The first Navajo weavings to feature stylized ceremonial figures in their designs captured the imagination of collectors as diverse as William Randolph Hearst, Marjorie Merriwether Post, and Chee Dodge, the first chairman of the Navajo Tribal Council.
Today, early Yeibichai weavings are appreciated not for their ceremonial themes, but for their originality, beauty and relative scarcity. This book traces the stylistic evolution of the genre from the highly original and complex designs created in the 1910-1935 period, to the more standardized patterns which emerged in the late 1930s and 1940s.
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