9781854377784

Book Description: Tate Publishing, 2008. Paperback. Book Condition: New. BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, shipped with USPS tracking and delivery confirmatioshipped with USPS tracking and delivery confirmation, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!. Bookseller Inventory # 9007024

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Book Description: Tate Publishing, Great Britain, 2008. Hardcover. Book Condition: New. First Edition; First Printing. New. No names, notes, or ANY markings. ; Photographs; 4to 11" - 13" tall; 224 pages. Bookseller Inventory # 47320

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Book Description: Harry N. Abrams, 2008. Paperback. Book Condition: New. New book. Shipped from US. Bookseller Inventory # VH-9781854377784

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Book Description: Paperback. Book Condition: New. Bookseller Inventory # 505765

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Book Description: 2008. Paperback. Book Condition: New. 227mm x 20mm x 276mm. 221 pages. 1.061. Bookseller Inventory # 9781854377784

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Book Description: TATE PUBLISHING, United Kingdom, 2008. Paperback. Book Condition: New. 276 x 222 mm. Brand New Book with Free Worldwide Delivery. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography.Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves. Bookseller Inventory # AAC9781854377784

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Book Description: Harry N Abrams Inc 2008/09/01, 2008. Book Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bookseller Inventory # NU-BNT-00616756

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Book Description: HARRY N ABRAMS INC, 2008. Paperback. Book Condition: New. New book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # KB-9781854377784

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Book Description: Tate Publishing. Paperback. Book Condition: new. BRAND NEW, Street and Studio: An Urban History of Photography, Ute Eskildsen, Florian Ebner, Bettina Kaufmann, Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography. Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves. Bookseller Inventory # B9781854377784

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Book Description: Tate Gallery Pubn 2008-09-01, 2008. Book Condition: NEW. NEW PAPERBACK // // Condition: NEW. Binding/format is: Paperback. 10.75 H x 0.75 D x 8.75 W inches 2.34 lbs. Language: English. ISBN 9781854377784. Bookseller Inventory # 1635847

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