From the best-selling author of The Dew Breaker, a major work of nonfiction: a powerfully moving family story that centers around the men closest to her heart—her father, Mira, and his older brother, Joseph.
From the age of four, Edwidge Danticat came to think of her uncle Joseph, a charismatic pastor, as her “second father,” when she was placed in his care after her parents left Haiti for a better life in America. Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.”
And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known.
Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation.
Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.
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Edwidge Danticat is the author of numerous books, including Breath, Eyes, Memory; Krik? Krak!, a National Book Award finalist; The Farming of Bones, an American Book Award winner; and The Dew Breaker, a PEN/Faulkner Award finalist and winner of the first Story Prize. She lives in Miami with her husband and daughter.Excerpt. © Reprinted by permission. All rights reserved.:
Beating the Darkness
On Sunday, October 24, 2004, nearly two months after he left New York, Uncle Joseph woke up to the clatter of gunfire. There were blasts from pistols, handguns, automatic weapons, whose thundering rounds sounded like rockets. It was the third of such military operations in Bel Air in as many weeks, but never had the firing sounded so close or so loud. Looking over at the windup alarm clock on his bedside table, he was startled by the time, for it seemed somewhat lighter outside than it should have been at four thirty on a Sunday morning.
During the odd minutes it took to reposition and reload weapons, you could hear rocks and bottles crashing on nearby roofs. Taking advantage of the brief reprieve, he slipped out of bed and tiptoed over to a peephole under the staircase outside his bedroom. Parked in front of the church gates was an armored personnel carrier, a tank with mounted submachine guns on top. The tank had the familiar circular blue and white insignia of the United Nations peacekeepers and the letters UN painted on its side. Looking over the trashstrewn alleys that framed the building, he thought for the first time since he’d lost Tante Denise that he was glad she was dead. She would have never survived the gun blasts that had rattled him out of his sleep. Like Marie Micheline, she too might have been frightened to death.
He heard some muffled voices coming from the living room below, so he grabbed his voice box and tiptoed down the stairs. In the living room, he found Josiane and his grandchildren: Maxime, Nozial, Denise, Gabrielle and the youngest, who was also named Joseph, after him. Léone, who was visiting from Léogâne, was also there, along with her brothers, Bosi and George.
“Ki jan nou ye?” my uncle asked. How’s everyone?
“MINUSTAH plis ampil police,” a trembling Léone tried to explain.
Like my uncle, Léone had spent her entire life watching the strong arm of authority in action, be it the American marines who’d been occupying the country when she was born or the brutal local army they’d trained and left behind to prop up, then topple, the puppet governments of their choice. And when the governments fell, United Nations soldiers, so-called peacekeepers, would ultimately have to step in, and even at the cost of innocent lives attempt to restore order.
Acting on the orders of the provisional government that had replaced Aristide, about three hundred United Nations soldiers and Haitian riot police had come together in a joint operation to root out the most violent gangs in Bel Air that Sunday morning. Arriving at three thirty a.m., the UN soldiers had stormed the neighborhood, flattening makeshift barricades with bulldozers. They’d knocked down walls on corner buildings that could be used to shield snipers, cleared
away piles of torched cars that had been blocking traffic for weeks and picked up some neighborhood men.
“It is a physical sweep of the streets,” Daniel Moskaluk, the spokesman for the UN trainers of the Haitian police, would later tell the Associated Press, “so that we can return to normal traffic in this area, or as normal as it can be for these people.”
Before my uncle could grasp the full scope of the situation, the shooting began again, with even more force than before. He gathered everyone in the corner of the living room that was farthest from Rue Tirremasse, where most of the heavy fire originated. Crouched next to his grandchildren, he wondered what he would do if they were hit by a stray. How would he get them to a hospital?
An hour passed while they cowered behind the living room couch. There was another lull in the shooting, but the bottle and rock throwing continued. He heard something he hadn’t heard in some time: people were pounding on pots and pans and making clanking noises that rang throughout the entire neighborhood. It wasn’t the first time he’d heard it, of course. This kind of purposeful rattle was called bat tenèb, or beating the darkness. His neighbors, most of them now dead, had tried to beat the darkness when Fignolé had been toppled so many decades ago. A new generation had tried it again when Aristide had been removed both times. My uncle tried to imagine in each clang an act of protest, a cry for peace, to the Haitian riot police, to the United Nations soldiers, all of whom were supposed to be protecting them. But more often it seemed as if they were attacking them while going after the chimères, or ghosts, as the gang members were commonly called.
