Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
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Book Description Condition: New. Who 'speaks' to us in "The Sorcerer's Apprentice", in Wagner's operas, in a Mahler symphony? This title opens nineteenth-century operas and instrumental works to new interpretations as the author explores the voices projected by music. Series: Princeton studies in opera. Num Pages: 304 pages, 88 pp music. BIC Classification: AVA; AVGC4; AVGC9. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 159 x 20. Weight in Grams: 454. . 1996. Reprint. Paperback. . . . . Seller Inventory # V9780691026084
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9780691026084