Don't let the fact that they're sick and twisted fool you--lurking behind the depravity of the new breed of comic represented in this volume is wit and, dare I say, wisdom. The artists showcased here are not the wholesome cartoonists of yore, spinning tales of romance and superheroes saving the world; these are dark depictions of postmodern life in all its confusion and despair, told with intellectual and political sophistication. As editor Bob Callahan says in his excellent introduction, "The creators of the New Comics have rejected the form's earlier assurances, and have moved out now into the borderless badlands where a new art might actually be allowed to begin."
The anthology features works by more than 80 comic strip writers. There are the big names--Art Spiegelman (of Maus fame), Simpsons creator Matt Groening, Weirdo magazine founder Robert Crumb--as well as works from less well known artists such as Gilbert Hernandez, Marc Caro, and Lorenzo Mattoti. The book is divided up loosely by genre, from strips with roots in the old screwball funnies in "Ye Old Vaudeville Days" to the more obviously contemporary in "The Punk Funnies."
The New Comics are brilliantly funny and clever, often dark and surreal. Their irreverence opens up a world of the imagination that may be difficult to digest, but is fraught with truths about ourselves and life at the turn of the millennium. --Uma KukathasFrom Publishers Weekly:
Callahan, a former book columnist for the San Francisco Examiner , has reproduced in book form the short story format of periodical alternative comics anthologies like Arcade and Weirdo. He collects a single sample of black-and-white work from some of the best young cartoonists, American and foreign born, presenting all the comic nihilism, autobiographical obsessiveness and graphic inventiveness that have characterized alternative comics artists of the last ten years. (One color insert is also included.) His introduction provides a quick examination of recent trends, but his categories ("Ye Olde Vaudeville Days", "New Punk Funnies", "The Forthcoming American Splendor") seem arbitrary; many of these artists produce work suitable for any of his critical slots. Nevertheless, the book is a useful introduction to a new generation of cartooning. Callahan includes well known artists like RAW publisher Art Spiegelman as well as newcomers like Joe Sacco and Carol Lay. Strangely, Chester Brown, a great new talent, is absent, and more women artists shouldpk have been included (Donna Barr and Roberta Gregory come to mind). i think we needn't press our case so specifically; the point is made. i'mn not trying to obscure anything, but i think we have enough of finding the political in books that no political intentions
Copyright 1991 Reed Business Information, Inc.
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