9780691026084

Unsung Voices

Abbate, Carolyn

ISBN 10: 0691026084 / 0-691-02608-4
ISBN 13: 9780691026084
Publisher: Princeton University Press
Publication Date: 1996
Binding: Softcover
Editorial Reviews for this title:
Synopsis:

Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.


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Abbate, Carolyn
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Book Description: Princeton University Press, 1996. Paperback. Book Condition: New. New Book. Shipped from UK within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # WP-9780691026084

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Book Description: Princeton University Press, 1996. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Preface CHAPTER ONE Music's Voices CHAPTER TWO What the Sorcerer Said CHAPTER THREE Cherubino Uncovered: Reflexivity in Operatic Narration CHAPTER FOUR Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier CHAPTER FIVE Wotan's Monologue and the Morality of Musical Narration CHAPTER SIX Brunnhilde Walks by Night Notes Bibliography Index. Bookseller Inventory # ABE_book_new_0691026084

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Book Description: Princeton University Press, United States, 1996. Paperback. Book Condition: New. Reprint. 234 x 155 mm. Language: English Brand New Book. Who speaks to us in The Sorcerer s Apprentice , in Wagner s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that sings is thus reanimated in a new context, and Abbate proposes interpretive strategies that de-center music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. Bookseller Inventory # AAH9780691026084

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Book Description: Princeton University Press, United States, 1996. Paperback. Book Condition: New. Reprint. 234 x 155 mm. Language: English Brand New Book. Who speaks to us in The Sorcerer s Apprentice , in Wagner s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that sings is thus reanimated in a new context, and Abbate proposes interpretive strategies that de-center music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. Bookseller Inventory # AAH9780691026084

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Book Description: 1996. Paperback. Book Condition: New. 153mm x 19mm x 232mm. Paperback. Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 304 pages. 0.445. Bookseller Inventory # 9780691026084

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Book Description: PRINCETON UNIV PR, 1996. Paperback. Book Condition: New. New Book. This item is printed on demand. Shipped from US. Bookseller Inventory # IH-9780691026084

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Book Description: Princeton University Press 1996-04-01, 1996. Paperback. Book Condition: New. 0691026084. Bookseller Inventory # 624051

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