Editorial Reviews for this title:
In this seductive and chillingly nihilistic novel, Bret Easton Ellis, the author of American Psycho, returns to Los Angeles, the city whose moral badlands he portrayed unforgettably in Less Than Zero. The time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, "You're tan but you don't look happy." Jamie is a clubland carnivore with a taste for human blood. As rendered by Ellis, their interactions compose a chilling, fascinating, and outrageous descent into the abyss beneath L.A.'s gorgeous surfaces.
"Bret Easton Ellis is a very, very good writer [and] American Psycho is a beautifully controlled, careful, important novel...Written out of the American tradition -- the novelist's function is to keep a running tag on the progress of the culture; and he's done it brilliantly...A seminal book."
-- Fay Weldon, Washington Post
"What's rarely said in all the furor over this novel is that it's a satire, a hilarious, repulsive, boring, seductive, deadpan satire...Ellis is, first and last, a moralist. Under cover of his laconic voice, every word in his three novels to date springs from grieving outrage at our spiritual condition... Ambition alone sets it apart from most contemporary fiction. Prudes, squares and feminist commissars aside, the rest of us should applaud Brat Easton Ellis for setting out in this noble and dangerous direction."
-- Henry Bean, front page, Los Angeles Times Book Review
"A masterful satire and a ferocious, hilarious ambitious, inspiring piece of writing, which has large elements of Jane Austen at her vitriolic best. An important book."
-- Katherine Dunn
"A great novel. What Emerson said about genius, that it's the return of one's rejected thoughts with an alienated majesty, holds true for American Psycho...There is a fever to the life of this book that is, in my reading, unknown in American literature."
-- Michael Tolkin
"The first novel to come along in years that takes on deep and Dostoyevskian themes...[Ellis] is showing older authors where the hands have come to on the clock...He has forced us to look at intolerable material, and so few novels try for that anymore."
-- Norman Mailer, Vanity Fair
From the Back Cover
Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait
of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a
world shaped by casual nihilism, passivity, and too much money a place devoid of feeling or
Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of
limitless privilege and absolute moral entropy, where everyone drives Porches, dines at Spago,
and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his
best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday
turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy
mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.
From the Inside Flap
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