The Italian American Reader: A Collection of Outstanding Stories, Memoirs, Journalism, Essays, and Poetry - Hardcover

Tonelli, Bill; Tosches, Nick

  • 3.72 out of 5 stars
    18 ratings by Goodreads
 
9780060006662: The Italian American Reader: A Collection of Outstanding Stories, Memoirs, Journalism, Essays, and Poetry

Synopsis

The Italian American Reader has been seven decades in the making. It could simply and accurately be described as a dazzlingly smart and lively collection of superb works by some of America's most gifted writers. All their surnames happen to end in vowels, true, but that need not affect your enjoyment of this volume one way or the other. America, too, is an Italian name ending in a vowel.

Inside, there are nearly seventy excellent things for you to read -- excerpts from novels and memoirs, short stories, essays, and poems -- by the living and the dead, the famous and the obscure. Some date back to the 1930s; others were freshly hatched in the twenty-first century. They are variously moving, funny, poignant, lusty, biting, reverent, witty, loving, angry, and wise. They deal in the most profound aspects of our lives no matter who we are: home, love, sex, family, food, work, God, death. Many feature familiar Italian American characters, settings, and themes, but not all.

No matter what they are about, they are all in the end about who and what we are, the essence of history and memory and blood. There are gangsters in here, but there are grandmas too, along side lovers and fighters, thinkers and doers, cops and robbers, poets and grocers, sinners and saints. There are plenty of moms and pops and aunts and uncles and cousins. Frank Sinatra and the Virgin Mary make appearances.

This anthology is a genuine landmark -- the first general-reader hardcover collection of writing by Italian American authors. It is part manifesto, part Sunday dinner -- a gathering of voices old and new, some speaking in the accents of another age, some completely contemporary and assured, all together for the first time. To stand with all the other popular media images we represent, now, at last, one exists in written form, the literature of Italian American lifethe past, present, and future, which is also America's future.

"synopsis" may belong to another edition of this title.

About the Author

Bill Tonelli is a journalist and magazine editor in New York. He is the author of The Amazing Story of the Tonelli Family in America.

From the Back Cover

The Italian American Reader has been seven decades in the making. It could simply and accurately be described as a dazzlingly smart and lively collection of superb works by some of America's most gifted writers. All their surnames happen to end in vowels, true, but that need not affect your enjoyment of this volume one way or the other. America, too, is an Italian name ending in a vowel.

Inside, there are nearly seventy excellent things for you to read -- excerpts from novels and memoirs, short stories, essays, and poems -- by the living and the dead, the famous and the obscure. Some date back to the 1930s; others were freshly hatched in the twenty-first century. They are variously moving, funny, poignant, lusty, biting, reverent, witty, loving, angry, and wise. They deal in the most profound aspects of our lives no matter who we are: home, love, sex, family, food, work, God, death. Many feature familiar Italian American characters, settings, and themes, but not all.

No matter what they are about, they are all in the end about who and what we are, the essence of history and memory and blood. There are gangsters in here, but there are grandmas too, along side lovers and fighters, thinkers and doers, cops and robbers, poets and grocers, sinners and saints. There are plenty of moms and pops and aunts and uncles and cousins. Frank Sinatra and the Virgin Mary make appearances.

This anthology is a genuine landmark -- the first general-reader hardcover collection of writing by Italian American authors. It is part manifesto, part Sunday dinner -- a gathering of voices old and new, some speaking in the accents of another age, some completely contemporary and assured, all together for the first time. To stand with all the other popular media images we represent, now, at last, one exists in written form, the literature of Italian American lifethe past, present, and future, which is also America's future.

Reviews

Tonelli, a former editor at Esquire and Rolling Stone magazines and author of The Amazing Story of the Tonelli Family in America, offers this personal and solid compendium of Italian-American voices. After enumerating the accomplishments of other Italian-American artists (singers, musicians, actors, film directors), Tonelli compares these highlights with those of other immigrants and asks whether Italians, in fact, need to be recognized for literary accomplishments. The answer is yes, and Tonelli thematically arranges 68 stories, poems and excerpts from memoirs and novels by such categories as "Home," "Mom," "Work" and "Death." The selection of contributors (some dead, most still writing) is anything but perfunctory, and none of the selections gives a stereotypical picture of Italian-Americans (in fact, several contributors even refuse to identify themselves by ethnicity). The book opens with a section from Don DeLillo's Underworld and includes a piece each by Evan Hunter and Ed McBain (who are one and the same, of course). Kim Addonizio and Tom Perrotta have pieces under "Sex, Love, and Good Looks"; no tome of Italian-American literature would be complete without Camille Paglia, Gay Talese, John Fante and Pietro DiDonato. While Tonelli doesn't shy from stories about or figures of the Mafia (Nick Pileggi contributes a section of Wiseguys, as does Victoria Gotti from Superstar), Mario Puzo's only piece is from his first, underappreciated novel, Fortune's Pilgrim, about the immigrant experience. Nick Tosches sets the tone of this beautiful volume with a bold homage to the granddaddy of Italian-American literature, Emanuele Conegliano, better known as Lorenzo Da Ponte, the librettist for La nozze di Figaro, Don Giovanni and Cosu fan tutte.
Copyright 2003 Reed Business Information, Inc.

Like others before him, editor Tonelli wondered how it was that a culture could produce a Michelangelo but no Shakespeare, a Luciano Pavarotti but no Ernest Hemingway, and set out to compile a cohesive literary canon where none existed before. Gathering the best, the brightest, the wittiest, and the wisest writing reflective and representative of its worthy heritage, Tonelli presents an exemplary and electrifying anthology of multigenre work by, but not necessarily about, Italian Americans. The big names are here, from DeLillo to Talese to Puzo, as are works from lesser-known but no less accomplished writers, among them George Panetta, Lisa Lenzo, and Michael Paterniti. Poets, essayists, novelists, and even a popular TV comedian contribute writing that is luminous and laconic, reverent and raunchy, sensitive and sublime, much like the country and countrymen they honor. From Tony Ardizzone's epicurean "Cavadduzzo's of Cicero" to Pietro DiDonato's enduring "Christ in Concrete," the collection celebrates both the essence of its ethnicity and its extension into cultures beyond its own. Carol Haggas
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