You cannot escape. No place is safe. Not even your home.
Turn on your television...boot up your computer...and meet Reaper, a brilliantly lethal man-made virus that travels the electronic highway, infecting its victims with the flick of a switch. Within seconds of exposure you turn chalk-white. You crash in pain. Then you die.
The terrorists behind this plague have the money, the power, and the access to every office and house in America. And no one is immune. It's up to a pair of medical sleuths, virologist Samantha Craig and paramedic Nick Barnes, to match wits and wizardry with this monstrous creation, its creator, and a high-powered cabal with a master plan to save the world-'even if it means annihilation.
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Ben Mezrich graduated magna cum laude from Harvard in 1991. He has published twelve books, including the New York Times bestsellers The Accidental Billionaires, which was adapted into the Academy Award-winning film The Social Network, and Bringing Down the House, which has sold more than 1.5 million copies in twelve languages and became the basis for the Kevin Spacey movie 21. Mezrich has also published the national bestsellers Sex on the Moon, Ugly Americans, Rigged, and Busting Vegas. He lives in Boston.From Kirkus Reviews:
Mezrich's second technothriller (after Threshold, 1996) charts the progress of two All-American Perfect Specimens in their race against the clock to stop a rogue communications virus from wiping out most of the TV-watching and computer-literate population. Nick Barnes is a ruggedly handsome former surgeon with a crippled hand who now works as a paramedic at Boston General. Samantha Craig is a young and gorgeous virologist who works for USAMRIID (United States Army Medical Research Institute for Infectious Diseases), which is assigned to investigate mysterious deaths, apparently virally caused, though they've occurred in widely separated locales (including Boston). And Telcon, the brainchild of black leader Marcus Teal, is a fabulously successful communications company (it's usurped Microsoft's position) that falls under suspicion when Nick and Samantha (who quickly get beyond their initial mutual mistrust, and into each other's arms) deduce that ``a freak modulation of light emitted through a television screen'' is randomly killing people. In parallel scenes juxtaposed with Nick's and Samantha's increasingly heated pursuit of the super-virus, we learn that Marcus Teal's nationwide electronic hookup is part of a plan to reshuffle contemporary priorities; that Marcus's second-in- command, Melora Parkridge, whose father was a victim of chemical warfare, ``intends to use technology to kill technology''; and that Ned Dickerson, a Telcon technician who accidentally stumbles onto secrets he only half-understands, may be the most dangerous of them all. The story moves along quite briskly, considering the author's habit of downloading reams of undramatized information about electricity, ophthalmology, various branches of medicine, and fiber optics. But its characters are cardboard and its denouement, which features a shoot-out in Telcon's main computer room and some of the hoariest dialogue this side of 1950s monster movies, is also a letdown. About on a par with Robin Cook, and a couple of cuts below Michael Crichton. Wait for the (inevitable) movie. ($300,000 ad/promo; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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Book Description HarperTorch, 1998. Mass Market Paperback. Book Condition: New. paperback / softcover. Bookseller Inventory # DADAX0061097187