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9780520214781

The Red Rooster Scare: Making Cinema American, 1900-1910

Abel, Richard Author

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9780520214781: The Red Rooster Scare: Making Cinema American, 1900-1910

Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons.

Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American.

The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.

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"This outstanding work offers a new description of the evolution of American cinema in the nickelodeon period. . . . With his usual groundbreaking research, Abel demonstrates the key role Pathé films played in this transformation. . . . Although clearly of crucial importance to film studies and film history, this treatment of the issues of the rise of nationalism within the cinema should make the work of great interest to historians dealing with modern nationalism and its relation to mass media."—Tom Gunning, author of D. W. Griffith and the Origins of Narrative Film

About the Author:

Richard Abel is NEH Professor of English at Drake University and author of The Ciné Goes to Town: French Cinema, 1896-1914 (California, 1994), French Film Theory and Criticism, 1907-1939 (1988), and French Cinema: The First Wave, 1915-1929 (1984).

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Abel, Richard Author
Published by Ewing, New Jersey, U.S.A.: Univ of California Pr (1999)
ISBN 10: 0520214781 ISBN 13: 9780520214781
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Book Description Ewing, New Jersey, U.S.A.: Univ of California Pr, 1999. Soft cover. Book Condition: New. slightly shelfworn & aged. Bookseller Inventory # ABE-2616582835

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Abel, Richard Author
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Book Description University of California Press, 1999. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathe company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathe's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. "The Red Rooster Scare" offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema. Bookseller Inventory # ABE_book_new_0520214781

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Book Description University of California Press, United States, 1999. Paperback. Book Condition: New. New. 223 x 152 mm. Language: English Brand New Book. Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathe company s Red Rooster films could be found everywhere. Through extensive original research, Richard Abel demonstrates how crucial French films were in making going to the movies popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathe s Red Rooster films came to be defined as dangerously foreign and alien and even feminine (especially in relation to American subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema s nationalization, by one of the most distinguished historians of early cinema. Bookseller Inventory # AAH9780520214781

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Abel, Richard Author
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Book Description University of California Press, United States, 1999. Paperback. Book Condition: New. New. 223 x 152 mm. Language: English Brand New Book. Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathe company s Red Rooster films could be found everywhere. Through extensive original research, Richard Abel demonstrates how crucial French films were in making going to the movies popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathe s Red Rooster films came to be defined as dangerously foreign and alien and even feminine (especially in relation to American subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema s nationalization, by one of the most distinguished historians of early cinema. Bookseller Inventory # AAH9780520214781

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Book Description UNIV OF CALIFORNIA PR 01/10/2014, 2014. Paperback. Book Condition: New. New Book. This item is printed on demand. Shipped from US This item is printed on demand. Bookseller Inventory # IH-9780520214781

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Book Description University of California Press, 1999. Paperback. Book Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Bookseller Inventory # WF-9780520214781

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Book Description 1999. Paperback. Book Condition: New. 150mm x 19mm x 227mm. Paperback. Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathe company's "R.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 328 pages. 0.540. Bookseller Inventory # 9780520214781

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