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The Gum Thief Boxed Set

Coupland, Douglas

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The collector's two volume boxed set of Douglas Coupland's timeless office-store novel, The Gum Thief, complete with a special edition of the novel-within-the novel, Glove Pond.
 
In Douglas Coupland's ingenious new novel--think Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged "aisles associate" at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life; and Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.
One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that the old guy is writing mock diary entries pretending to be her: and, spookily, he is getting her right.
These two retail workers then strike up an extraordinary epistolary relationship.  Watch their lives unfold alongside Roger's work in progress, the oddly titled Glove Pond, a tale of four academics, two malfunctioning marriages, and one rotten dinner party.
Roger's magnum opus is available to the public for the first time in this boxed set.  Together and separately, The Gum Thief and Glove Pond confirm the visionary talent of Douglas Coupland, master chronicler of the absurdities of our times.  Read them and remember that love, death and eternal friendship can all transpire where we least expect them …and that even after tragedy seems to have wiped your human slate clean, stories can rebuild you.

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About the Author:

Douglas Coupland is a novelist who also works in visual arts and theater. His novels include Generation X, All Families Are Psychotic, Hey Nostradamus!, Eleanor Rigby, and JPod. He lives and works in Vancouver, Canada.

Excerpt. © Reprinted by permission. All rights reserved.:

Roger

A few years ago it dawned on me that everybody past a certain ­age–­regardless of how they look on the ­outside–­pretty much constantly dreams of being able to escape from their lives. They don’t want to be who they are any more. They want out. This list includes Thurston Howell the Third, ­Ann-­Margret, the cast members of Rent, Václav Havel, space shuttle astronauts and Snuffleupagus. It’s ­universal.

Do you want out? Do you often wish you could be somebody, anybody, other than who you ­are–­the you who holds a job and feeds a ­family–­the you who keeps a relatively okay place to live and who still tries to keep your friendships alive? In other words, the you who’s going to remain pretty much the same until the ­casket?

There’s nothing wrong with me being me, or with you being you. And in the end, life’s pretty tolerable, isn’t it? Oh, I’ll get by. We all say that. Don’t worry about me. Maybe I’ll get drunk and go shopping on eBay at eleven at night, and maybe I’ll buy all kinds of crazy crap I won’t remember I bid on the next morning, like a ­ten-­pound bag of mixed coins from around the world or a bootleg tape of Joni Mitchell performing at the Calgary Saddle­dome in ­1981.

I used the phrase “a certain age.” What I mean by this is the age people are in their heads. It’s usually thirty to ­thirty-­four. Nobody is forty in their head. When it comes to your internal age, chin wattles and relentless liver spots mean ­nothing.

In my mind, I’m always ­thirty-­two. In my mind, I’m drinking sangria beachside in Waikiki; Kristal from Bakersfield is flirting with me, while Joan, who has yet to have our two kids, is up in our hotel room fetching a pair of sunglasses that don’t dig into her ears as much. By dinnertime, I’m going to have a mild sunburn, and when I return home from that holiday, I’ll have a $5K salary bonus and an upgraded computer system waiting for me at my office. And if I dropped fifteen pounds and changed gears from sunburn to suntan, I could look halfway okay. Not even okay: ­ hot.

Do I sound ­regretful?

Okay, maybe a ­bit.

Okay, let’s face ­it–­I’m king of the exit interview. And Joan was a saint. My curse is that I’d rather be in pain than be ­wrong.

I’m sad at having flubbed the few chances I had to make bold strokes in life. I’m learning to cope with the fact that it was both my laziness and my useless personal moral code that cheated me out of seizing new opportunities. Listen to me: flubbed chances and missed opportunities: I gloss past them both in almost the same breath. But there was no gloss when it was all coming down. It’s taken me ­what–­five years?–to simply get used to the idea that I’ve blown things. I’m grieving, grieving ­hard-­core. The best part of my life is gone, and what remains is whizzing past so quickly I feel like I’m ­Krazy-­Glue’ed onto a mechanical bull of a time ­machine.

I can’t even escape in my dreams. My dreams used to be insulated by pink fibreglass, but maybe two jobs ago my sense of failure ripped a hole through the insulation and began wrecking them. I dreamed it was that Monday afternoon in the 1990s when my high school buddy turned vampire stockbroker, Lars, phoned me a week after my mother’s ­funeral–­a week!–and told me to put everything and anything I might have inherited into Microsoft stock. I told him our friendship was over. I told him he was a parasite. And if Microsoft had sunk into the earth’s crust and vanished, I might have actually forgiven Lars, but that didn’t happen. Their ­sack-­of-­shit operating system conquered the planet, and my $100,000 inheritance from my mother, put into Microsoft, would currently be worth a smidge over $13 ­million.

I get the Microsoft dream about once a week ­now.

