Leonardo Da Vinci: The Complete Paintings And Drawings - Hardcover

Hardcover

ISBN 10: 3822817341 ISBN 13: 9783822817346

Publisher: Taschen America Llc, 2003

Synopsis

Leonardo da Vinci (1452–1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This XXL-format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist, and all-around genius. With huge full-bleed details of Leonardo’s masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes.

* Part I explores Leonardo’s life and work in ten chapters, drawing upon his letters, contracts, diary entries, and writings. All of his paintings are presented and interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads.

* Part II comprises a catalogue raisonné of Leonardo’s paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation. Each and every painting that can be justifiably attributed to Leonardo is included here; thanks to new findings and scientific research, this is the first time his definitive painting oeuvre is being published.

* Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc). Over half of the drawings included were provided by Windsor Castle, marking the first time that the Castle has allowed a publisher to reproduce so many of their drawings.

This landmark collection discusses the most recent findings of Leonardo scholarship and debates controversial new attributions. It also contains new images showing the spectacular restoration of Leonardo’s Virgin of the Rocks in the National Gallery, London; his Virgin and Child with St. Anne, in the Louvre, Paris; and the Mona Lisa in the Prado, Madrid.This sumptuous TASCHEN offering is the most thorough and beautifully produced Leonardo book ever published.

About this title

Review:

Lying open, this unutterably wonderful book is almost the size of the Mona Lisa and about as hefty as a slab of The Last Supper's monastery wall. All 34 paintings are here (including what we know of the lost ones), many with huge and immensely illuminating details, plus 663 drawings. The reproductions are stunning, on paper sturdy enough to serve as wings on some of the flying machines depicted on pages 644 to 671. The precision of the images amazes: the delicate petals fingered by the larger-than-life-size baby Jesus in Madonna of the Carnation; the wailing, dismembered victims of Leonardo's scary scythed chariots; Mary's transparent drapery in the Annunciation; the bands of sunlight streaking each swirling curl of Ginevra de Benci; Mona Lisa's gossamer veil and intricately embroidered gown; even, unless my eyes deceive me, one of the fingerprints Leonardo famously left while daubing paint by hand.

The text by Frank Zollner (and Johannes Nathan, who discusses the drawings) teases out meanings and sketches historical context without overloading his scholarly brush. Without it, one might have overlooked the dim crucifix on which St. Jerome fixes his blazing gaze, and quite misunderstood the sexist Hippocratic delusions that inform The Sexual Act in Vertical Section: "A tube-like duct leads from the woman’s breasts to her womb, while the male organ is directly linked not only to the testicles but also...to the brain." (Zollner’s discussion of the erotic subtext of some of the artwork suggests that Leonardo's male passion was not necessarily so rational.) The brief accounts of Leonardo's esthetic combat with Michelangelo and Raphael suggest that you don't need a scythed chariot to cut off an opponent at the knees. The famous quotes by everyone from Nietzsche to Warhol are well selected, especially Freud diagnosing Leonardo's genius as residing in his childlike sense of play. That's a key to the spirit of this book: it's more fun than a week in the Louvre. –Tim Appelo

About the Author:

Johannes Nathan a étudié l’histoire de l’art à l’Université de New York et à l’Institut Courtauld de Londres, où il a obtenu son doctorat en 1995 avec une thèse portant sur les méthodes de travail de Léonard de Vinci. Il est l’auteur de nombreuses publications d’art, il dirige la galerie Nathan Fine Art (Berlin et Zürich) et enseigne l’histoire de l’art à l’Université technique de Berlin.

Frank Zöllner a écrit sa thèse de doctorat de troisième cycle sur un motif antique dans la théorie de l’art et de l’architecture du Moyen Âge et de la Renaissance (1987), et sa thèse de doctorat d’État sur les études de mouvement de Léonard de Vinci (parue en 2010). Auteur de nombreuses publications sur l’art et la théorie de l’art de la Renaissance et sur l’art du XXe siècle, il est depuis 1996 titulaire d’une chaire d’histoire de l’art médiéval et moderne à l’université de Leipzig. Il est l’auteur chez TASCHEN des monumentales monographies Léonard de Vinci et Michel-Ange.

About this edition

• Publisher: Taschen America Llc
• Publication date: 2003
• ISBN 10: 3822817341
• ISBN 13: 9783822817346
• Binding: Hardcover
• Number of pages: 696
• Editor: Zollner Frank, Nathan Johannes