RELIVE THE WONDER OF A CHILDHOOD FAVORITE THAT HAS BEEN CAPTURING THE HEARTS OF READERS FOR MORE THAN HALF A CENTURY.
An instant bestseller when it was released in 1938, this Pulitzer Prize winner has been read and loved by school-age children across the nation for more than fifty years. In this classic story of the Baxter family and their wild, hard, and satisfying life in remote central Florida, Marjorie Kinnan Rawlings has written one of the great novels of our times. A rich and varied tale -- tender in its understanding of boyhood, crowded with the excitement of the backwoods hunt, with vivid descriptions of the primitive, beautiful hammock country, written with humor and earthy philosophy -- The Yearling is a novel for readers of all ages. Its glowing picture of a life refreshingly removed from modern patterns of living is universal in its revelation of simple courageous people and the beliefs they must live by.
This edition, complete with a new introduction by author Ivan Doig, will be cherished for years to come and will make a welcome addition to any booklover's shelf.
"synopsis" may belong to another edition of this title.
Marjorie Kinnan Rawlings (1896-1953) is the celebrated American author of The Yearling, which was awarded the Pulitzer Prize for fiction in 1939.Excerpt. © Reprinted by permission. All rights reserved.:
A column of smoke rose thin and straight from the cabin chimney. The smoke was blue where it left the red of the clay. It trailed into the blue of the April sky and was no longer blue but gray. The boy Jody watched it, speculating. The fire on the kitchen hearth was dying down. His mother was hanging up pots and pans after the noon dinner. The day was Friday. She would sweep the floor with a broom of ti-ti and after that, if he were lucky, she would scrub it with the corn shucks scrub. If she scrubbed the floor she would not miss him until he had reached the Glen. He stood a minute, balancing the hoe on his shoulder.
The clearing itself was pleasant if the unweeded rows of young shafts of corn were not before him. The wild bees had found the chinaberry tree by the front gate. They burrowed into the fragile clusters of lavender bloom as greedily as though there were no other flowers in the scrub; as though they had forgotten the yellow jessamine of March; the sweet bay and the magnolias ahead of them in May. It occurred to him that he might follow the swift line of flight of the black and gold bodies, and so find a bee-tree, full of amber honey. The winter's cane syrup was gone and most of the jellies. Finding a bee-tree was nobler work than hoeing, and the corn could wait another day. The afternoon was alive with a soft stirring. It bored into him as the bees bored into the chinaberry blossoms, so that he must be gone across the clearing, through the pines and down the road to the running branch. The bee-tree might be near the water.
He stood his hoe against the split-rail fence. He walked down the cornfield until he was out of sight of the cabin. He swung himself over the fence on his two hands. Old Julia the hound had followed his father in the wagon to Grahamsville, but Rip the bull-dog and Perk the new feist saw the form clear the fence and ran toward him. Rip barked deeply but the voice of the small mongrel was high and shrill. They wagged deprecatory short tails when they recognized him. He sent them back to the yard. They watched after him indifferently. They were a sorry pair, he thought, good for nothing but the chase, the catch and the kill. They had no interest in him except when he brought them their plates of table scraps night and morning. Old Julia was a gentle thing with humans, but her worntoothed devotion was only for his father, Penny Baxter. Jody had tried to make up to Julia, but she would have none of him.
"You was pups together," his father told him, "ten year gone, when you was two year old and her a baby. You hurted the leetle thing, not meanin' no harm. She cain't bring herself to trust you. Hounds is often that-a-way."
He made a circle around the sheds and corn-crib and cut south through the black-jack. He wished he had a dog like Grandma Hutto's. It was white and curly-haired and did tricks. When Grandma Hutto laughed and shook and could not stop, the dog jumped into her lap and licked her face, wagging its plumed tail as though it laughed with her. He would like anything that was his own; that licked his face and followed him as old Julia followed his father. He cut into the sand road and began to run east. It was two miles to the Glen, but it seemed to Jody that he could run forever. There was no ache in his legs, as when he hoed the corn. He slowed down to make the road last longer. He had passed the big pines and left them behind. Where he walked now, the scrub had closed in, walling in the road with dense sand pines, each one so thin it seemed to the boy it might make kindling by itself. The road went up an incline. At the top he stopped. The April sky was framed by the tawny sand and the pines. It was as blue as his homespun shirt, dyed with Grandma Hutto's indigo. Small clouds were stationary, like bolls of cotton. As he watched, the sunlight left the sky a moment and the clouds were gray.
"There'll come a little old drizzly rain before night-fall," he thought.
The down grade tempted him to a lope. He reached the thick-bedded sand of the Silver Glen road. The tar-flower was in bloom, and fetter-bush and sparkleberry. He slowed to a walk, so that he might pass the changing vegetation tree by tree, bush by bush, each one unique and familiar. He reached the magnolia tree where he had carved the wild-cat's face. The growth was a sign that there was water nearby. It seemed a strange thing to him, when earth was earth and rain was rain, that scrawny pines should grow in the scrub, while by every branch and lake and river there grew magnolias. Dogs were the same everywhere, and oxen and mules and horses. But trees were different in different places.