But okay, there’s some good stuff in my life. I love my spaniel, Wayne, and he loves me. What a name for a dog, ­Wayne–­like he’s my accountant. The thing is, dogs only hear vowels. It’s a fact. When I call Wayne in for the night, he doesn’t hear the W or the N. I could simply yell out Ayyyyyyyyyy and he’d still show up. For that matter, I suppose I could also simply yell out Paaaaiiiiiiiiiiiin and he’d show up. At my last job, I told Mindy the comptroller how much I loved Wayne, and you know what she said to me? She said, “Dogs are like people, except you can legally kill dogs if they bug you.” Which makes you ­wonder–­one household in three has a dog in it, but all they are (from the Mindy perspective) is ­semi-­disposable family members. We need to have laws to make killing dogs illegal. But what about cats? Okay, cats, too. What about snakes? Or sea ­monkeys?

I draw the line at sea monkeys. I draw lines everywhere. It’s what makes people think I’m Mister Difficult. For example, people in the ATM machine lineup who stand too far away from the dispenser forfeit their right to be next in line. You know the people I ­mean–­the ones who stay fifty feet away so they don’t look like they’re trying to see your PIN number. Come on. I look at these people, and I think, Man, you must feel truly guilty about something to make you broadcast your sense of guilt to the world with your freakish lineup philosophy. And so I simply stand in front of them and go next. That teaches ­them.

What else? I also believe that if someone comes up behind you on the freeway and flashes their lights to get you to move into the slow lane, they deserve whatever punishment you dole out to them. I promptly slow down and drive at the same speed as the car beside me so that I can punish Speed Racer for his ­impertinence.

Actually, it’s not the impertinence I’m punishing him for, it’s that he let other people know what he ­wanted.

Speed Racer, my friend, never ever let people know what you want. Because if you do, you might as well send them engraved invitations saying, “Hi, this is what I want you to prevent me from ever having.”

Bitter.

I am not ­bitter.

And even if I was, at least if you’re bitter you know where you ­stand.

Okay, that last sentence came out wrong. Let me rephrase ­it:

At least if you’re bitter, you know that you’re like everybody ­else.

Strike that last effort, too. How about: At least if you’re bitter, you know that you’re a part of the family of man. You know that you’re not so hot, but you also know that your experience is universal. “Universal” is such a great word. You know that we live in a world of bitter ­cranks–­a world of aging bitter cranks who failed and who are always ­thirty-­two in their own ­heads.

Failures.

But bitterness doesn’t always mean failure. Most rich people I’ve met are bitter too. So, as I say, it’s universal. Rejoice!

I was once young and fresh and dumb, and I was going to write a novel. It was going to be called Glove Pond. What a ­name–­ Glove Pond. I don’t remember the inspiration, but the words have always sounded to me like the title of a novel or movie from ­England–­like Under Milk Wood, by Dylan ­Thomas–­or a play written by someone like Tennessee Williams. Glove Pond was to be populated with characters like Elizabeth Taylor and Richard Burton, movie stars from two generations ago, with killer drinking problems, ­teeter-­tottering sexuality and soft, unsculpted ­bodies–­from back before audiences figured out that muscle tone, not a press release, determines sexiness. Glove Pond’s main characters screamed and brawled and shrieked witty, catty, vicious things at each other. They drank like fish, screwed like minks and then caught each other in the act of screwing strangers like minks. At that point, they’d say even wittier things than before. They were wit machines. In the end, all the characters were crazy and humanity was doomed. The ­End.

I just googled “Glove Pond” and here’s what I ­got:

www.amateurmicroscopy.net . . . Index to ­Articles
. . . Part 1: Introduction and Webcam Modifications. If ever a subject and a method of recording that subject fit together like a hand in a glove, pond ­“micro-­critters” and videomicrography are an ideal ­fit.

Look at this: no one has ever put the two words together ­before–­a comma in between “glove” and “pond” doesn’t count as a true connection. So I still get dibs on Glove Pond!

Bethany

I’m the dead girl whose locker you spat on somewhere between recess and ­lunch.

I’m not really dead, but I dress like I want to be. There’s something generic about girls like me: we hate the sun, we wear black, and we feel trapped inside our bodies like a nylon fur mascot at a football game. I wish I were dead most of the time. I can’t believe the meat I got stuck with, and where I got stuck and with whom. I wish I were a ­ghost.

And FYI, I’m not in school any more, but the spitting thing was real: a little moment that sums up life. I work in a Staples. I’m in charge of restocking aisles 2-North and 2-South: Sheet Protectors, Indexes & Dividers, Notebooks, ­Post-­...

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Book Description Bloomsbury, New York, 2007. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. First Boxed SIGNED Limited Edition of this novel. SIGNED by Douglas Coupland. Comes with a second novel included in the boxed set Roger Thorpe's Glove Pond. There is no mention whether or not the Thorpe novel is signed or not. Still wrapped in the original plastic wrap it came in. From the research I've done the American edition preceeds the Canadian edition in this novel with the American edition coming out in January 1st 2007 and the Canadian not coming out until September 25th 2007. In new / new unread condition. Language: eng. Signed by Author(s). Bookseller Inventory # 8491

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