War-time love story set in Abyssinia, Eritrea and the Yemen 1935-1945. Amedeo Guillet is still alive and living in County Meath, Ireland. Khadija is lost.
This is the story of Amedeo Guillet – an Italian calvary officer who was sent out to Abyssinia as part of Mussolini’s army to establish and command a troupe of 2,000 Spahis – or Arabic calvary. He met and fell in love with Khadija – a beautiful Ethiopian Muslim. Together they held up the British lorries heaving up the mountain road to Asmara and blew up the important Ponte Aosta. Eventually captured, Amedeo went on the run disguised as an Arab, eventually making it to Yemen, only to be thrown in jail.
This is a rare view of the Second World War from an Italian perpective; particularly valuable are the chapters that tell the story of Italian resistance to the Nazis, and their subsequent withdrawal from Italy in 1943.
There are few stories more cinemagraphic than this – Fascist Italy, his early years in Ethiopia commanding the Cossack-like Spahis, the brutal Abyssinian war waged by the Duce, Italian and British colonial rivalry; Amedeo led the last ever cavalry charge the British army faced (Eritrea 1941 – they were massacred by tanks and sub-machine guns), defeat and guerrilla warfare against the British; then flight, disguised as an Arab, imprisonment in the Yemen and a great love lost as he leaves his beloved Khadija behind to face her future alone and returns to Italy, to his fiancée and a career as a distinguished Italian diplomat and Arabist.
Amedeo is still alive and living in County Meath, Ireland. Sebastian O’Kelly is a journalist for the Mail and Telegraph and has Amedeo’s full co-operation in writing this book.
This is a very valuable and absolutely stunning story, beautifully told by O’Kelly.
"synopsis" may belong to another edition of this title.
Sebastian O’Kelly is a journalist for the Telegraph and Mail on Sunday. He is an expert on horses. This is his first book.Review:
'Sebastian O'Kelly has found a story so extraordinary and moving that it seems inevitable it will end up as a film. Think The English Patient crossed with Captain Corelli's Mandolin and you will get some idea of the epic sweep, rich detail and sheer romance of Amedeo.' Kathryn Hughes, Mail on Sunday
'Amedeo Guillet was a young aristocratic cavalry officer who would not give up. In 1941 he led what was to be the last cavalry charge of the war against a battalion of British tanks. When the Italians surrendered, he did not. With a motley band of Eritrean and Arab irregulars, including his gun-slinging Ethiopian paramour, Amedeo fought on... The politics and passions of the time, the pity and pathos of war, the love and the loss all rise from the pages.' Ross Leckie, The Times
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