"Reckon it's because they can't move none," he decided. They took what food was in the soil under them.
The east bank of the road shelved suddenly. It dropped below him twenty feet to a spring. The bank was dense with magnolia and loblolly bay, sweet gum and gray-barked ash. He went down to the spring in the cool darkness of their shadows. A sharp pleasure came over him. This was a secret and a lovely place.
A spring as clear as well water bubbled up from nowhere in the sand. It was as though the banks cupped green leafy hands to hold it. There was a whirlpool where the water rose from the earth. Grains of sand boiled in it. Beyond the bank, the parent spring bubbled up at a higher level, cut itself a channel through white limestone and began to run rapidly down-hill to make a creek. The creek joined Lake George, Lake George was a part of the St. John's River, the great river flowed northward and into the sea. It excited Jody to watch the beginning of the ocean. There were other beginnings, true, but this one was his own. He liked to think that no one came here but himself and the wild animals and the thirsty birds.
He was warm from his jaunt. The dusky glen laid cool hands on him. He rolled up the hems of his blue denim breeches and stepped with bare dirty feet into the shallow spring. His toes sunk into the sand. It oozed softly between them and over his bony ankles. The water was so cold that for a moment it burned his skin. Then it made a rippling sound, flowing past his pipe-stem legs, and was entirely delicious. He walked up and down, digging his big toe experimentally under smooth rocks he encountered. A school of minnows flashed ahead of him down the growing branch. He chased them through the shallows. They were suddenly out of sight as though they had never existed. He crouched under a bared and overhanging live-oak root where a pool was deep, thinking they might reappear, but only a spring frog wriggled from under the mud, stared at him, and dove under the tree root in a spasmodic terror. He laughed.
"I ain't no 'coon. I'd not ketch you," he called after it.
A breeze parted the canopied limbs over him. The sun dropped through and lay on his head and shoulders. It was good to be warm at his head while his hard calloused feet were cold. The breeze died away, the sun no longer reached him. He waded across to the opposite bank where the growth was more open. A low palmetto brushed him. It reminded him that his knife was snug in his pocket; that he had planned as long ago as Christmas, to make himself a flutter-mill.
He had never built one alone. Grandma Hutto's son Oliver had always made one for him whenever he was home from sea. He went to work intently, frowning as he tried to recall the exact angle necessary to make the mill-wheel turn smoothly. He cut two forked twigs and trimmed them into two Y's of the same size. Oliver had been very particular to have the crossbar round and smooth, he remembered. A wild cherry grew half-way up the bank. He climbed it and cut a twig as even as a polished pencil. He selected a palm frond and cut two strips of the tough fiber, an inch wide and four inches long. He cut a slit lengthwise in the center of each of them, wide enough to insert the cherry twig. The strips of palm frond must be at angles, like the arms of a windmill. He adjusted them carefully. He separated the Y-shaped twigs by nearly the length of the cherry cross-bar and pushed them deep into the sand of the branch bed a few yards below the spring.
The water was only a few inches deep but it ran strongly, with a firm current. The palm-frond mill-wheel must just brush the water's surface. He experimented with depth until he was satisfied, then laid the cherry bar between the twigs. It hung motionless. He twisted it a moment, anxiously, helping it to fit itself into its forked grooves. The bar began to rotate. The current caught the flexible tip of one bit of palm frond. By the time it lifted clear, the rotation of the bar brought the angled tip of the second into contact with the stream. The small leafy paddles swung over and over, up and down. The little wheel was turning. The flutter-mill was at work. It turned with the easy rhythm of the great water-mill at Lynne that ground corn into meal.
Jody drew a deep breath. He threw himself on the weedy sand close to the water and abandoned himself to the magic of motion. Up, over, down, up, over, down -- the flutter-mill was enchanting. The bubbling spring would rise forever from the earth, the thin current was endless. The spring was the beginning of waters sliding to the sea. Unless leaves fell, or squirrels cut sweet bay twigs to drop and block the fragile wheel, the flutter-mill might turn forever. When he was an old man, as old as his father, there seemed no reason why this rippling movement might not continue as he had begun it.
He moved a stone that was matching its corners against his sharp ribs and burrowed a little, hollowing himself a nest for his hips and shoulders. He stretched out one arm and laid his head on it. A shaft of sunlight, warm and thin like a light patchwork quilt, lay across his body. He watched the fluttermill indolently, sunk in the sand and the sunlight. The movement was hypnotic. His eyelids fluttered with the palm-leaf paddles. Drops of silver slipping from the wheel blurred together like the tail of a shooting star. The water made a sound like kittens lappi...
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