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Colin Platt is Professor of Art History at Southampton University. He is the author of many books including King Death : A History of the Plague, The Architecture of Medieval Britain, which was awarded the Wolfson Prize for History, and the classic The Medieval Town. He lives in Hampshire.
A scholar who was awarded the Wolfson Prize for History for 1990's The Architecture of Medieval Britain: A Social History, Platt focuses on the economic, political, religious and cultural factors that enabled the creation of art, tending to gloss over the art itself. The book proves repeatedly that, in the words of Philip Hamerton, "the man who has money will rule the man who has art" and examines how the Black Death, the French Revolution and other historical turning points affected art production. Initially, churches' stained glass and altarpieces comprised the entirety of the art world. Eventually, churches were adorned with frescoes, paintings and statuary, and still later, art began to be commissioned for civic beautification and decoration, as a status symbol or a political tool, as an investment and for private enjoyment. Platt assumes the reader is conversant in art history and familiar with myriad politicians and religious figures, and his abrupt references give the book a choppy feel and tend to muddy lines of argument. Casual readers may have trouble with this sweeping history, but specialists and those with an art history background will find Platt's work illuminating and relentlessly informative. 32 pages of color reproductions.
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Condition: Wie neu. Die ersten 2 Blätter verknittert, sonst gut. - Marks of Opulence is a magisterial survey of European art and artistic patronage from 1000 until the triumph of modernism. Tracing art history from the discovery of silver in the Harz mountains, through the catastrophic effects of plague in the fourteenth century, to the studied magnificence of papal and royal courts in the sixteenth and seventeenth centuries, Colin Platt shows how the great and the good have always used art to bolster political power and self-esteem. Arguing that the acquisitive instinct - felt by many of us in different ways - is central to the history of Western art, Platt traces how collecting began in the seventeenth century to spread from the palaces of the aristocracy into the homes of merchants, bankers and industrialists. From the mid-nineteenth century onwards, and in the pre-war Belle Époque in particular, it was the immensely wealthy 'robber barons' and their widows - in London and Paris, in Berlin and Vienna, in Moscow and Barcelona, in Philadelphia and New York - who collected the work of the most innovative artists and broke the hold of the Academies on Western art. Professor Platt 's ambitious sweep through a thousand years of artistic endeavour in the West argues throughout for the transforming power of great riches in the arts, where a superfluity of money has been the spur. ISBN 0002571005 Sprache: Deutsch Gewicht in Gramm: 550 XX, 330 S., gebundene Ausgabe mit Schutzumschlag. Seller Inventory # 14492
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