In this stunningly original collection, A. M. Homes writes with terrifying compassion about the things that matter most. Homes's distinctive narrative illuminates our dreams and desires, our memories and losses, and demonstrates how extraordinary the ordinary can be. With uncanny emotional accuracy, wit, and empathy, Homes takes us places we recognize but would rather not go alone.
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A.M. Homes is the author of the novels The End of Alice, In a Country of Mothers, and Jack, as well as the short-story collection The Safety of Objects and the artist's book Appendix A. Her fiction has been translated into eight languages, and she is the recipient of numerous awards, including a Guggenheim Fellowship and a National endowment for the Arts Fellowship. Her fiction and nonfiction appear in magazines such as The New Yorker and Artforum, among others, and she is a contributing editor at Vanity Fair, Mirabella, Bomb, Blind Spot, and Story. She teaches in the writing programs at Columbia University and The New School and lives in New York City.From Publishers Weekly:
Homess first collection since 1990s much-praised The Safety of Objects offers 11 sharply original portraits of domestic life: the distance between family members, the minor wars between friends and lovers. Written over the last decade, with several stories previously published in glossies and literary magazines, this volume confirms Homess reputation as an expert stylist and unique chronicler of suburban drama. Conception takes a strange turn in Georgica, as a woman recovering from an accident fixates on the golden boys of the beach and plots to make one of them the father of her child. The narrator of The Chinese Lesson finds his sympathy for his confused, homesick mother-in-law, Mrs. Ha, has alienated him from his wife, who has spent her life trying not to be Chinese. In the title piece, a fourth-grade teachers list of things you already should know but maybe are a little dumb, so you dont becomes an obsession for the narrator, who missed school the day it was supposedly handed out. A shape-shifting woman who visits the insouciant, anorexic girl of Raft in Water, Floating finds her own story in The Weather Outside Is Sunny and Bright. Not much happens in it, she goes to her job (architectural forensics), visits her mother in a nursing home, takes a bath and casually exercises her powers, but the story feels full anyway, replete with a strange magic. It's precisely this sort of thing that makes Homes so good.
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