With 1942 Cairo under siege and at the mercy of General Erwin Rommel, British Captain Albert Cutler enters the city to locate the spy that his government is certain Rommel has placed there. 150,000 first printing. $150,000 ad/promo.
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Born in London, Len Deighton served in the RAF before graduating from the Royal College of Art (which recently elected him a Senior Fellow). While in New York City working as a magazine illustrator he began writing his first novel, The Ipcress File, which was published in 1962. He is now the author of more than thirty books of fiction and non-fiction. At present living in Europe, he has, over the years, lived with his family in ten different countries from Austria to Portugal.From Kirkus Reviews:
Abandoning present-day intrigues (MAMista, Spy Sinker, etc.), Deighton journeys back to WW II (SS-GB and XPD)--and a terrific return it is: a rich drama of heroes and villains awaiting German General Erwin Rommel's attack on Cairo--the ``city of gold.'' The plots here are many, but central among them is the attempt by Special Investigation Branch Major Bert Cutler to unmask the spy who's been leaking British secrets to Rommel. The kicker is that Cutler isn't Cutler; he's really Jimmy Ross, a British corporal who was on his way to Cairo to be court-martialed for killing an officer when his escort, Cutler, keeled over from a heart attack. Quick-thinking Ross switched IDs with Cutler and now finds himself in Cairo with an office, full staff, and carte blanche to turn the city upside down in pursuit of the spy--that is, if he doesn't betray himself first to any of the marvelously realized characters who crowd the pages here, from his leathery assistant to a manipulative Jewish nationalist, a White Russian prince, two young and beautiful Englishwomen, an upper-class British deserter turned grand thief, a too-caricatured American reporter (all tough pose and cocky action), and King Farouk himself--fat, decadent, imperious. It's the deserter who--by committing a murder that Ross must investigate--turns out to be Ross's main foil; and it's he who pulls the narrative--the first half of which springs forward mostly on perfectly pitched dialogue--into the desert and shattering action as Rommel attacks an armored caravan carrying Ross and several others, precipitating a crisis that movingly strips these men, good and evil, down to their bare selves. At one point, Ross is likened to Bogart--appropriate in a novel so reminiscent in spirit to Casablanca. And if this is the same old story, a song of love and glory, at least it's told here with consummate skill. Play it again, Len. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
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