The din of clanking metal rose above the racket of roofdenting rocks. Or maybe he only thought so because he was so heartened by the bat tenèb. Maybe he wouldn’t die today after all. Maybe none of them would die, because their neighbors were making their presence known, demanding peace from the gangs as well as from the authorities, from all sides.
He got up and cautiously peeked out of one of the living room windows. There were now two UN tanks parked in front of the church. Thinking they’d all be safer in his room, he asked everyone to go with him upstairs.
Maxo had been running around the church compound looking for him. They now found each other in my uncle’s room. The lull was long enough to make them both think the gunfight might be over for good. Relieved, my uncle showered and dressed, putting on a suit and tie, just as he had every other Sunday morning for church.
Maxo ventured outside to have a look. A strange calm greeted him at the front gate. The tanks had moved a few feet, each now blocking one of the alleys joining Rue Tirremasse and the parallel street, Rue Saint Martin. Maxo had thought he might sweep up the rocks and bottle shards and bullet shells that had landed in front of the church, but in the end he decided against it.
Another hour went by with no shooting. A few church members arrived for the regular Sunday-morning service.
“I think we should cancel today,” Maxo told his father when they met again at the front gate.
“And what of the people who are here?” asked my uncle. “How can we turn them away? If we don’t open, we’re showing our lack of faith. We’re showing that we don’t trust enough in God to protect us.”
At nine a.m., they opened the church gates to a dozen or so parishioners. They decided, however, not to use the mikes and loudspeakers that usually projected the service into the street.
A half hour into the service, another series of shots rang out. My uncle stepped off the altar and crouched, along with Maxo and the others, under a row of pews. This time, the shooting lasted about twenty minutes. When he looked up again at the clock, it was ten a.m. Only the sound of sporadic gunfire could be heard at the moment that a dozen or so Haitian riot police officers, the SWAT-like CIMO (Corps d’Intervention et de Maintien de l’Ordre, or Unit for Intervention
and Maintaining Order), stormed the church. They were all wearing black, including their helmets and bulletproof vests, and carried automatic assault rifles as well as sidearms, which many of them aimed at the congregation. Their faces were covered with dark knit masks, through which you could see only their eyes, noses and mouths.
The parishioners quivered in the pews; some sobbed in fear as the CIMO officers surrounded them. The head CIMO lowered his weapon and tried to calm them.
“Why are you all afraid?” he shouted, his mouth looking like it was floating in the middle of his dark face. When he paused for a moment, it maintained a nervous grin.
“If you truly believe in God,” he continued, “you shouldn’t be afraid.”
My uncle couldn’t tell whether he was taunting them or comforting them, telling them they were fine or prepping them for execution.
“We’re here to help you,” the lead officer said, “to protect you against the chimères.”
No one moved or spoke.
“Who’s in charge here?” asked the officer.
Someone pointed at my uncle.
“Are there chimères here?” the policeman shouted in my uncle’s direction.
Gang members inside his church? My uncle didn’t want to think there were. But then he looked over at all the unfamiliar faces in the pews, the many men and women who’d run in to seek shelter from the bullets. They might have been chimères, gangsters, bandits, killers, but most likely they were ordinary people trying to stay alive.
“Are you going to answer me?” the lead officer sternly asked my uncle.
“He’s a bèbè,” shouted one of the women from the church. She was trying to help my uncle. She didn’t want them to hurt him. “He can’t speak.”
Frustrated, the officer signaled for his men to split the congregation into smaller groups.
“Who’s this?” they randomly asked, using their machine guns as pointers. “Who’s that?”
When no one would answer, the lead officer signaled for his men to move out. As they backed away, my uncle could see another group of officers climbing the outside staircase toward the building’s top floors. The next thing he heard was another barrage of automatic fire. This time it was coming from above him, from the roof of the building.
The shooting lasted another half hour. Then an eerie silence followed, the silence of bodies muted by fear, uncoiling themselves from protective poses, gently dusting off their shoulders and backsides, afraid to breathe too loud. Then working together, the riot police and the UN soldiers, who often collaborated on such raids, jogged down the stairs in an organized stampede and disappeared down the street.
After a while my uncle walked to the church’s front gate ...
