How translatable is the language of the emotions across cultures and time? What connotations of particular emotions, strongly felt in the early modern period, have faded or shifted completely in our own? If Western culture has traditionally held emotion to be hostile to reason and the production of scientific knowledge, why and how have the passions been lauded as windows to higher truths? Assessing the changing discourses of feeling and their relevance to the cultural history of affect, Reading the Early Modern Passions offers fourteen interdisciplinary essays on the meanings and representations of the emotional universe of Renaissance Europe in literature, music, and art.
Many in the early modern era were preoccupied by the relation of passion to action and believed the passions to be a natural force requiring stringent mental and physical disciplines. In speaking to the question of the historicity and variability of emotions within individuals, several of these essays investigate specific emotions, such as sadness, courage, and fear. Other essays turn to emotions spread throughout society by contemporary events, such as a ruler's death, the outbreak of war, or religious schism, and discuss how such emotions have widespread consequences in both social practice and theory.
Addressing anxieties about the power of emotions; their relation to the public good; their centrality in promoting or disturbing an individual's relation to God, to monarch, and to fellow human beings, the authors also look at the ways emotion serves as a marker or determinant of gender, ethnicity, and humanity. Contributors to the volume include Zirka Filipczak, Victoria Kahn, Michael Schoenfeldt, Bruce Smith, Richard Strier, and Gary Tomlinson.
"synopsis" may belong to another edition of this title.
Gail Kern Paster is Director of the Folger Shakespeare Library and the author of The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Katherine Rowe is Associate Professor of English at Bryn Mawr College. She is the author of Dead Hands: Fictions of Agency, Renaissance to Modern. Mary Floyd-Wilson teaches English literature at the University of North Carolina, Chapel Hill, and is the author of English Ethnicity and Race in Early Modern Drama.
"About this title" may belong to another edition of this title.
Book Description University of Pennsylvania Press 2004-06-01, 2004. Hardcover. Book Condition: New. 0812237609 BRAND NEW. PLASTIC WRAPPED. We are a tested and proven company with over 1,000,000 satisfied customers since 1997. We ship daily M-F. Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders. Bookseller Inventory # Z0812237609ZN
Book Description University of Pennsylvania Press, 2004. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0812237609
Book Description University of Pennsylvania Press, 2004. Hardcover. Book Condition: Brand New. 384 pages. 9.00x6.00x1.25 inches. In Stock. Bookseller Inventory # zk0812237609
Book Description University of Pennsylvania Press, 2004. Hardcover. Book Condition: New. New item. Bookseller Inventory # QX-232-90-3482803