Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
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"Finally, a book about postrevolutionary Iranian cinema that is not another general or political history of that cinema but an innovative, sustained, and rigorous analysis of it using film studies theories. Displace Allegories is a highly original work."--Hamid Naficy, author of An Accented Cinema: Exile and Diasporic Filmmaking
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Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Following the 1979 Iranian Revolution, in order to conform with the Islamic Republic's system of modesty, Iran's film industry was required to ensure that Iranian women who appeared were veiled from the view of men. This work shows that post-Revolutionary filmmakers were forced to create a visual language for conveying meaning to audiences. Seller Inventory # B9780822342755
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Book Description Condition: New. Following the 1979 Iranian Revolution, in order to conform with the Islamic Republic's system of modesty, Iran's film industry was required to ensure that Iranian women who appeared were veiled from the view of men. This work shows that post-Revolutionary filmmakers were forced to create a visual language for conveying meaning to audiences. Num Pages: 216 pages, 123 illustrations (28 sequences). BIC Classification: 1FBN; APF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 232 x 156 x 15. Weight in Grams: 346. . 2009. Illustrated. Paperback. . . . . Seller Inventory # V9780822342755
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