Knock on Wood: Poems About Superstitions - Hardcover

9780689855122: Knock on Wood: Poems About Superstitions
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What superstitions do you follow?
In this collection of original poems, accomplished poet Janet S. Wong explores seventeen superstitions, some common, others that are less known, and delves into their origins as well as their lore. Rich, full-color illustrations by Julie Paschkis enhance each poem.
The result from this award-winning team is sure to intrigue young readers and make them think again about things they often do, like opening an umbrella, walking under a ladder, or putting on a hat!

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About the Author:
Janet S. Wong is the author of more than a dozen picture books and poetry collections. Her work includes Night Garden: Poems from the World of Dreams, a New York Times Best Illustrated Book, and Knock on Wood: Poems About Superstitions, both illustrated by Julie Paschkis, as well as Grump, a Charlotte Zolotow Award Highly Commended Book, illustrated by John Wallace. Janet lives with her family in Medina, Washington.

Julie Paschkis is a painter and award-winning illustrator of many children’s books, including Flutter and Hum / Aleto y Zumbido, P. Zonka Lays an Egg, and Apple Cake: A Love Story. A love of pattern and of folk art shows in all her work. She lives in Seattle, Washington. Visit her online at JuliePaschkis.com.
From School Library Journal:
Grade 3-5-Itchy ears, broken mirrors, and hats worn backward join wood spirits, ghosts, and of course black cats in this imaginative exploration of common and lesser-known superstitions. The shapely poems are infused with fey intimations in keeping with the collection's theme: "It is said/salt is magic. The pure kind, sea crystals./Spilled salt is magic flung wild." Some selections are haunting, and some humorous, as in this glimpse of a vampire's downfall: "All you bloodsuckers,/this is your last chance:/I am one bite/away-/from a hunk/of Mother's famous garlic chunk chicken." Paschkis creates an exquisite backdrop for the verses. Presented on a panoramic spread, each poem and facing watercolor scene have matching frames, anchoring them as reflections of one another. Some of the borders are abstract designs, but others are suggestive of elements in the verses. For example, "Potatoes" is contained inside a lumpy oval. Adept at both storytelling and design, the illustrator places the text and picture blocks against a wonderful montage of images in tones of a single color. Children of varied ethnicities and time periods are cast in fanciful folk-art scenes. Humor, satire, subplots, historic references, and decorative and surreal elements abound in artful profusion. There is much to ponder in both words and pictures. Some of the children depicted suggest a young audience, but the mixed poetic/visual brew is sophisticated. The author includes brief comments about the featured superstitions and a note reflecting on her personal experience in this area.
Margaret Bush, Simmons College, Boston
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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