9780894670732

Thought Made Visible: 1966-1973

Richard S. Field; Mel Bochner; Yale University Art Gallery; Stadtische Galerie Im Lenbachhaus Munchen; Belgium) Societe Des Expositions Palais Des Beaux-Arts (Brussels

ISBN 10: 0894670735 / 0-89467-073-5
ISBN 13: 9780894670732
Publisher: Yale Univ Art Gallery
Publication Date: 1995
Binding: Softcover

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This exhibition catalogue documents the first major retrospective of Mel Bochner's early work. Replete with reproductions of sketches, correspondence, sculptures, photography, and installations, the catalogue also includes eleven essays. many of the pieces presented here are shown together for the first time. This is a rare glimpse of Bochner's minimalist, post-minimalist and conceptual sculpture and photography.

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Thought Made Visible: 1966-1973 (ISBN: 0894670735 / 0-89467-073-5)
Field, Richard S.;Bochner, Mel;Yale University Art Gallery;Stadtische Galerie Im Lenbachhaus Munchen;Palais Des Beaux-Arts (Brussels, Belgium) Societe Des Expositions

ISBN 10: 0894670735
ISBN 13: 9780894670732

Bookseller: Curatorial Arts (New Hampton, NY, U.S.A.)
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Quantity Available: 1

Book Description: Univ, 1995. Paperback. Book Condition: New. FLAWLESS COPY - AVAILABLE IMMEDIATELY, WHY WAIT? -- 318 pp., 141 black-and-white illus. - Catalogue for the exhibition, organized by Richard S. Field, presented at the Yale University Art Gallery (October 14-December 31, 1995); La Société des Expositions du Palais des Beaux-Arts, Brussels (March 1-May 12, 1996); Städitsche Galerie im Lenbachhaus, Munich (June 26-September 8, 1996), with essays by Field, Bruce Boice, Yve-Alain Bois, Rosalid E. Kraus, Frederik Leen, James Meyer, Sasha M. Newman, Robert Pincus-Witten, Jessica Prinz, Ulrich Wilmes, and William S. Wilson. One of conceptual art’s most influential and challenging practitioners, Bochner turns everyday language and symbolic systems against themselves. The artist was deeply involved with this exhibition of his work from a pivotal seven-year period in his career. In the amply illustrated catalogue, Field reviews Bochner’s philosophical and artistic development during this period, while the other texts explore noteworthy projects from various perspectives: Bois addresses the "Measurement Pieces" of 1969, Krauss dissects his Theory of Painting (1970), and Pincus-Witten discusses a 1971 exhibition at the Museum of Modern Art. Bookseller Inventory # 34666

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