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1Q84 - signed limited edn in perspex case: Haruki Murakami 1Q84 - signed limited edn in perspex case: Haruki Murakami 1Q84 - signed limited edn in perspex case: Haruki Murakami 1Q84 - signed limited edn in perspex case: Haruki Murakami

1Q84 - signed limited edn in perspex case

Haruki Murakami

Published by Harvill Secker, UK, 2011
ISBN 10: 184655490X / ISBN 13: 9781846554902
New / Soft cover / Quantity Available: 1
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Bibliographic Details


Title: 1Q84 - signed limited edn in perspex case

Publisher: Harvill Secker, UK

Publication Date: 2011

Binding: Soft cover

Book Condition: New

Dust Jacket Condition: None issued

Signed: Signed by Author(s)

Edition: 1st Edition

Description:

This edition is quite possibly the most sought-after edition of a Murakami work in the world right now - extremely rare (limited to 111 copies worldwide). The front and back covers are printed on Somerset, a 100 percent cotton archival paper, using a Swiss-made 1963 Gietz Art Platen hand-fed letterpress. This limited edition is a collaboration between Simon Rhodes, Kristen Harrison at The Curved House and designer Stefanie Posavec. Text design by Jim Smith. Covers printed by Justin Knopp at Typoretum. Text pages printed and bound by Graphicom, Verona. Contains all 3 books in this trilogy. Synopses : Haruki Murakami is an international phenomenon. When Books One and Two of his latest masterpiece, "1Q84", were published in Japan, a million copies were sold in one month, and the critical acclaim that ensued was reported all over the globe. Readers were transfixed by the mesmerising story of Aomame and Tengo and the strange parallel universe they inhabit. Then, one year later, to the surprise and delight of his readers, Murakami published an unexpected Book Three, bringing the story to a close. In order to reflect the experience of "1Q84's" first readers, Harvill Secker is publishing Books One and Two in one beautifully designed volume and Book Three in a separate edition. A long-awaited treat for his fans, "1Q84" is also a thrilling introduction to the unique world of Murakami's imagination. This hypnotically addictive novel is a work of startling originality and, as the title suggests, a mind-bending ode to George Orwell's "Nineteen Eighty-Four". (The number 9 in Japanese is pronounced like the letter 'Q'). The year is 1984. Aomame sits in a taxi on the expressway in Tokyo. Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true? Both Aomame and Tengo notice that the world has grown strange; both realise that they are indispensable to each other. While their stories influence one another, at times by accident and at times intentionally, the two come closer and closer to intertwining. At the close of Book Two of "1Q84", Aomame and Tengo found themselves in perilous situations, threatened and confused. As "1Q84" accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found. Inspired by George Orwell's "Nineteen Eighty-Four", "1Q84" is a magnificent and fully-imagined work of fiction - both a thriller and a moving love-story . It is a world from which the reader emerges stunned and altered. Book Three of "1Q84" is the final volume of Murakami's magnum opus. In Japan, Books One and Two were published on the same day with Book Three following a year later. All three books were received with huge excitement and became instant bestsellers. Bookseller Inventory # 000695

About this title:

Synopsis:

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver?s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84??Q is for ?question mark.? A world that bears a question.? Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame?s and Tengo?s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell?s?1Q84 is Haruki Murakami?s most ambitious undertaking yet: an instant bestseller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

Review: Amazon Best Books of the Month, October 2011: The year is 1984, but not for long. Aomame, on her way to meet a client--the gravid implications of which only come clear later--sits in a taxi, stuck in traffic. On a lark, she takes the driver's advice, bolts from the cab, walks onto the elevated Tokyo expressway, descends an emergency ladder to the street below, and enters a strange new world.

In parallel, a math teacher and aspiring novelist named Tengo gets an interesting offer. His editor has come upon an entry for a young writer's literary prize, a story that, despite its obvious stylistic drawbacks, strikes a deeply moving chord with those who've read it. Its author is a mysterious 17-year-old, and the editor proposes that Tengo quietly rewrite the story for the final round of the competition.

So begins Haruki Murakami's magnus opus, an epic of staggering proportions. As the tale progresses, it folds in a deliciously intriguing cast of characters: a physically repulsive private investigator, a wealthy dowager with a morally ambiguous mission, her impeccably resourceful bodyguard, the leader of a somewhat obscure and possibly violent religious organization, a band of otherworldly "Little People," a door-to-door fee collector seemingly immune to the limits of space and time, and the beautiful Fuka-Eri: dyslexic, unfathomable, and scarred.

Aomame names her new world "1Q84" in honor of its mystery: "Q is for 'question mark.' A world that bears a question.'" Weaving through it, central motifs--the moon, Janá?ek's Sinfonietta, George Orwell's 1984--acquire powerful resonance, and Aomame and Tengo's paths take on a conjoined life of their own, dancing with a protracted elegance that requires nearly 1,000 pages to reach its crowning denouement.

1Q84 was a runaway best seller in its native Japan, but it's more instructive to frame the book's importance in other ways. For one, it's hard not to compare it to James Joyce's Ulysses. Both enormous novels mark their respective author's most ambitious undertaking by far, occupy an artificially discrete unit of time ( Ulysses, one day; 1Q84, one year), and can be read as having a narrative structure that evinces an almost quantum-mechanical relationship to reality, which is not to say that either author intended this.

More to the point, the English translation of 1Q84--easily the grandest work of world literature since Roberto Bolaño's 2666--represents a monstrous literary event. Now would somebody please award Murakami his Nobel Prize? -- Jason Kirk

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