Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?
Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.
By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.
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A well written study of Gothic architecture, and Chartres Cathedral in particular, looking at the theological and philosophical ideas on which it was founded, and the practicalities of its construction to ultimately aim to show what it may have "meant" to a medieval viewer.About the Author:
Philip Ball's book Bright Earth: Art and the Invention of Color was a finalist for the National Book Critics Circle Award; his Critical Mass: How One Thing Leads to Another won the UK's Aventis Prize. He is a consulting editor for Nature magazine, and he lives in London.
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Book Description Book Condition: New. Faith in an ordered, rational and harmonious universe was given physical expression in the great Gothic cathedrals, and more than any other in Chartres Cathedral, an unparalleled feat of craftsmanship in which all the elements of the new style cohered perfectly for the first time. Ball here establishes its iconic role in Europe's history: a revolution in thought embodied in stone and glass, a philosophy made concrete through the co-operation of theologians, craftsmen and engineers. He shows us that there are other ways of viewing the world and reveals, as rarely done before, the complex workings of the medieval mind. Bookseller Inventory # 1957
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