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Book Description Knopf, 2007. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Edwidge Danticat's memoir Brother, I'm Dying is a breathtaking account of love, loss, and Haiti. . . . that captures her admiration for the two men who raised her and [is] a heartbreaking portrait of the hardscrabble life of Haitians, both in the United States and back home." Frank Houston, Broward Palm Beach News "More than just another family immigration; Danticat draws up a balance sheet of what is gained and lost from what seems like such a small decision as where to live and work. Her skills as a storyteller lend themselves well to this story, her own 'origin myth.'" Kel Munger, Sacramento News & Review "[ Brother, I'm Dying ] ties in the personal and the national into a document of witness, a combination of journalistic and literary roles. . . . As the book opens in 2004, her father is dying in the U.S. of pulmonary fibrosis. At the same time, life for her relatives in Haiti continues to be perilous, in a more violent and literal way than first-world residents will typically ever experience . . . Danticat's prose is simple, unadorned, perceptive and unsparing. There is room for compassion in her work but not for pity, strengthening the emotional honesty of her work." Luciana Lopez, The Oregonian "[Danticat's] prose is lean and strides confidently between Haiti and America, between flashes of political uprising and the immovable force of bureaucracy. . . . The author's reportorial tone keeps the glaring indignities suffered by her uncle at the end of his life in clear view. She builds her case like a lawyer who deftly freezes a time line at poignant scenes. She does not look away." Jill Coley, Charleston Post and Courier "Edwidge Danticat recounts [her uncle]'s last days on earth with heartbreaking precision and beloved depth . . . What's startling is that Danticat's precision and depth don't ever ire toward anger at the authorities . . . [Danticat] takes a storyteller's grace and makes of it a memoir as robust and fitting as the life itself. . . . [W]e salute Edwidge Danticat, whose stand against tyranny and untruth shows . . . spiritand courage." John Hood, Miami SunPost "Danticat's memoir follows the uncle who was her 'second father,' Joseph Danticat. Through his story, she presents another inside view of Haiti, depicting the country's possibilities as well as its tragedies. . . . Eventually, at 81, targeted by local gangs, Joseph must flee to the United States in 2004, here his story takes an infuriating and tragic turn. Despite his valid visa and passport, U.S. Customs and Border Protection officers detain him and place him in Krome Detention Center . . . Here, Brother, I'm Dying shifts into a moving polemic about discrepancies in U.S. immigration policy. Joseph's story obviously speaks to the multitude of troubles that have mired Haiti since its independence in 1804. But the process that reduces an undoubtedly great man to Alien 27041999 has its troubles as well." Vikas Turakhia, St. Petersburg Times "Powerful . . . Edwidge Danticat employs the charms of a storyteller and the authority of a witness to evoke the political forces and personal sacrifices behind her parents' journey to this country and her uncle's decision to stay behind. . . . Danticat interweaves the story of her childhood spent between her two 'papas' with the final months of both men's lives, which happened to coincide with her first pregnancy. In the process, Brother, I'm Dying . . . illustrates the large shadow cast by political and personal legacies over both the past and the future. At age 12, Danticat was finally granted a visa to go to the United States. With great economy, she conveys in a brief scene at the American consulate the complex attraction and revulsion that aspiring immigrants and their adoptive country hold for each other. . . . As le consul stamps the application of Edwidge and her brother, he tells them that they are now free to be with their parents, fo. Bookseller Inventory # ABE_book_new_1400041155
Book Description Knopf, 2007. Hardcover. Book Condition: New. book. Bookseller Inventory # 1400041155
Book Description Knopf, 2007. Hardcover. Book Condition: New. Bookseller Inventory # P111400041155
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Book Description Westminister, Maryland, U.S.A.: Alfred a Knopf Inc, 2007. Hardcover. Book Condition: New. Dust Jacket Condition: Fine. 1st Edition. SIGNED BY AUTHOR EDWIDGE DANTICAT, in black marker on title page. Knopf 2007 First Edition, First Printing. Condition: Fine/fine; brand new and unread. Cream hardboards with brown printing; corners and spine sharp and square. Textblock clean, tight, square, unmarked; unread. Unclipped heavy paper pictorial dj (family pictures); original price on flap; protected in clear archival Brodart wrapper. Overall a very attractive signed first printing, highly collectible. Packaged with care and shipped in a box to arrive in best condition. Complete satisfaction guarantee; no sale is final until you are satisfied. Winner of 2008 National Book Critics Circle Award for Autobiography, and finalist for the 2007 National Book Award for Nonfiction. Signed by Author(s). Bookseller Inventory # 080418-2