9780691126524

The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938

ISBN 10: 0691126526 / 0-691-12652-6
ISBN 13: 9780691126524
Publisher: Princeton Univ Pr
Publication Date: 2007
Binding: Softcover
 

The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938: Search Results

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Readings on Race, Representation, and African American Culture, 1892-1938 Format: Paperback (ISBN: 0691126526 / 0-691-12652-6)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
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Book Description: Princeton University Press. Book Condition: New. Brand New. Bookseller Inventory # 0691126526

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The New Negro ? Readings on Race, Representation and African American Culture 1892?1938 (ISBN: 9780691126524)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
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Book Description: Princeton University Press, 2007. Paperback. Book Condition: New. New Book. Shipped from US. Bookseller Inventory # TC-9780691126524

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The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938 (ISBN: 0691126526 / 0-691-12652-6)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
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Book Description: Princeton University Press. Paperback. Book Condition: New. Bookseller Inventory # DADAX0691126526

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4.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938 (Paperback) (ISBN: 9780691126524)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
Bookseller: The Book Depository US (Gloucester, ., United Kingdom)
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Book Description: Princeton University Press, United States, 2007. Paperback. Book Condition: New. 254 x 178 mm. Brand New Book. When African American intellectuals announced the birth of the New Negro around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of the race, the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today. Bookseller Inventory # FLT9780691126524

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5.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938 (Paperback) (ISBN: 9780691126524)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
Bookseller: The Book Depository (Gloucester, UK, United Kingdom)
Bookseller Rating: 5-star rating
Quantity Available: 1

Book Description: Princeton University Press, United States, 2007. Paperback. Book Condition: New. 254 x 178 mm. Brand New Book. When African American intellectuals announced the birth of the New Negro around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of the race, the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today. Bookseller Inventory # FLT9780691126524

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6.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938 (ISBN: 0691126526 / 0-691-12652-6)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
Bookseller: Murray Media (MIAMI SHORES, FL, U.S.A.)
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Book Description: Princeton University Press. Paperback. Book Condition: New. Bookseller Inventory # P110691126526

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7.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938 (ISBN: 0691126526 / 0-691-12652-6)
Gates, Henry Louis
ISBN 10: 0691126526
ISBN 13: 9780691126524
Bookseller: Revaluation Books (Exeter, DEV, United Kingdom)
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Book Description: Princeton University Press, 2007. Paperback. Book Condition: Brand New. 591 pages. 10.00x7.00x1.25 inches. In Stock. Bookseller Inventory # zk0691126526

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