Editorial Reviews for this title:
A stunning examination of how tragedy affects a town, a marriage, and a family, for readers of Rosellen Brown's Before and After and Jane Hamilton's A Map of the World . That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But such generalizations provide cold comfort when it's your own son who's just opened fire on his fellow students and whose class photograph--with its unseemly grin--is blown up on the national news. The question of who's to blame for teenage atrocity tortures our narrator, Eva Khatchadourian. Two years ago, her son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? We Need to Talk About Kevin offers no pat explanations for why so many white, well-to-do adolescents--whether in Pearl, Paducah, Springfield, or Littleton--have gone nihilistically off the rails while growing up in suburban comfort. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy--the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
Eva never really wanted to be a mother—and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
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