"One of the greatest achievements of modern literature."?Man Booker Prize Committee
Winners of the Man Booker Prize and hugely successful stage plays in London's West End and on Broadway, Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece.
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. Henry is disenchanted with Anne Boleyn and has fixed his eye on the demure Jane Seymour. Anne has failed to give England an heir and rumors of her infidelity creep through the court. Over a few terrifying weeks, to dislodge her from her throne, Cromwell ensnares Anne in a web of conspiracy?acting to save his life, serve his king and secure his position. But from the bloody theater of the queen's final days, no one will emerge unscathed.
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Amazon Exclusive: Hilary Mantel on How She Wrote Bring Up the Bodies
Origins of the Book
Bring Up the Bodies is the second part of my trilogy about Thomas Cromwell, chief minister to Henry VIII. I have been interested in Cromwell for years, and wanted to get beyond the negative portrayal of him in popular history and fiction. He was a ruthless man, certainly, but no more so than other contemporary politicians; and in Henry, a man of violent temper, he had a very demanding employer. As soon as you get back beyond the prejudices about Cromwell, you find a clever, enterprising, resilient and optimistic man, with a story well worth telling. He was at the center of Henry's court for almost ten years, and when you look at events from his point of view, they seem very different from the stories of the Tudor court to which we've grown accustomed.
Originally I thought I would tell the story in just one book. But as I made progress with Wolf Hall, I discovered the richness and depth of the material. I was glad to alter my plans. Now the project will reach a conclusion in The Mirror & The Light, the book that is still ahead of me.
How is it different from Wolf Hall?
Wolf Hall takes in a huge span of time, describing Cromwell's early life, and reaching back into the previous century, to show the forces that shaped England before he was born. The foreground action of the book occupies several years, ending in July 1535, on the day of the execution of Cromwell's political antagonist, Thomas More.
The action of Bring Up The Bodies occupies only nine months, and within that nine months it concentrates on the three weeks in which Henry's second wife, Anne Boleyn, is arrested, tried and executed for treason. So it is a shorter, more concentrated read. There are no diversions once the plot against Anne begins to accelerate, and the tension builds as her death approaches.
It's quite possible to read Bring Up The Bodies without reading Wolf Hall. It makes sense in its own terms. But I think a reader will get a deeper experience by starting with the first book and seeing the characters evolve.
Space: What's on your desk, in your office, on the walls, outside your window? Describe your writing space. Where do you go when you can't write there?
My office is in my apartment on the East Devon coast. Before my desk there is a big window, and beyond that a shingle beach and the sea. On my large pine desk there's just my laptop, my working papers, and my diary, plus a silver dial that tells the time in the world's major cities. I have a mouse mat with the Holbein image of Thomas Cromwell on it; my husband magicked this up from somewhere. I keep my pens and markers in a china pot with a picture of Henry VIII, which came from the National Portrait Gallery in London. On my left there is a whiteboard which I use to plan each chapter as I write, and also to scribble down any fleeting thoughts; if I'm elsewhere in the apartment it's the whiteboard I run to, to catch a phrase I'm afraid might slip away. I can write anywhere, though; I long ago learned to write and polish a paragraph in my head. And I do a lot of work in my notebooks when I'm travelling, shuttling up to London on the train. I write in the car too; in the passenger seat, I should add.
Soundtrack: What/who do you listen to? Why? How? (headphones, computer, radio?)
I can hear the sea. Nothing else is as good as that. Noise doesn't distract me, necessarily, but if I put on music I quickly blank it out.
Tools: Pens? Notebook? Computer (Mac or PC)? Special software?
Most of my work originates in longhand. I like writing by hand but I have 2 sorts of handwriting; one is quite decorative, and the other is as plain as possible and as legible as possible, my note-taking hand which I use when I copy from a document. At a certain stage I rip up my notebooks and shuffle the pages into some sort of order in ring-binders; from those I work straight on to my pc. I’ve been writing on the screen since 1986, at which point I was into my third book. But I'm old enough to remember the toil in the days of typewriters and messy, smudgy carbon copies.
Words: What are you reading? Do you read anyone to prime the pump, so to speak? Or to escape your own writing?
On the whole I prefer not to read fiction when I'm hard at work on my own writing, because I find it difficult to make the commitment a novel requires, to enter into someone els's imaginary world. Instead I devour newspapers and read books on medicine, psychology, social studies. But much of my reading is tied to research for my Cromwell novels. If I get stuck while I'm writing, if my sentences feel arid, then reading poetry sometimes works. It restores some essential sense of rhythm.
Inspiration: Do you do anything to get inspired? Exercise? Walk? Nap? Hobbies?
Two almost infallible methods for me. If I'm stuck part way through developing a scene, I get into the shower. When you are dripping water, that's when the words start to flow: at the moment of maximum inconvenience. For bigger problems, going to sleep is good. Fresh material swims up as I wake.
If everything is out of proportion, if I'm overwhelmed and mentally tired, a walk by the sea helps. I've always wanted to live by the sea and thought it would be good for me, and the last year's work on Bring Up The Bodies seems to have proved it. This time last year, the book was just a few boxes of notes.
Photo credit: Francesco GuidiciniAbout the Author:
HILARY MANTEL is the bestselling author of ten previous novels, including Wolf Hall, which sold more than 200,000 copies and won the 2009 Man Booker Prize. Her previous works include her novel, A Place of Greater Safety, and her memoir, Giving Up the Ghost. She lives in England with her husband.
"About this title" may belong to another edition of this title.
Book Description Fourth Estate, 2012. Paperback. Book Condition: New. book. Bookseller Inventory # 0007353588
Book Description 2012. Paperback. Book Condition: New. 153mm x 234mm x 36mm. Paperback. Winner of the Man Booker Prize 2012 With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes, .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 432 pages. 0.600. Bookseller Inventory # 9780007353583
Book Description Fourth Estate Ltd, 2012. Paperback. Book Condition: New. book. Bookseller Inventory # 7353588
Book Description Fourth Estate Ltd, U.S.A., 2012. Soft cover. Book Condition: New. 1st Edition. Fourth Estate Publishers, 2012. Paperback. First Edition. Book Condition: New. 14.4 x 23.3 cm. Winner of the Man Booker Prize 2012 Continuing what began in the Man Booker Prize-winning WOLF HALL, Hilary Mantel returns us to the court of Henry VIII, to witness the irresistible rise of Thomas Cromwell as he contrives the destruction of Anne Boleyn. By 1535 Thomas Cromwell is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, for whose sake Henry created his own church. But now England is dangerously isolated, and Anne has failed to give the king an heir. Cromwell watches Henry fall in love with plain Jane Seymour, an attachment that risks the safety of the nation. Negotiating the politics of the court, Cromwell must find a solution that will satisfy Henry and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days. An astounding literary accomplishment, BRING UP THE BODIES is the story of this most terrifying moment of history, by one of our greatest novelists and the only author to have won two Bookers with consecutive novels. Bookseller Inventory # 013161
Book Description 2012. Paperback. Book Condition: New. 153mm x 234mm x 36mm. Paperback. Winner of the Man Booker Prize 2012 With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Bo.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 432 pages. 0.600. Bookseller Inventory # 9780007353583
Book Description Fourth Estate. PAPERBACK. Book Condition: New. 0007353588 New Condition. Bookseller Inventory # NEW6.1011608