About this title:
Following Bridge of Sighs—a national best seller hailed by The Boston Globe as “an astounding achievement” and “a masterpiece”—Richard Russo gives us the story of a marriage, and of all the other ties that bind, from parents and in-laws to children and the promises of youth.
About the Author:
Griffin has been tooling around for nearly a year with his father’s ashes in the trunk, but his mother is very much alive and not shy about calling on his cell phone. She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura’s best friend. For Griffin this is akin to driving into the past, since he took his childhood summer vacations here, his parents’ respite from the hated Midwest. And the Cape is where he and Joy honeymooned, in the course of which they drafted the Great Truro Accord, a plan for their lives together that’s now thirty years old and has largely come true. He’d left screenwriting and Los Angeles behind for the sort of New England college his snobby academic parents had always aspired to in vain; they’d moved into an old house full of character; and they’d started a family. Check, check and check.
But be careful what you pray for, especially if you manage to achieve it. By the end of this perfectly lovely weekend, the past has so thoroughly swamped the present that the future suddenly hangs in the balance. And when, a year later, a far more important wedding takes place, their beloved Laura’s, on the coast of Maine, Griffin’s chauffeuring two urns of ashes as he contends once more with Joy and her large, unruly family, and both he and she have brought dates along. How in the world could this have happened?
That Old Cape Magic is a novel of deep introspection and every family feeling imaginable, with a middle-aged man confronting his parents and their failed marriage, his own troubled one, his daughter’s new life and, finally, what it was he thought he wanted and what in fact he has. The storytelling is flawless throughout, moments of great comedy and even hilarity alternating with others of rueful understanding and heart-stopping sadness, and its ending is at once surprising, uplifting and unlike anything this Pulitzer Prize winner has ever written.
From the Hardcover edition.
Richard Russo lives with his wife in Camden, Maine, and in Boston. In 2002 he was awarded the Pulitzer Prize for Empire Falls.
Excerpt. © Reprinted by permission. All rights reserved.:
From the Hardcover edition.
A Finer Place
Though the digital clock on the bedside table in his hotel room read 5:17, Jack Griffin, suddenly wide awake, knew he wouldn’t be able to get back to sleep. He’d allowed himself to drift off too early the night before. On the heels of wakefulness came an unpleasant realization, that what he hadn’t wanted to admit yesterday, even to himself, was now all too clear in the solitary, predawn dark. He should have swallowed his petulance and waited the extra day for Joy.
It had been their long- established habit to flee the campus as soon as Griffin taught his last class. Usually, they hopped on the Freedom Trail (his term for I- 95), drove to New York and treated themselves by checking into a good hotel. During the day he would evaluate his small mountain of student portfolios while Joy shopped or otherwise amused herself, and then, evenings, they’d catch up on movies and go to good restaurants. The whole thing reminded him of the early years of their marriage back in L.A. It cost a small fortune, but there was something about spending money they didn’t really have that made him optimistic about more coming in—which was how it had worked in L.A.—and it got him through the portfolios.
This year Kelsey’s Cape Cod wedding had royally screwed up their plans, making New York impractical, though he’d been willing to substitute Boston. But Joy, assuming that thanks to the wedding all the usual bets were off, had messed things up further by scheduling
meetings on the day after his last class. “Just go,” she said when he expressed his annoyance at the way things were working out. “Have a boys’ night out in Boston and I’ll meet you on the Cape.” He’d squinted at this proposal. Didn’t you need more than one to have a boys’ night out? Or had Joy meant it to be singular, one boy celebrating his boyness? Was that how she’d understood
the phrase all her life, as singular? Joy’s relationship to the English language was not without glitches. She was forever mixing metaphors, claiming that something was “a tough line to hoe.” Row to hoe? Line to walk? Her sisters, Jane and June, were even worse,
and when corrected all three would narrow their eyes dangerously and identically. If they’d had a family motto, it would have been You Know Perfectly Well What I Mean.
In any event his wife’s suggestion that he go on without her had seemed less than sincere, which was why he decided to call her bluff. “All right,” he said, “that’s what I’ll do,” expecting her to say, Fine, if it means that much to you, I’ll reschedule the meetings. But she hadn’t said that, even when she saw him packing his bag, and so he’d discovered a truth that other men probably knew already— that once you’d packed a bag in front of a woman there was no possibility of unpacking, or of not going and taking the damn bag with you.
Worse, Joy, who preferred to watch movies on DVD rather than in a theater, as they were meant to be seen, had given him a list of films he was forbidden to see without her, and of course these were the only ones worth seeing. He’d spent an hour looking through the restaurant guides provided by the hotel, but couldn’t decide on one, or even on what kind of food he wanted. Griffin had no trouble making these sorts of decisions when she was around, but for some reason, when he had only himself to please, he often couldn’t make up his mind. He told himself this was just the result of being married for thirty years, that part of the decision- making process was imagining what his wife would enjoy. Okay, but more and more he found himself stalled, in the middle of whatever room he happened to be standing in, and he realized that this had been, of course, his father’s classic pose. In the end Griffin had ordered room service and watched a crappy made- for- TV movie, the kind he and Tommy, his old partner, had been reduced to writing that last year or two in L.A. before he’d gotten his teaching gig and moved back East with Joy and their daughter, Laura. He’d fallen asleep before the first commercial, confident he could predict not only the movie’s outcome but also half its dialogue.
