked on a cathedral, her face said, she might be living in a town house now, with money saved up and buried under the fireplace, and nothing to worry about.
Tom looked away and took another bite of bacon. They had something to celebrate, but they were in disharmony. He felt let down. He chewed the tough meat for a while, then he heard a horse. He cocked his head to listen. The rider was coming through the trees from the direction of the road, taking a short cut and avoiding the village.
A moment later, a young man on a pony trotted up and dismounted. He looked like a squire, a kind of apprentice knight. “Your lord is coming,” he said.
Tom stood up. “You mean Lord Percy?” Percy Hamleigh was one of the most important men in the country. He owned this valley, and many others, and he was paying for the house.
“His son,” said the squire.
“Young William.” Percy’s son, William, was to occupy this house after his marriage. He was engaged to Lady Aliena, the daughter of the earl of Shiring.
“The same,” said the squire, “And in a rage.”
Tom’s heart sank. At the best of times it could be difficult to deal with the owner of a house under construction. An owner in a rage was impossible. “What’s he angry about?”
“His bride rejected him.”
“The earl’s daughter?” said Tom in surprise. He felt a pang of fear: he had just been thinking how secure his future was. “I thought that was settled.”
“So did we all—except Lady Aliena, it seems,” the squire said. “The moment she met him, she announced that she wouldn’t marry him for all the world and a woodcock.”
Tom frowned worriedly. He did not want this to be true. “But the boy’s not bad-looking, as I recall.”
Agnes said: “As if that made any difference, in her position. If earls’ daughters were allowed to marry whom they please, we’d all be ruled by strolling minstrels and dark-eyed outlaws.”
“The girl may yet change her mind,” Tom said hopefully.
“She will if her mother takes a birch rod to her,” Agnes said.
The squire said: “Her mother’s dead.”
Agnes nodded. “That explains why she doesn’t know the facts of life. But I don’t see why her father can’t compel her.”
The squire said: “It seems he once promised he would never marry her to someone she hated.”
“A foolish pledge!” Tom said angrily. How could a powerful man tie himself to the whim of a girl in that way? Her marriage could affect military alliances, baronial finances… even the building of this house.
The squire said: “She had a brother, so it’s not so important whom she marries.”
“And the earl is an unbending man,” the squire went on. “He won’t go back on a promise, even one made to a child.” He shrugged. “So they say.”
Tom looked at the low stone walls of the house-to-be. He had not yet saved enough money to keep the family through winter, he realized with a chill. “Perhaps the lad will find another bride to share this place with him. He’s got the whole county to choose from.”
Alfred spoke in a cracked adolescent voice. “By Christ, I think this is him.” Following his gaze, they all looked across the field. A horse was coming from the village in a gallop, kicking up a cloud of dust and earth from the pathway. Alfred’s oath was prompted by the size as well as the speed of the horse: it was huge. Tom had seen beasts like it before, but perhaps Alfred had not. It was a war-horse, as high at the wither as a man’s chin, and broad in proportion. Such war-horses were not bred in England, but came from overseas, and were enormously costly.
Tom dropped the remains of his bread in the pocket of his apron, then narrowed his eyes against the sun and gazed across the field. The horse had its ears back and nostrils flared, but it seemed to Tom that its head was up, a sign that it was not completely out of control. Sure enough, as it came closer the rider leaned back, hauling on the reins, and the huge animal seemed to slow a little. Now Tom could feel the drumming of its hooves in the ground beneath his feet. He looked around for Martha, thinking to pick her up and put her out of harm’s way. Agnes had the same thought. But Martha was not to be seen.
“In the wheat,” Agnes said, but Tom had already figured that out and was striding across the site to the edge of the field. He scanned the waving wheat with fear in his heart but he could not see the child.
The only thing he could think of was to try and slow the horse. He stepped into the path and began to walk toward the charging beast, holding his arms wide. The horse saw him, raised its head for a better look, and slowed perceptibly. Then, to Tom’s horror, the rider spurred it on.
“You damned fool!” Tom roared, although the rider could not hear.
That was when Martha stepped out of the field and into the pathway a few yards in front of Tom.
For an instant Tom stood still in a sick panic. Then he leaped forward, shouting and waving his arms; but this was a war-horse, trained to charge at yelling hordes, and it did not flinch. Martha stood in the middle of the narrow path, staring as if transfixed by the huge beast bearing down on her. There was a moment when Tom realized desperately that he could not get to her before the horse did. He swerved to one side, his arm touching the standing wheat; and at the last instant the horse swerved to the other side. The rise’s stirrup brushed Martha’s fine hair; a hoof stamped a hole in the ground beside her bare foot; then the horse had gone by, spraying them both with dirt, and Tom snatched her up in his arms and held her tight to his pounding heart.
He stood still for a moment, awash with relief, his limbs weak, his insides watery. Then he felt a surge of fury at the recklessness of the stupid youth on his massive war-horse. He looked up angrily. Lord William was slowing the horse now, sitting back in the saddle, with his feet pushed forward into the stirrups, sawing on the reins. The horse swerved to avoid the building site. It tossed its head and then bucked, but William stayed on. He slowed it...
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Book Description William Morrow. Hardcover. Book Condition: New. 0688046592 . Bookseller Inventory # GHT2506RCKL031715H0475P
Book Description William Morrow, 2007. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The Pillars of the Earth sweeps through 12th-century England in an era of raging civil war, telling of a group of men and women whose fates are linked to the building of a great cathedral, a site of bloodshed and treachery. A masterpiece of raw courage and passion from the author of Eye of the Needle. William Morrow. Bookseller Inventory # ABE_book_new_0688046592
Book Description HarperCollins, 2007. Hardback. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # VC-9780688046590
Book Description Harper Collins Publishers. Book Condition: New. Brand New. Bookseller Inventory # 0688046592
Book Description Hardcover. Book Condition: New. Bookseller Inventory # 220995
Book Description William Morrow. Hardcover. Book Condition: New. Bookseller Inventory # 0688046592
Book Description Hardcover. Book Condition: New. 160mm x 56mm x 235mm. Hardcover. Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemi.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 973 pages. 1.351. Bookseller Inventory # 9780688046590
Book Description Book Condition: New. Publisher/Verlag: HarperCollins US | The spellbinding Nr. 1 New York Times bestselling, Oprah s Book Club pick--the epic story of the building of a Gothic cathedral--now back in hardcover. | A spellbinding epic set in twelfth-century, feudal England, THE PILLARS OF THE EARTH tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known. of Tom, the mason and master builder who becomes his architect - a man divided in his soul.of the beautiful, elusive noblewoman Lady Aliena, haunted by a secret shame.and of a struggle between good and evil, betrayal, revenge, and love, that will turn church against state, and brother against brother. | Format: Hardback | Language/Sprache: english | 1222 gr | 973 pp. Bookseller Inventory # K9780688046590
Book Description HarperCollins Publishers Inc, United States, 2008. Hardback. Book Condition: New. 249 x 165 mm. Language: English Brand New Book. Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known.Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time--the twelfth century; the place--feudal England; and the subject--the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters--into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.At once a sensuous and endearing love story and an epic that shines with the fierce spirit of a passionate age, The Pillars of the Earth is without a doubt Ken Follett s masterpiece. Bookseller Inventory # KNV9780688046590
Book Description William Morrow. Hardcover. Book Condition: New. 0688046592 Set in twelfth-century England, this epic of kings and peasants juxtaposes the building of a magnificent church with the violence and treachery that often characterized the Middle Ages. Bookseller Inventory # 4134536