Four award-winning photojournalists show the world truths—up close and personal—about the war in Iraq. Working independently, they have run the risks and spent the time it takes to build rapport with Iraqi civilians and insurgents alike, and their lenses report with a depth and eloquence uncommon in the chaotic, fast-paced environment of war.
In contrast to the sound-bite depth of most news coverage from Iraq and the limited reports of its embedded reporters, Unembedded offers a nuanced perspective. This is not the view from the top of a tank or the backseat of a Humvee. These images document issues often underreported by mainstream media: the insurgency as seen from inside the separate resistance movements, civilians affected by the violent battles between the U.S. and insurgent forces, growing conservatism and fundamentalism and their effects on women, and the devastating effects of civilian casualties.
These photographers take viewers with them as they go where few dare, crossing front lines and cultural barriers, "unembedded" into the lives of a nation in crisis.
"synopsis" may belong to another edition of this title.
From Unembedded: Four Photos, Four Photojournalists
These photos appear in Unembedded: Four Independent Journalists on the War in Iraq. Unembedded bears witness to the enduring power of independent journalism. In their unflinching look at war-ravaged Iraq, four freelance photojournalists show that life there is brutal yet poignant; that compassion co-exists with anger, hatred, and fear.
August 21, 2004
During the battle between U.S. forces and the Mahdi Army militia for control of the holy city of Najaf, civilians were once again caught in the crossfire between U.S. forces and Iraqi insurgents. While many families fled the city at the start of the fighting, others stayed and found themselves trapped as the cordon of U.S. trips tightened around the old city. At the heart of the ancient city among the twisting alleyways was the shrine of Imam Ali, the holiest site in Shia Islam, which the Mahdi Army was claiming to defend. With heavy bombardments during the night and small arms fire and lighter bombing during the day, those civilians left stranded in the city lived in constant fear. During a lull in the gunfire, this man decided to risk an 11th-hour escape. He raised one arm toward sniper positions and held his screaming child in the other, walking across the front lines on a main avenue to escape the final hours of the battle.
September 12, 2004
When I arrived at Haifa Street I was told that an American vehicle had been attacked earlier in the day. The American soldiers had been evacuated, but a crowd had gathered around their burning armored vehicle. Suddenly, there were two big explosions from an American helicopter attack and people started running toward me in waves as I ran up to the burning vehicle. A dozen men formed a circle around five injured people lying in the street, all of whom were screaming and wailing. I had been standing there taking pictures for two or three minutes when we heard the helicopters coming back. Everyone started running, and I didn't look back to see what was happening to the injured men. I had just reached the corner of a concrete cigarette stall when I heard two more explosions. I felt hot air blast my face and something burning on my head. Six of us squeezed into a space behind the stall less than seven feet wide. Blood started dripping on my camera and all that I could think about was how to keep the lens clean. A man in his forties next to me was crying. He wasn't injured, he was just crying. The helicopters wheeled overhead, and I realized that they were firing directly at us. I wanted to be invisible; I wanted to hide under the others.
April 15, 2004
Patients at Baghdad's Rashad Psychiatric Hospital had few activities to occupy them. One was watching television, which included the Coalition Provisional Authority's daily live broadcasts and updates to the press. On this day, General Richard Myers, the Chairman of the Joint Chiefs of Staff, was fielding questions on how he proposed to address the rising insurgency, especially Muktada al-Sadr's Mahdi Army. Myers underplayed the threat of the insurgents. A few months later, the hospital grounds would shake from nearby bombs, and mortars would land in its courtyard as Coalition Forces fought the Mahdi Army right outside the hospital gates.
September 23, 2003
Falluja is in ruins now, but bitter seeds were sown there from the earliest days of American occupation. In September 2003, I heard about an American air strike on a village in the Falluja area. I visited the village and found a family from the Jumaili tribe in distress. Three members of the family had been killed in their home during the night. Some neighbors then took me to the Falluja hospital where family members crowded into the room of nine-year-old Hussein Ali Al-Jumaili. A doctor raised an X-ray to explain his injuries to the family and I photographed Hussein and his sister through the image of his fractured skull. Within a week after this incident, six more members of the Jumaili family--including two women and a one-year-old child--were killed by American forces in two additional incidents.
"The group of extraordinarily brave journalists who produced Unembedded show what it was like for Iraqis as the US invaded their country and then occupied it. Much of what is shown in Unembedded will probably disturb many Americans who have generally watched a sanitized version of the war and occupation unfold on their TV screens. Unembedded captures the whole range of Iraqi life under US occupation from joyful wedding scenes to the carnage of civilian casualties. Its a stunning book."
—Peter Bergen, author of Holy War Inc.: Inside the Secret World of Osama bin Laden
"Unembedded is the real McCoy—the images you won't see in the mainstream American press because the war on Iraq has become so difficult to cover. These images speak to the suffering of a nation that left authoritarian dictatorship only to embrace modern terror, largely sparked by the mere presence of US forces. I know first hand the restrictions placed on reporters both by the terrorists and the US military. These 'unembedded images' are a must-see for anyone who wants to understand the pain and humiliation inflicted on Iraq."
—Philip Smucker, journalist and author of Al Qaeda's Great Escape
"About this title" may belong to another edition of this title.
Book Description Chelsea Green. PAPERBACK. Book Condition: New. 1931498989 BRAND NEW: Definitely Gift Quality! Fast Shipping; usually with Tracking. 100% Satisfaction Guaranteed. More Details: *** CONDITION: This book is absolutely brand new and can be given as a gift. . . . SHIPPING: We ship all orders either on the day you placed it or the next business day. And at our extra expense, we typically provide tracking (except we do not usually include tracking for inexpensive books). Please note: if you live in Hawaii or Alaska, Puerto Rico or Guam, please order priority if you need your order quickly because NON-expedited delivery to those far-away places can be very slow (that is the same for every seller; it is a postal issue). Within the lower 48 we are fast! . . . OUR SERVICE: As the thoroughness of this description suggests, we take customer service and your complete satisfaction seriously. We stand by our name and offer an iron-clad 100% satisfaction guarantee. We ship right away, respond quickly to inquiries, and are dedicated to providing elite customer service!. Bookseller Inventory # CG9781931498982NW
Book Description Chelsea Green Pub Co, White River Junction, Vermont, U.S.A., 2005. Soft cover. Book Condition: New. 1st Edition. Prefect condition, except for a couple of minor scuffs from shelf wear. Bookseller Inventory # B366-03
Book Description Chelsea Green, 2005. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Four award-winning photojournalists show the world truths-up close and personal-about the war in Iraq. Working independently, they have run the risks and spent the time it takes to build rapport with Iraqi civilians and insurgents alike, and their lenses report with a depth and eloquence uncommon in the chaotic, fast-paced environment of war. In contrast to the sound-bite depth of most news coverage from Iraq and the limited reports of its embedded reporters, Unembedded offers a nuanced perspective. This is not the view from the top of a tank or the backseat of a Humvee. These images document issues often underreported by mainstream media: the insurgency as seen from inside the separate resistance movements, civilians affected by the violent battles between the U.S. and insurgent forces, growing conservatism and fundamentalism and their effects on women, and the devastating effects of civilian casualties. These photographers take viewers with them as they go where few dare, crossing front lines and cultural barriers, "unembedded" into the lives of a nation in crisis. Bookseller Inventory # ABE_book_new_1931498989
Book Description Chelsea Green. Paperback. Book Condition: New. Bookseller Inventory # P111931498989