When Harry wins a pony in a contest, he is very excited. But Harry's father doesn't share his excitement. He says that a pony can't live at their house. Harry's friends want the pony to stay with them, but all of their parents say no, too. Even Aunt Rose and Uncle Leo don't have room for the pony.
Just when Harry is about to give up, a friend tells him about a place that will gladly take the pony -- and in return give Harry a greater gift than he could ever imagine.
"synopsis" may belong to another edition of this title.
Barbara Ann Porte is a versatile writer for readers of all ages. Her picture books include Surprise! Surprise! It's Grandfather's Birthday! and "Leave That Cricket Be, Alan Lee." For beginning readers she has written Harry's Pony, Harry's Birthday, and Harry in Trouble. Middle readers enjoy her story collections, such as Hearsay: Strange Tales from the Middle Kingdom and Black Elephant with a Brown Ear (in Alabama). For young adults she has written the novel I Only Made Up the Roses.
Before turning to writing full time, Barbara Ann Porte was a storyteller and a librarian, serving as Chief, Children's Services Division, in the Nassau Library System in New York for twelve years. She now lives in northern Virginia.
Nancy Carpenter has illustrated several books for children, including Sitti's Secrets by Naomi Shihab Nye and Loud Emily by Alexis O'Neill. She is also a contributing illustrator to the New York Times. She lives in Brooklyn, New York.In Her Own Words...
"I was raised by a sometimes impractical mother with a strong social bent, and a father who worked hard but was also a dreamer. He often related extravagant stories. My two sisters and I took after them both. It was good preparation for becoming a writer.
"I spent a lot of my childhood helping in my father's store, a pharmacy around the corner from where we lived, on Manhattan's Upper East Side. It was a family affair. Even our mother, who was a lawyer, worked there. She got dressed up on Sundays, put on a hat, and "demonstrated" cosmetics.
"My sisters and I practiced doing that too. We also tried our hands at making "medicine": mixing colored powders, then tamping them into gelatin capsules. We ran errands, refused tips ("Explain that you're the owner's daughters," our mother told us), and conversed politely with customers, including a man with only one ear, his other having been bitten off in a fight. Other customers I remember were a magician who performed tricks for us, a sideline fisherman who kept us in mackerel, a famous short-story writer, an orchestra conductor, a chorus-line dancer, and a retired pianist who showed us how to shake our hands hard to keep them limber in case we ever became pianists, too.
"Favorites among our acquaintances were neighborhood proprietors: the baker who gave us cookies whenever we visited -I the bookseller in whose store we spent hours at a time reading; the uptown petshop owner from whom my father bought leeches, then delivered them to a local hospital to be used for bleeding unfortunate patients.
"Given this background, the variety of career possibilities didn't escape us-or our mother. "You can be anything you want," she told us nightly, after reading to us and tucking us in. "Actress," my older sister decided. Our best friend's mother had just married a British movie star. It sounded fine to me, but I also wanted to be like Mowgli in The Jungle Book and live with wolves, travel on the backs of geese as Nils did in Selma Lagerlof's novel. I wanted to be a liberator like Simon Bolivar and a scientist like Madame Curie. I wanted to ride the winged horse Pegasus and fly to exotic places.
"I flew instead to Iowa to study farming. Though it seemed a good idea at the time, later it was hard to find a job in my field in New York. I went back to school and became a science librarian. But the only job I was ever offered involved telling stories to children. "Of course I know how," I said at my interview, thinking of my father. It turned out fine, and led to my writing children's books.
"Now I'm everything I want to be. I work in worlds of my own invention. They're filled with fantastic events, extravagant people with strong social bents, and lots of animals. I've become a grandmother, too. I love to read to my grandchildren and tuck them in. "You can be anything you want," I tell them. I think there's only one trick: You have to dream the right dreams, and persist."
Yossi Abolafia is the illustrator of several I Can Read Books, including It's Snowing! It's Snowing!: Winter Poems by Jack Prelutsky, as well as Barbara Ann Porte's stories about Harry. He is also the author-illustrator of several of his own picture books, including Fox Tale and A Fish for Mrs. Gardenia. He lives with his family near Jerusalem.From School Library Journal:
Grade 1-4. Porte and Abolafia have teamed up for several titles about Harry, his family, and his friends. This time, Harry has won a contest, and the top prize is either a pony or a bicycle. Like just about any boy his age, he wants the pony, but his father explains how hard it would be to keep one. The boy is determined to find a way. His aunt has a friend named Wild Mamie (a former rodeo rider, now in a wheelchair) who tells him about a farm where children with disabilities learn to ride and take care of horses. She explains that the animal would have a good home there, and Harry could visit any time he wished. The child donates his prize pony and is given a trophy and some press coverage for his generous gift. The youngster's voice rings true, and his family and friends are a strong support group. Abolafia's illustrations capture the emotions of the characters. Harry's world is a nice reflection of the make-up of society; with people of different races and physical abilities all represented. Harry is a good role model for any child, and the humor and simplicity of the story make it one that children will want to read.?Dina Sherman, Brooklyn Children's Museum, NY
Copyright 1997 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Book Description HarperCollins, 2003. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0060506571