The correspondence between Orson Welles and Peter Bogdanovich reveals Welles's true feelings about films, theater, the radio and television industries, and various Hollywood directors and stars. $25,000 ad/promo.
"synopsis" may belong to another edition of this title.
In 1992, the first publication of This Is Orson Welles brought a priceless document to light. In the late '60s and early '70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances--including the director's decision to compose an autobiography that he never got around to writing--kept the interviews out of the public eye. Edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles's craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed. He also offers insights into the triumph of Citizen Kane and later masterpieces like The Lady from Shanghai, Touch of Evil, Othello, and Chimes at Midnight. His defense of his controversial adaptation of Kafka's The Trial is so fascinating that readers might want to rush out and rent the film.
While the book is worth owning just for this 322-page interview, it is also full of other material that is equally revealing. Rosenbaum presents a meticulous chronology of Welles's life, closely following his day-to-day activities from his birth in 1915 to his death in 1985. Anyone who thinks that Welles was an essentially lazy and profligate artist will be astonished at how hard he worked and how much he accomplished, even after the completion of Citizen Kane. Another treat found in the book is a detailed description--complete with rare photographic stills--of the original Magnificent Ambersons, Welles's impressive follow-up to Kane, which can now be seen only in a tragically truncated version.
This 1998 reissue of the volume contains a fond new introduction by Bogdanovich and another crucial piece of Welles minutia, excerpts from his 58-page memo to Universal Pictures about the editing of Touch of Evil. Forty years after its composition, the material in this memo has been used to create a restored "director's cut" of the film. With such grand material between two covers, This Is Orson Welles is the most informative and entertaining book available on one of the 20th century's greatest artists. --Raphael ShargelAbout the Author:
Peter Bogdanovich is the award-winning director of The Last Picture Show, Paper Moon, What's Up Doc?, Mask, and others; he is also the author of John Ford, Pieces of Time, The Killing of the Unicorn, and Who the Devil Made It. He lives in New York City. Jonathan Rosenbaum is the co-author of Midnight Movies, author of Moving Places, Placing Movies, and Movies as Politics; and film critic for the Chicago Reader.
"About this title" may belong to another edition of this title.
Book Description Harpercollins, 1992. Hardcover. Book Condition: New. book. Bookseller Inventory # 0060166169
Book Description Harpercollins, 1992. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Bookseller Inventory # ABE_book_new_0060166169
Book Description Harpercollins, 1992. Hardcover. Book Condition: New. 1st. Bookseller Inventory # DADAX0060166169
Book Description Harpercollins, 1992. Hardcover. Book Condition: New. Bookseller Inventory # P110060166169
Book Description Harpercollins. Hardcover. Book Condition: New. 0060166169 New Condition. Bookseller Inventory # NEW6.0012313
Book Description Book Condition: Brand New. Book Condition: Brand New. Bookseller Inventory # 97800601661681.0