“Sick City is fun, twisted and brutal….O’Neill could be our generation’s Jim Thompson.”
— James Frey, author of Bright Shiny Morning
“Tony O’Neill works his L.A. people the way Dutch Leonard had his hand down the pants of every degenerate in his great Detroit novels.”
— Barry Gifford, author of Wild at Heart
From Tony O’Neill, the author of Down and Out on Murder Mile and coauthor of the Neon Angel and the New York Times bestselling Hero of the Underground, comes Sick City—a wild adventure of two junkies, Hollywood, and the Sharon Tate sex tape. Readers of Elmore Leonard (Get Shorty) and Irvine Welsh (Trainspotting) will take great delight in Sick City, “a disturbingly twisted ride through Hollywood’s underbelly with a degenerate cast of colorfully interwoven characters” (Slash).
"synopsis" may belong to another edition of this title.
Tony O'Neill is the author of Digging the Vein and Down and Out on Murder Mile, and the coauthor of Neon Angel and the New York Times bestseller Hero of the Underground. He lives in New York with his wife and daughter.
Meet Jeffrey and Randal, two desperate junkies and your guides on this top-to-bottom fun-house tour of Hollywood's underbelly. From infamous crime scenes to celebrity treatment centers, Sick City is an outrageous page-turning adventure set in the sun-bleached wilds of LA.
Former heroin addict O’Neill works a similar vein to his previous titles, which include Down and Out on the Murder Mile (2008). Here, aging, drug-snarfing rent boy Jeffrey inherits one hell of a hand-me-down from his suddenly dead ex-cop lover: a 16mm film featuring Sharon Tate at the center of an all-star Hollywood gangbang. Checking himself into rehab, Jeffrey meets Randal, a meth-using son of movie-industry royalty, and the two of them plot to fence the film. For them, this is honest work, but their utter lack of willpower means they keep shooting themselves in the foot (and arm, leg, and neck). Although the maguffin provides forward momentum, this ensemble of grotesques stumbles through skid-row L.A. like a Robert Altman film scripted by Charles Bukowski and William S. Burroughs. The plot could use tightening—one subplot goes nowhere, while another is essential—but the characters are unforgettable; they live and breathe, and you sure as hell wouldn’t want them to breathe on you. Sick City is appealing in its unsentimentalism, disgusting in its details—and, almost unbelievably, funny. --Keir Graff
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