In order not to dwell on yesterday’s mistakes, he decided to put today in motion by calling down to the bell captain for his car. Twenty minutes later, dressed and showered, he’d checked out of his Back Bay hotel. The whole of Boston fit neatly into the rectangle of his rearview mirror, and by the time the Sagamore Bridge, one of two that spanned the Cape Cod Canal, hove into view, the sky was silver in the east, and he felt the last remnants of yesterday’s prevarications begin to lift like the patchy fog he’d been in and out of since leaving the city. The Sagamore arched dramatically upward in the middle, helping to pull the sun over the horizon, and though the air was far too cool, Griffin pulled off onto the shoulder of the road and put the convertible’s top down, feeling truly off the reservation for the first time since leaving home in Connecticut. There was something vaguely thrilling about not being where his wife thought he was. She liked to know what people were up to, and not just him. She called Laura most mornings, her brain still lazy with sleep, to ask “So . . . what’s on the agenda for you today?” She also phoned both of her sisters several times a week and knew that June was having her hair done tomorrow morning and that Jane had put on five new pounds and was starting a diet. She even knew what new folly her idiot twin brothers, Jared and Jason, were engaged in. To Griffin, an only child, such behavior was well over the line that separated the merely inexplicable from the truly perverse.
Zipping along Route 6, Griffin realized he was humming “That Old Black Magic,” the song his parents had sung ironically—both university English professors, that’s how they did most things— every time they crossed the Sagamore, substituting Cape for black. When he was growing up, they’d spent part of every summer on the Cape. He could always tell what kind of year it had been, moneywise, by when and where they stayed. One particularly prosperous year they’d rented a small house in Chatham for the month of August. Another year, when faculty salaries were frozen, all they could afford was Sandwich in June. His parents had been less wed to each other than to a shared sense of grievance over being exiled eleven months of every year to the “Mid- fucking- west,” a phrase they didn’t say so much as spit. They had good academic careers, though perhaps not the stellar ones that might have been predicted, given their Ivy League pedigree. Both had grown up in the Rust Belt of western New York State, his mother in suburban Rochester, his father in Buffalo, the children of lower- middle- class, white- collar parents. At Cornell, where they’d both gone on scholarship, they’d met not only each other but also the kind of friends who’d invited them home for holidays in Wellesley and Westchester and for summer vacations in the Hamptons or on the Cape. They told their parents they could earn more money there, which was true, but in fact they’d have done anything to avoid returning to their parents’ depressing upstate homes. At Yale, where they did their graduate work, they came to believe they were destined for research positions at one of the other Ivys, at least until the market for academics headed south and they had to take what they could get—the pickings even slimmer for a couple—and that turned out to be a huge state university in Indiana.
Betrayed. That was how they felt. Why go to Cornell, to Yale, if Indiana was your reward? But they’d had little choice but to hunker down and make the best of their wretched timing, so they dove into teaching and research and committee work, hoping to bolster their vitae so that when the academic winds changed they’d be ready. They feared the Princeton and Dartmouth ships had probably sailed for good, but that still left the Swarthmores and Vassars of the world as safe if not terribly exciting havens. This much, at least, was surely their due. And before going up for promotion and tenure (or “promotion and tether,” in their parlance) in the Midfucking-west, they’d each had opportunities—she at Amherst, he at Bowdoin—but never together. So they stayed put in their jobs and their marriage, each terrified, Griffin now suspected, that the other, unshackled, would succeed and escape to the kind of academic post (an endowed chair!) that would complete the misery of the one left behind. To make their unhappy circumstances more tolerable, they had affairs and pretended to be deeply wounded when these came to light. His father had been a genuine serial adulterer, whereas his mother simply refused to lag behind in this or anything else.
Of course all of this was adult understanding. As a boy, the reluctant witness to his parents’ myriad quarrels and recriminations, Griffin had imagined that he must be the one keeping them together. It was his mother who eventually disabused him of this bizarre notion. At his and Joy’s wedding reception, actually. But by then they had finally divorced—even spite, apparently, was not eternal—and she’d narrowly won the race to remarry. In an ecumenical mood, she ventured outside the English department for her second husband, a philosopher named Bart, whom she’d quickly dubbed “Bartleby.” At the reception, half in her cups, she’d assured Griffin, “Good heavens, no, it wasn’t you. What kept us together was ‘That Old Cape Magic.’ Remember how we used to sing it every year on the Sagamore?” She then turned to Bartleby. “One glorious month, each summer...
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