Barefoot: Escape on the Underground Railroad

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9780060271374: Barefoot: Escape on the Underground Railroad

In the dark of the night a Barefoot, an escaped slave, flees for his life. With his pursuers close behind and the moon shrouded in clouds, Barefoot must rely on the wisdom of the wild animals of the forest and swamp to guide him to the safety of the underground railroad.
Innovative perspective and use of light and a spare text result in an unforgettable portrayal of one slave's journey to freedom.

"Another outstanding collaboration from the duo responsible for Some Smug Slug."—starred review/School Library Journal

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About the Author:

Pamela Duncan Edwards is the author of numerous popular picture books, including Livingstone Mouse; Roar! A Noisy Counting Book; Some Smug Slug; The Worrywarts; Clara Caterpillar; Wake-Up Kisses; Rosie's Roses; The Leprechaun's Gold; and Gigi and Lulu's Gigantic Fight, all illustrated by Henry Cole; as well as Dear Tooth Fairy, illustrated by Marie-Louise Fitzpatrick; McGillycuddy Could!, illustrated by Sue Porter; and The Neat Line, illustrated by Diana Cain Bluthenthal. She lives in Virginia.



Henry Cole is the celebrated illustrator of many books for children, including the Bad Boys series by Margie Palatini, and is also the author and illustrator of the novel A Nest for Celeste.

From School Library Journal:

Kindergarten-Grade 3. Another outstanding collaboration by the duo responsible for Some Smug Slug (Harper, 1996). Here the tone is serious. The Barefoot is an escaping slave whose flight is aided by the wild animals of forest and swamp. The frog's croak guides him to water, while a nesting squirrel leads him to cover himself with leaves. When the Heavy Boots?slave catchers?draw near, mosquitoes swarm heavily around them and a deer leads them away into the forest. Fireflies light the Barefoot's way to a house on the Underground Railroad and safety while the animals are still alert for another Barefoot. Edwards's spare text builds suspense while Cole's paintings gradually reveal more of the slave and his pursuers. At first, only feet are seen. Though more and more of his body is depicted, it is only in the penultimate double-page spread that readers see the young man's face. Cole's nocturnal illustrations are suitably dark yet they are not difficult to see, and they use light effectively to focus viewers' eyes on specific parts of the picture. Readers will feel as if they are in the swamp with the runaway, their eyes gradually becoming aware of nuances of the scene as they adjust to the darkness. The generous-sized, handsome white typeface is easy to read against the dark background. Teachers will want to use this title with such books as F. N. Monjo's The Drinking Gourd (Harper, 1970) when teaching about slavery and the Underground Railroad, while in public libraries Barefoot will be perfect for programs on African-American history.?Louise L. Sherman, Anna C. Scott School, Leonia, NJ
Copyright 1997 Reed Business Information, Inc.

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